Reginald Hill: A pinch of snuff

'Bloody right not,' said Mrs Abbott. 'And I'll tell you something else for nothing. It's a job. I get paid for it. And whatever I do, I do with lights on me, and a camera, and a lot of technicians about who don't give a bugger, and you can see everything I do up there on the screen. I'm not like half these so-called real actresses who play the Virgin Mary all day, then screw themselves into another big part all night. Lorraine! I told you to keep off of that road!'

'Well, thank you, Mrs Abbott,' said Pascoe, glancing at his watch. 'You've been most helpful. I'm sorry to have troubled you.'

'No trouble, love,' said Mrs Abbott.

He dug into his pocket and produced a ten-pence piece which he gave to Lorraine 'for sweeties'. She waited for her mother's nod before accepting and Pascoe drove off feeling relieved that after all he had not been categorized as a 'funny bugger', and feeling also that at the moment Jack Shorter would top his own personal list.

He needn't have worried about his meeting. It started late because of the non-arrival of one of the senior members and was almost immediately suspended because of the enforced departure of another. Reluctantly Pascoe found a phone and rang Ellie to say that his estimate of a seven o'clock homecoming had been optimistic.

'Surprise,’ she said. 'Will you eat there?'

'I suppose so,’ he said.

'I was hoping you'd take me out. You get better service with a policeman.'

'Sorry,' said Pascoe. 'Better try an old boy-friend. See you!'

He replaced the receiver and went back to the conference room where Inspector Ray Crabtree of the local force told him they were scheduled to restart at seven.

'Fancy a jar?' asked Crabtree. He was a man of forty plus who had gone as far as he was likely to go in the force and had a nice line in comic bitterness which usually entertained Pascoe.

'And a sandwich,' said Pascoe.

'Where do you fancy? Somewhere squalid or somewhere nice?'

'Is the beer better somewhere squalid?'

'No.'

'Or the food cheaper?'

'Not so's you'd notice.'

'Then somewhere nice.'

'That's a sharp mind you've got there, Pascoe,’ said Crabtree admiringly. 'You'll get on. ‘Somewhere nice' was the lounge bar of a large, plush and draughty hotel.

Crabtree ordered four halves of bitter.

'And two rounds of ham, Cyril,' he added. 'Tell 'em it's me and I like it cut with a blunt knife.'

'They only serve halves in here,' he said as they sat down. 'Bloody daft. You've got to get them in twos. Wouldn't do for Sitting Bull.'

'Who?'

'Dalziel. Your big chief. You know, I could have had his job.'

'I didn't know that,' said Pascoe.

'Oh yes. We were up before the same promotion board once. I thought I'd clinched it. They asked, are you as thick as Prince Philip? "Oh yes," says I. "Twice as thick."'

'And what did Dalziel say?'

'He said, "Who's she"?'

The sandwiches arrived, filled with thick slices of succulent ham, and Pascoe understood the advantages of a blunt knife.

'Do you know a company called Homeric Films?' he asked for the sake of something to say.

Crabtree paused in his chewing.

'Yes,' he said after a moment and took another bite.

'End of conversation, is it?' said Pascoe.

'You could ask if I'd seen any good films lately,' said Crabtree.

'All right. Have you?'

'Yes, but none of 'em were made by Homeric.

‘They're a skin-flick bunch, but if you know enough to ask about them, you probably know as much as me.'

'Why the pause for thought, then?'

'I said you'd a sharp mind. Mebbe I was just chewing on a bit of gristle.'

'It seems to me,' said Pascoe, 'that they have more sense here than to serve you gristle.'

'True. No, truth is you just jumped in front of my train of thought. What's your interest?'

'No interest. They just cropped up apropos of something. What was your train of thought?'

Crabtree finished his first half and started on his second.

'See in the corner to the left of the door?' he said into his glass.

'Yes,' said Pascoe glancing across the room. Three people sat round a table in animated conversation. Two were men. They looked like brothers in their fifties, balding, fleshy. The third was a woman, gross beyond the wildest dreams of gluttony. Surely, thought Pascoe, no deficiency of diet could have produced those avalanches of flesh. She wore a kaftan made from enough shot silk to have pavilioned a whole family of Tartars in splendour, and girded quite a few of them into the bargain. Dalziel would love her. It is not enough (Pascoe paraphrased) to lose weight; a man must also have a friend who is grotesquely fat.

'Homeric Films,' said Crabtree. 'They put me in mind.'

'How?' asked Pascoe but before Crabtree could answer, the huge woman rose and rolled across the room towards them.

'Raymond, my sweet,' she said genially. 'How pleasant and how opportune. I hope I'm not interrupting anything?'

Pascoe stared in amazement. It was not just that on closer view he realized how much he'd underestimated the woman's proportions. It was the voice. Seductive, amused, hinting at understanding, promising pleasure. He recognized it. He'd heard it on the phone that morning.

'Inspector Pascoe,' said Crabtree, rising. 'I'd like you to meet Miss Latimer. Miss Latimer is managing director of Homeric Films.'

'Why so formal, Ray? I'm Penelope to all Europe and just plain Penny to my friends. But soft awhile. Pascoe?'

'We spoke this morning.'

'So! When a girl says come up and see me, you let no grass grow!'

'It's an accident,' said Pascoe unchivalrously. 'But I'm glad to meet you.'

'Join us, Penny?' said Crabtree.

'Just for a moment.'

She redistributed herself around a chair and smiled sweetly at Pascoe. She had a very sweet smile. Indeed, trapped in that flesh like a snowdrop in aspic, a small, pretty, girlish face seemed to be staring out.

'Will you have a jar?' asked Crabtree.

'Gin with,' said the woman.

'It's my shout,' said Pascoe.

'It's my patch,' said Crabtree, rising.

'How's the case, Inspector?' asked Penny Latimer.

'No case,' said Pascoe. 'People tell us things, we've got to look into them.'

'And you've looked into Linda Abbott?'

'Do you know her? Personally, I mean,' countered Pascoe.

'Only as an actress. Socially I know nothing, which was why we struck our little bargain, just in case. How were her teeth?'

'Complete.'

'Don't sound so disappointed, dear. What now? Would you still like to see Gerry?'

'I don't know. Not unless I really have to. But you never know.'

'You could spend an interesting day on the set,' she said. 'Really. I mean it. Do you good.'

'How?'

'For a start, it'd bore you to tears. You might find it distasteful but you wouldn't find it illegal. And at the end of the day you might even agree that though it's not your way of earning a living, there's no reason why it shouldn't be somebody else's.'

Pascoe downed his second half in one and said, 'You're very defensive.'

'And I know it. You're bloody aggressive, and I don't think you do.'

'I don't mean to be,' said Pascoe.

'No. It's your job. Like one of your cars stopping some kid on a flash motor-bike. His licence is in order, but he's young, and he's wearing fancy gear, and he doesn't look humble, so he gets the full treatment. Finally, reluctantly, he gets sent on his way with a warning against breathing, and the Panda-car tracks him for the next ten miles.'

'I grasp your analogy,' said Pascoe.

'Chance'd be a fine thing,' she answered. Their gazes locked and after a moment they started to laugh.

'Watch her,' said Crabtree plonking down a tray with a large gin, with whatever it was with, and another four halves. 'She'll have you starring in a remake of the Keystone Cops – naked.'