Роберт Беллем - Pulp Frictions

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Pulp Frictions: краткое содержание, описание и аннотация

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Enter a world of seedy nightclubs, dangerous, dimly-lit street and cool, wisecracking dicks pitting themselves against armies of ruthless gangsters. This is pulp fiction, a genre spawned amid the disillusionment of post-World War I America — and now reaching new heights of popularity. 
Writers like Raymond Chandler and Dashiell Hammett turned that unique blend of rapid-fire action, violence and cynical humour into an art form that is being recreated by a fresh wave of young writers whose stories have all the drama and atmosphere of their predecessors’. 
This page-turning collection, brought together by a true aficionado of the hardboiled story, includes, of course, Chandler and Hammett, but also Mickey Spillane, Ross MacDonald, Ed McBain and James Hadley Chase from the vintage years and from the current generation James Ellroy, Elmore Leonard and Quentin Tarantino, to name just a few of the twenty great writers featured here. Even Stephen King, doyen of the world of horror, has turned his hand to pulp fiction and is represented in this book. 
The world of the hard-drinking, fast-action, apparently indestructible private eye, personified by Chandler’s creation, Philip Marlowe, was never more vibrant. It’s all here, and more, in a book that no fan of the genre can afford to miss.

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Only two books appeared in the next four years, as Chase was conscripted into the RAF where he served with distinction, becoming a Squadron Leader. After the war he resumed a regular flow of similar titles, all of which enjoyed massive sales and enabled him to go and live in Switzerland. Back in England, a whole school of paperback writers cashed in on his success with gangster stories of their own, including Hank Janson (who was actually prosecuted for obscenity), Ben Sarto, Darcy Glinto, and the pseudonymous ‘Griff’. All were very popular with post-war readers until the market collapsed in the Sixties, but none could match the success of Chase, which continued unabated in both hardcover and paperback.

James Hadley Chase created many memorable villains, including Eddie Schultz, the gangster in Miss Blandish; Herman Radnitz, the evil tycoon with his hired killer, Lu Silk, in This is For Real (1965); and Rabener, the drug-dealer, in ‘Get a Load of This’ (1942) which is one of Chase’s very few short stories. Like Miss Blandish, it also formed the basis of a London stage play which ran successfully at the London Hippodrome through the worst of the bombing.

* * *

It sometimes happens that you meet a dame who’s such a hot number that you want a second look. Maybe you’re driving a car at the time of seeing her. Most likely you’ll run up on the kerb or have a collision. Then, again, you may be walking along the street, and, turning your head as she passes, you bang into someone who starts bawling you out. Well, Fanquist was one of those take-a-second-look dames. You know what I mean, don’t you? An all-metal blonde with a build-up that does things to you, and a figure that weakens your resistance.

I saw her for the first time when she was working for a guy called Rabener. This guy ran a smart restaurant-floor show on Broadway. I’d known Rabener off and on for several months. He was smart; maybe he was too smart. Anyway, I didn’t like him. He was a cold, hard-faced guy, and I guess he had a mean streak somewhere. It always knocked me how the hell he ever made a success of his restaurant; but he did.

Fanquist acted as his secretary. Odd name that, but it came out after that it was just a glamour build-up. I’ve forgotten her real name, but it was something pretty terrible. Anyway, we don’t have to bother with that.

As I was saying, I used to see quite a lot of her when I went to the restaurant. My work as a society columnist took me there most nights. It was as good a joint as any for meeting the sophisticated mob I wrote about. She didn’t mix with the customers. I’d see her pass through from time to time on her way up to Rabener’s office. Her appearance generally made the men splash soup on their shirt-fronts. She was that kind of a dame.

I played around with the idea of getting to know her, and I guess I wasn’t the only one. Rabener wasn’t having any. When I suggested that I’d like to meet her, he just looked at me as if I were something that’d crawled out of an exhaust pipe. So I actually never spoke to the broad. And what’s more, after what happened, I don’t suppose I ever shall.

You see, one evening she killed Rabener. It was quite a spectacular killing. It happened when Rabener was in the restaurant — slam bang in front of everyone.

Rabener had been hunting around for a publicity stunt for some time. He wasn’t satisfied with the entertainment he was giving. He thought all the other night-spots were doing the same sort of thing, and of course he was right. He even asked me for a suggestion, but I didn’t see why I should help to fill his pockets, so I played dumb. Well, he did hit on an idea. He staged one of those crazy thriller nights on us unexpectedly. You know the kind of thing. We were given a horrific ballet — a faked gun-fight, a guy pretending to be stabbed, someone punching his pal in the eye and other such harmless stuff which went down big with the moronic mob. The evening was nearly over when it happened, and the crowd was well oiled. There had been a great deal of shooting, and believe me it sold a lot of liquor.

Rabener came in and walked around the tables, having a word here and there with the customers. He could never unbend, but we were used to him by now, and we gave him a big hand for the fun and games he’d arranged for us.

I was sitting with a party near the stairs leading to the office. As Rabener was going round, Fanquist suddenly appeared at the head of the stairs. I forgot about Rabener and concentrated on her. Believe me, she certainly was the tops. There was just one little thing that had kept me from insisting on an introduction. She looked tough. When I say tough I mean she didn’t look the type who’d give in without a fight. My time’s so tied up that unless they give in quick I have to pass them up. It’s too bad, but that’s the way I live. Anyway, I should worry. There are still a lot of broads even today who do it for the joy of it.

Fanquist came slowly down the stairs. Her large eyes were like ice-blue chunks of sky. She passed close to me. I saw she had a small automatic in her hand, which she held by her side. For a moment I thought she had joined in the fun and games, but something about her made me think otherwise. I suppose I ought to have grabbed the gun, but I didn’t. I was curious; I wondered what the hell she was going to do. I thought I was going to get a front-row seat at a first-rate news scoop. I was so sure that I grabbed the telephone that was plugged in at the table. I rang the night editor.

Rabener became aware of her when she was about twenty paces from him. He looked up and met her eye. He reacted like he had trodden on a rattlesnake. I guess that guy saw death staring him right in the face and did he sweat! His face went loose and yellow. His eyes stood out like toadstools.

Everyone sat watching. I don’t suppose anyone in the room realised that this wasn’t play-acting — but me!

She didn’t take her eyes off Rabener. The gun came up slowly, and the little black muzzle stared Rabener right in the face. Just before she shot him, the night editor came through. I gave him a running commentary on the whole set-up. Boy! Was that guy shaken!

The gun made a vicious little crack. It startled us into a half-foot leap. A spot of blood appeared in the middle of Rabener’s forehead. He swayed over with his hands pushed out, as if imploring her not to do it. Then he went down on his face.

She turned and walked back to the office without haste and without looking at anyone. It was the coolest killing of the century.

The uproar didn’t start until she had disappeared. Then holy hell started popping.

I just sat there, feeding the night editor with the stuff while he slammed it down on paper. It was on the streets within half an hour.

Handling a murder like that gave me a reputation that I’ve been trying to live down ever since.

There was no bother about arresting the broad. She just sat in the office until the cops came. They didn’t like to bust in on her at first. They were scared she’d start some more shooting. One of the braver ones went in at last. He found her smoking a cigarette as calm as a chink in a hop-dream.

When I got home I was as jumpy as a flea; even a couple of double ryes didn’t do me any good. I just could not imagine what had made her do it. It wasn’t as if it was in a jealous rage. It was all so utterly cold-blooded.

The stink the newspapers raised in the morning would have suffocated a skunk. They played it all over the front page. There were photos of Rabener; there were photos of Fanquist behind the bars. She looked as calm in jail as she did when she shot him. I guess nothing this side of hell would rattle that baby. But she wouldn’t talk; she wouldn’t say why she had shot Rabener. They worried her for hours in a nice way. That’s one thing she had in her favour. She was such a dizzy-looking number that there was no cop strong enough to get tough. A week or so before the trial came on I ran into the local police captain. He was having a snack at Sammy’s Bar. I spotted him through the window. I walked right in and parked on the next stool.

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