J. Redmerski - Behind The Hands That Kill

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Even professional killers need vacations, but for Victor Faust, his vacation in Venezuela is about more than relaxation and time alone with Izabel Seyfried. It is a chance for him to come clean to Izabel: to tell her the truth about why he sent her to Italy with his brother, the truth behind his interest in Nora Kessler, and about his knowledge of Izabel’s child with her former captor. But before Victor can spill his soul, reality proves that for some killers, vacations are just pipe-dreams.
Attacked and kidnapped, Izabel finds herself stuffed in a suitcase, while Victor later wakes up imprisoned in a cage. In any other situation, Victor would find a way out and save himself and the woman he loves—but not this time. When the identities of their kidnappers are revealed, Victor loses all hope, and begins the mental process of accepting his and Izabel’s last moments together. And Izabel’s final moments of life.
As if his circumstances are not complicated enough, members of Vonnegut’s Order are finally closing in on Victor. And when they do, he comes face-to-face with someone else he once knew and loved, who could either help him, or make a grave situation much worse. Victor’s past has finally caught up with him: the women he has cared for, loved, and killed; the families he has destroyed; the unforgivable crimes he has committed. And now he must face the consequences, and pay the ultimate price for absolution.
But when it is all over, Victor may not have the strength to pick up what is left and move on. Because the event changes him. Because love changed him. And because, unlike before when he thought it is was for the best, he cannot imagine a life without Izabel in it.

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Apollo laughs as blood streams down over his lips and into his mouth. He spits a little on the floor.

“Do what you want with me,” he says. “I kind of enjoy it anyway. Say, when are you leavin’? I’m looking forward to that meatless piece of ass taking over.” He smiles at Naeva, showing his bloodied teeth.

She makes a horrible face.

Making a face myself, I wipe Apollo’s disgusting blood from my hand onto my tank-top.

“I wondered why you had blood on your clothes,” Naeva says. She glances back at Apollo. He puckers his lips at her and kisses the air. She looks away from him quickly. “What are you going to do with him? Are you going to tell Victor that you have him here?”

“No,” I answer immediately. “Victor will just kill him. I want him alive. I’m not done with him yet.”

“She likes me,” Apollo tells Naeva, wriggling his eyebrows. “Look, I really need to take a piss. And when are you going to feed me? I could do with a burger and some fries.” I start to walk back toward the staircase and he calls out, “You can cook can’t you? I don’t want any of that cheap fast-food bullshit!”

Naeva follows me up the steps.

“I have someone coming to take over for me while I’m in Mexico,” I tell her.

Apollo’s voice carries up the stairs.

“I changed my mind!” he calls out. “I want a steak! Medium rare! A side of homemade mashed potatoes—keep the skins on! Some macaroni and—”

I close the basement door, shutting off his voice. Most of it anyway; I can still hear him muffled through the walls and the vents, and I’m suddenly wishing I hadn’t forgotten to put the gag back into his mouth.

“Who’s going to watch over him?” Naeva asks.

She follows me into my bedroom. I sit back down in front of the vanity and get back to work on braiding birth control pills into my hair. From the corner of my eye I see my cell phone screen light up, indicating a call. I ignore it and let it go to voicemail.

“I hired outside help,” I say. I see Naeva, in the reflection of the mirror, sit down on the foot of my bed. “They’ll be here in an hour to take him to another location. In case Artemis shows up, which I fully expect that she will. Sooner rather than later.”

“Sarai?”

The concern in her voice makes me look up and pause what I’m doing.

“Yeah?”

She hesitates, maybe searching for words, and then asks, “I don’t know you outside from what I’ve heard about you through Brant, and I know the girl I knew all those years ago when I first met you is long gone by now, but I don’t have to know you to see that you’re deliberately pushing my brother away.” She points at the door, indicating Apollo down the hallway. “He has people looking for Apollo and Artemis. You have one of them in custody right now, but you don’t want him to know. And then the whole thing with you going to Mexico alone.” She glances at the floor, then back up at me. “Don’t get me wrong—I’m not judging you, I just don’t understand what you’re doing. I…I guess I just…”—her gaze strays again, her expression clouding over with a deep-rooted pain, it seems—“…I guess I just can’t imagine pushing away the man I love for any reason. When you find that one person you know you were meant to be with, to live and die with, you do just that—you live and die with him. For him, if you have to.” I know she means well, but the only person she’s thinking about right now is that man, Leo.

I turn around on the little stool to face her instead of her reflection; I drop my hands from my hair and place them into my lap. “You’re wrong, Huevito,” I say softly. “The girl you knew all those years ago, is sitting right in front of you.”

She looks at me for a long moment, seeming in search of her own understanding of my words, or rather the ones I refuse to say, and then I turn around and go back to braiding my hair.

“We leave for Mexico in five hours,” I tell her. “Are your tubes tied?”

It takes her a second; perhaps she’s surprised by the question, but she answers, “Y-Yes.”

“Good,” I say. “Now, I’m gonna need you to hit me in the face.”

“What?”

Snapping on the last tiny rubber band around the end of a braid, I get up from the stool and walk toward her.

“I need you to hit me in the face.”

“Why?”

“Because I’d rather it be you than Ray—he doesn’t seem the type to wash his hands after he takes a piss.”

After Naeva beats the shit out of me—she’s stronger than I expected—and I rip her clothes and rough her up a little myself, I spend the next five hours telling her everything she needs to know, and the role she needs to play. I admit, I was worried about her tagging along in the beginning, but after only a short time, I realize she needs no training. Naeva is, unfortunately, even more experienced than me when it comes to underground Mexico.

TWENTY-EIGHT

Victor

The stars will die before we do, Izabel…the stars will die before my love for you does. I am not good at these things; I am inexperienced. Romance. Gestures of affection. Words weaved together poetically to proclaim love. Gifts and smiles and laughter and conversation about the simple things in life—I know nothing of these things. They make me uncomfortable, the way that embracing my father would have made me feel if I had not killed him, or crying on my brother’s shoulder. I may never understand these rituals, these feelings. But we have an eternity to find out. It takes an eternity for a star to die.

Those were the words I wanted to say to Izabel the last time I saw her.

If she had come here tonight, I would have worked up the courage to say them. I thought that she…no, I had hoped that she would come to see me one last time before she left for Mexico. I called her, but she did not answer, and so I left a voicemail with cryptic details only she would understand about the hotel I am temporarily staying in. For the night, anyway. I wanted to remain in Boston tonight, close to the residence Izabel and I once called home. Just in case.

But I know she is gone.

I glance at my Rolex. Four a.m. I wonder where she is. I wonder if I will ever see her again. Or if the talons of her old life with sink into her, fatally this time.

Clenching my fists, I resist the desperate urge to go after her.

I resist.

I resist…

Instead, I picture her radiant smile, and the light in her eyes, and her laughter, and her warmth. I picture the first time I saw her, hiding in the backseat of my car, and I remember the first time I heard her play the piano. And I wonder what I could have possibly done to deserve her. All I have ever done is wicked. I am a monster in the shadows; the blood of many stains my gnarled hands; the souls of the innocent are forever caught in my blade-like teeth.

So how can this be, that even an ounce of light be given to a monster such as me?

I go to the window of my top floor hotel room and gaze out, not at the glittering city, but at the stars fully awake in the early morning sky. And I see her, Izabel, Sarai, in every single one of them. And this is how I know, that because of her, because I see her in everything, I am not only a monster, but a man.

-A GLIMPSE INTO FUTURE BOOKS IN THE SERIES-

LOOK FOR THE SEVENTH BOOK IN THE SERIES, IN THE COMPANY OF KILLERS
SPIDERS IN THE GROVE
Note that the following books are notlisted in any particular order Also note - фото 2

(Note that the following books are notlisted in any particular order. Also note that the following books are notthe only books left in the series. Lastly, please note that as storylines progress in the series, some titles listed here, as well as the content accompanying them, may change.)

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