Reginald Hill - Born Guilty

A Joe Sixsmith novel

Harper An imprint of HarperCollins Publishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain in 1995 by Collins Crime

© Reginald Hill 1995

Reginald Hill asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780007334810

Ebook Edition © AUGUST 2015 ISBN: 9780007391905

Version: 2015-07-27

Cover

Title Page REGINALD HILL BORN GUILTY A Joe Sixsmith novel

Copyright Copyright Copyright 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Keep Reading About Reginald Hill By Reginald Hill About the Publisher Harper An imprint of HarperCollins Publishers 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain in 1995 by Collins Crime © Reginald Hill 1995 Reginald Hill asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books. HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication. Source ISBN: 9780007334810 Ebook Edition © AUGUST 2015 ISBN: 9780007391905 Version: 2015-07-27

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Keep Reading

About Reginald Hill

By Reginald Hill

About the Publisher

This all started when Joe Sixsmith came sneaking out of a small side door at St Monkey’s.

The reason he was in St Monkey’s was to rehearse Haydn’s Creation .

The reason he was sneaking out was that on arrival his Aunt Mirabelle had seized his arm in a grip like a council bailiff’s and said, ‘What’s this I’ve been hearing, Joseph?’

Only the impatient rattatooing of Mr Perfect’s baton saved him from immediate grilling.

Joe had no problem guessing what it was Mirabelle had been hearing. Galina Hacker, that’s what. Normally his aunt, a firm believer that any bachelor butting forty and not an alto needed a wife, would have been delighted to hear her baritone nephew was keeping company. But in this case, as well as being an affront to her own preferred candidate, Beryl Boddington (who gave Joe a little wave from the sopranos as they took their place), rumours about Galina must have hit the Rasselas Estate like word of Mrs Simpson reaching Lambeth Palace.

Joe, a reasonable though not always a rational man, could see how it might be a shock to the auntly system to learn he’d taken up with a spiky-haired seventeen-year-old with a stud in her nose, no bra, and a skirt like a pelmet. But he saw no reason to explain himself. On the other hand, he saw every reason to avoid interrogation.

If the Boyling Corner Concert Choir had been on its home ground, he wouldn’t have stood a chance. Mirabelle had the few exits from the square-built chapel more tightly covered than a nun’s nipples. But the choir’s growing reputation had led to an invitation to join with the South Bedfordshire Sinfonia and St Monkey’s Chorale in a performance of the oratorio to mark the five hundredth anniversary of the granting of Luton’s Royal Charter. After token resistance from some of the older members, Boyling Corner had agreed that it made sense for the performance to take place in St Monica’s (known to impious Lutonians everywhere as St Monkey’s). Its advantages were obvious. Better acoustics, central situation, more seating space. And, less obvious, but best of all to a desperate man, a much greater variety of escape routes.

Joe waited for the final Amen. He glanced towards the contraltos. Mirabelle’s eyes were fixed firmly on Mr Perfect’s – that is to say, the conductor, Geoffrey Parfitt’s – raised baton. As it came down, he took a step backwards into the taller men behind him. His heel came down on someone’s toe and a voice shot up an anguished octave.

‘Sor-ry!’ sang Joe.

Then he was off like a whippet. He’d spotted an outer door in a small side chapel. He’d no idea if it would be open, but if you couldn’t trust God in a place like this, what’s a heaven for? As he reached the door he heard the conductor saying, ‘Not bad, but still a way to go. Wrap up well. It’s a raw night and we don’t want any sore throats, do we?’

He grasped the handle, turned it, felt resistance, said a prayer, and next moment he was safe in the darkness of the night.

Mr Perfect was right. The air was cold and dank, but Joe sucked it in like draught Guinness. His first instinct was to turn left and head for the bright lights of St Monkey’s Square from which it was only a short step to the real Guinness at the Glit. But that could be a fatal error. For a woman of her age and bulk, Mirabelle was no slouch over fifty yards. Better safe than sorry. He turned right and headed into the gloomy hinterland of the churchyard.

Though it had a Charter, Luton didn’t have a cathedral. The rich burghers of the last century had set about compensating for this oversight by commissioning the erection of the largest parish church in the country. The money ran out before it quite reached that stature, but it was big, and The Lost Traveller’s Guide, the famous series devoted to places you were unlikely to visit on purpose, described St Monkey’s as ‘a splendid example of the controlled exuberance of late Victorian Gothic’.

Joe, like most Lutonian kids, had found its cypressed grounds and the dark nooks formed by its many buttresses very convenient for the controlled exuberance of early sexual adventure. But that had been a good twenty years ago, before the sand got in the social machine and civilization started grinding to a halt.