Benjamin Black - A Death in Summer

At last, cautiously, anxious not to make a sound, she stood up from the bed. She made to switch on a lamp but changed her mind. At the window the light from the streetlamp outside had erected a tall box of faint grainy radiance into which she stepped, searching in her purse for change. On her way out she paused by the bed and lifted the hanging half of the coverlet and draped it over the sleeping young woman. Then she went down to the hall and on the telephone there called Jimmy Minor.

Jimmy was in the newsroom at the Clarion, writing up a report on a train crash out at Greystones. “No,” he said, “no one killed, damn it.”

She told him the gist of Dannie’s story, hearing how unlikely it sounded, how crazy, and yet how persuasive too, in all its awfulness. By the time she was finished, her pennies had run out and Jimmy said he would call her back. She waited by the phone but five minutes or more passed before it rang. Jimmy’s tone had changed now; he sounded distant, almost formal. Had he been speaking to someone in the office, had he sought someone’s advice? He said he thought Dannie must be having a breakdown, and that Phoebe should call a doctor for her. Phoebe was puzzled. She had thought Jimmy would leap at the story, that he would drop everything and grab his hat and coat, like a reporter in a film, and come rushing up to Baggot Street to hear it for himself, from Dannie’s own lips. Was he afraid? Was he worried for his job? The Jewells still owned the Clarion, after all, and Richard Jewell’s brother, Ronnie, was expected to arrive any day from Rhodesia and take over the running of the business. Phoebe was disappointed in Jimmy-more, she felt abandoned by him, for despite any reservations she might have about him she had always thought of Jimmy as a fearless friend.

“She’s raving,” he said coldly, “she must be. She’s half mad most of the time, isn’t she? Or so I hear.”

“I don’t think it’s all a fantasy,” Phoebe said. “You didn’t hear her, the conviction in her voice.”

“Loonies always sound convincing-it’s what keeps the head doctors in employment, trying to find the grain of truth in the sackloads of chaff.”

How glib he is, she suddenly thought, glib and-yes-and cowardly. “All right,” she said dully. “I’m sorry I called.”

“Listen-” he began, with that whine that came into his voice when he felt called on to defend himself, but she hung up before he could say any more.

Why should she listen? He had not listened to her.

She had no more pennies, but she found a sixpence at the bottom of her purse, and pressed it into the slot, and dialed.

Rose Griffin, who was rich, had made her husband, Malachy, sell his house in Rathgar after he married her, and now the couple lived in glacial splendor in a square white mansion on Ailesbury Road not far from the French embassy. It was almost midnight when the taxi carrying Dannie Jewell and Phoebe drew up at the high wrought-iron gates. Rose was standing in the lighted doorway, waiting for them. She wore a blue cocktail dress with a light shawl draped over her shoulders. She had been to dinner at the American ambassador’s residence in the Phoenix Park. “Your phone call caught me just as I came in,” she said in her broadest southern drawl. “What an evening-my dears, the tedium! Malachy, by the way, is off at some conference or other-all about babies, I’m sure-so I’m all alone here, rattling around like a dry old bean in a dry old pod.” She turned to Dannie. “Miss Jewell, I don’t believe we’ve met, but I’ve heard of you.”

She led the way along the hall, over the gleaming parquet. They passed by large lofty rooms with chandeliers and crammed with big gleaming pieces of dark furniture. Rose wore high heels, and the seams of her stocking were as straight as plumb lines. She prided herself, Phoebe knew, on never being caught unprepared. On the phone she had listened without comment or question while Phoebe told her about Dannie, and then had said at once that they must take a taxi, both of them, and come to Ailesbury Road. “I would send the car for you, but I told the driver to put it in the garage and go home.”

Now she stopped and opened the door onto a small but splendid study, with leather-upholstered armchairs and a small exquisite Louis XIV writing desk. There was a Persian rug on the floor, and the curtains were of yellow silk, and the walls were hung with small dark-framed oil paintings, one of them a portrait by Patrick Tuohy of her first husband, Phoebe’s grandfather, the rich and wicked late Josh Crawford. A small fire of pine logs was burning in the grate-“I know it’s supposed to be summer here,” Rose said, “but my American blood is awfully thin and needs constant warming in this climate. Sit down, my dears, do. Shall I have the maid bring us something-some tea, perhaps, a sandwich?-I know she’s still awake.”

Dannie was dazed after her sleep, but she was calm; just coming here had calmed her, for Rose was the kind of person she was accustomed to, Phoebe supposed, rich and poised and in manner reassuringly remote. Phoebe said no, that she wanted nothing, and neither did Dannie, that they had been drinking coffee and she was still fizzing from the effects of it. And it was true, her nerves felt like a pit of snakes, not only because of the caffeine, of course. This night and the things that had happened and were happening still had taken on the dark luster of a dream. Perhaps Jimmy Minor was right; perhaps Dannie was suffering from delusions, delusions that Phoebe had foolishly entertained, and now was asking Rose to entertain as well. But Rose at least was real, with her drawling voice and lazily accommodating smile, and that look she had, both tolerant and skeptical, made Phoebe trust her more than anyone else she knew.

Dannie sat down in one of the leather armchairs, and lay back between the outthrust wings with her arms folded tightly across her breast as if she, too, were in need of warming. Rose remained standing, leaning against the writing desk, and lit a cigarette and peered at Dannie with interest. “I know your sister-in-law,” she said to Dannie, “Mrs. Jewell-Francoise. That is, I’ve spoken to her on occasion.”

Dannie seemed not to be listening. She was gazing into the fire with a drowsy expression. Perhaps, Phoebe thought, she would not speak now; perhaps she had said enough, sitting for that hour on Phoebe’s bed, in the gathering dark; perhaps, now that she had made her confession, her mind was at peace and needed to lacerate itself no further. Phoebe glanced at Rose and Rose lifted an eyebrow.

Then Dannie did speak. At first it was no more than a sort of croaking sound that she made, deep in her throat. “Pardon me, my dear?” Rose said, leaning forward where she stood. “I didn’t catch that?”

Dannie looked at her, as if seeing her for the first time. She coughed, and gave herself a sort of shake, embracing herself more tightly still. “I killed him,” she said, in a voice that was suddenly firm and clear. “I killed my brother. I’m the one. I took his gun and shot him.” She laughed, a short sharp barking sound, nodding her head vigorously, as if someone had tried to contradict her. “I’m the one,” she said again, adding, as if proudly, this time, “I’m the one that did it.”

Phoebe wandered through the grand rooms of Rose’s house. They had the air of rooms that were meant not to be lived in but only looked at and admired. They were too brightly lit by those great ice storms of crystal suspended under the ceiling with their countless blazing bulbs. She felt that she was being watched, not just by the portraits on the walls, with their moving eyes, but by the furniture, too, by the ornaments, by the very place itself, watched, and resented. Rose and Dannie were still in the study, talking. Rose had made a silent signal to Phoebe to leave the two of them alone, and now she was pacing here, listening to her footsteps as if they were not her own but those of someone following impossibly close behind her, on her heels.