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Keigo Higashino: Malice

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Keigo Higashino Malice

Malice: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Malice»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

“This smart and original mystery is a true page-turner… will baffle, surprise, and draw out suspicion until the final few pages. With each book, Higashino continues to elevate the modern mystery as an intense and inventive literary form.” — (starred review) “Fiendishly clever… Higashino offers one twist after another… Readers will marvel at the artful way the plot builds to the solution.” — (starred review) Acclaimed bestselling novelist Kunihiko Hidaka is found brutally murdered in his home on the night before he’s planning to leave Japan and relocate to Vancouver. His body is found in his office, a locked room, within his locked house, by his wife and his best friend, both of whom have rock solid alibis. Or so it seems. At the crime scene, Police Detective Kyochiro Kaga recognizes Hidaka’s best friend, Osamu Nonoguchi. Years ago when they were both teachers, they were colleagues at the same public school. Kaga went on to join the police force while Nonoguchi eventually left to become a full-time writer, though with not nearly the success of his friend Hidaka. As Kaga investigates, he eventually uncovers evidence that indicates that the two writers’ relationship was very different that they claimed, that they were anything but best friends. But the question before Kaga isn’t necessarily who, or how, but why. In a brilliantly realized tale of cat and mouse, the detective and the killer battle over the truth of the past and how events that led to the murder really unfolded. And if Kaga isn’t able to uncover and prove why the murder was committed, then the truth may never come out. Malice

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“In the flesh.” He bowed politely. “It’s been a while.”

“It certainly has.” I nodded back to him. I looked at him again. He had good features, and age had improved them. It had been at least a decade since I’d seen him, maybe longer. “I’d heard you’d joined the police force. Never imagined our reunion would be under these circumstances.”

“I was surprised, too. When I heard who discovered the body, I wondered if it was someone else with the same name. At least until I saw your business card.”

“Nonoguchi isn’t the most common surname out there, I know.” I shook my head. “What a coincidence!”

“We can talk in the car. I’ll give you a lift. Sorry it’s not a private car.” He opened the rear door for me. The uniformed officer got into the driver’s seat.

Kaga, fresh out of graduate school, had come to work at the middle school where I used to teach social studies. Like most new teachers, he was passionate about the job. An accomplished kendo practitioner, he’d taken over the school’s kendo club, and he made quite an impression on the other teachers.

He’d quit teaching after only two years for a number of reasons, though as far as I could tell, none of it was his fault. Still, I suspect he wasn’t cut out to be a teacher in the first place. However, I’m sure his departure from the school had more to do with the way things were going for him at the time.

“Which school are you at now?” Kaga asked, soon after the car started down the street.

Kaga. That’s what I’d called him when he was a new hire at the school. I’d have to remember to call him Detective Kaga now.

I shook my head. “I was working at a middle school in my hometown until just a little while ago. I quit back in March.”

Kaga look surprised. “You don’t say? What are you doing now?”

“Well, it’s not glamorous, but I’m a writer. I write stories for children.”

“No kidding! Is that how you knew Kunihiko Hidaka?”

“Not exactly.” I explained our past. Kaga nodded with every detail. I wondered if Detective Sakoda hadn’t told him anything, since I’d certainly included this in my earlier statement.

“So you started writing while you were still teaching?”

“That’s right. But not much. Just a couple of short stories a year. When I finally made up my mind to try my hand at being a real writer, I realized I had to quit my job.”

“I see. That’s quite a decision.” Kaga sounded impressed. I wondered if he was comparing my choice to his own. Of course, even he had to realize there was a big difference between switching professions in your early twenties and doing it when you’re much older, with four decades already under your belt.

“What sort of novels did Mr. Hidaka write?”

I looked at him. “You mean you haven’t heard of Kunihiko Hidaka?”

“Sorry. I’d heard the name, but I’ve never read any of his books. I don’t read many books these days.”

“I’m sure you’re busy.”

“No, just lazy. I know I should read more, two or three a month.” He put a hand to his head. Two or three books a month had been my catchphrase back when I was teaching composition. If Kaga had been making an intentional reference, it was a good one.

I gave him the digest version of Hidaka’s career, starting with his debut ten years ago. Then there were the awards and his rise to the bestseller lists. I also mentioned that he wrote works of pure literature as well as pure entertainment.

“Did he write anything I might be interested in?” Kaga asked. “Like murder mysteries?”

“Only a few, but yeah.”

“Tell me the titles so I can look them up.”

I mentioned Hidaka’s novel Sea Ghost . I’d read it a long time ago and didn’t remember it all that well, but it was definitely about a murder.

“Do you know why Hidaka wanted to move to Canada?” Kaga asked when I was finished.

“I think he had a few reasons, but mostly, I think he was just tired. He’d been talking about going overseas and taking it easy for several years now. The decision to move to Vancouver was Rie’s.”

“Rie is the wife, yes? She seemed young.”

“They just got married last month. It was his second marriage.”

“And his first wife, are they divorced?”

“No, she died in a car accident. That was five years ago already.”

The realization that Hidaka was no longer in this world hit me again, hard. I wondered what he’d wanted to talk to me about this evening. I wondered if I had just ended my unimportant meeting and gone to see him right away, I might have saved him. I knew there was no point in thinking about it, yet the regret was hard to keep down.

“I heard there was some trouble with a Mr. Fujio, someone he’d used as the subject of one of his novels?” Kaga said. “Can you think of any other troubles he might have had? Anything from his novels or personal life?”

“Nothing I can think of.” I realized for the first time that this was an interrogation. Suddenly, the complete silence from the police officer driving the car made me uncomfortable.

“By the way,” Kaga said, opening his notebook, “do you know anyone by the name of Namiko Nishizaki?”

“What?”

“I have two other names, too: Tetsuji Osano and Hajime Nakane.”

“Oh, right,” I said, finally understanding. “Those are characters in The Gates of Ice, the serialized novel that Hidaka’s writing.” I wondered what would happen to the serial now. I supposed they’d have to abandon it midstory.

“It seems he was working on it right up until the moment of his death.”

“Ah! His computer was left on, wasn’t it?”

“The document he was writing was open.”

“I see.” Something occurred to me. “How much of the novel had he written?”

“What do you mean by how much?”

“How many pages?”

I explained that Hidaka had told me he had to write thirty pages that night.

“It was more than a couple of pages,” Detective Kaga said.

“I wonder if you could nail down the time of death by the number of pages he’d written. You see, he hadn’t even started working on it when I left the house.”

“Yes, we considered that. But as you well know, writing is a start-and-stop kind of thing. It’s hard to estimate the time based on his progress.”

“That’s true, but you could at least figure out what his maximum speed was, and then come up with a shortest-possible time estimate.”

“Interesting,” Kaga said. “What do you think Hidaka’s maximum speed was, then?”

“Good question. He told me once that he averaged four pages an hour.”

“So even if he was rushing, you’d say a reasonable top limit might be about six pages?”

“That sounds about right.”

Detective Kaga fell silent. He seemed to be doing some calculations in his head.

“What is it?”

“It’s hard to say.” Kaga shook his head. “I’m not even sure if the document he had up on the screen was the part of the serial he was working on.”

“You mean he might’ve been looking at an earlier part of the novel.”

“Yes. We’re going to visit the publisher tomorrow to try to find that out.”

I quickly turned the situation over in my mind. According to Rie, Miyako Fujio had gone home around five o’clock. It was after six when the phone call from Hidaka came. If he’d been writing during the time that we knew he was alive, he could’ve written five or six pages, max. That meant the question was, how many more pages had he actually written?

“I understand you might not be able to disclose this,” I said to Detective Kaga, “but do you have an estimated time of death?”

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