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Dashiell Hammett: The Dain Curse

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Dashiell Hammett The Dain Curse

The Dain Curse: краткое содержание, описание и аннотация

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One of the Continental Op's most bizarre cases as he is faced with Miss Gabrielle Dain Leggett who has an unfortunate effect on the people around her: they die violently. FROM THE PUBLISHER The Continental Op is a short, squat, and utterly unsentimental tank of a private detective. Miss Gabrielle Dain Leggett is young, wealthy, and a devotee of morphine and religious cults. She has an unfortunate effect on the people around her: they have a habit of dying violently. Is Gabrielle the victim of a family curse? Or is the truth about her weirder and infinitely more dangerous? The Dain Curse is one of the Continental Op's most bizarre cases, and a tautly crafted masterpiece of suspense.

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Fitzstephan's plea was _Not guilty by reason of insanity_, or whatever the legal wording was. Since Mrs. Cotton's murder had been the last of his crimes, his lawyers could, and did, introduce, as proof of his insanity, all that he had done in the others. They made a high, wide, and handsome job of it, carrying out his original idea that the best way to prove him crazy was to show he had committed more crimes than any sane man could have. Well, it was plain enough that he had.

He had known Alice Dain, his cousin, in New York when she and Gabrielle, then a child, were living there. Gabrielle couldn't corroborate this: we had only Fitzstephan's word for it; but it may have been so. He said they concealed his relationship from the others because they did not want the girl's father-for whom Alice was then searching-to know that she was bringing with her any links with the dangerous past. Fitzstephan said Alice had been his mistress in New York: that could have been true, but didn't matter.

After Alice and Gabrielle left New York for San Francisco, Fitzstephan and the woman exchanged letters occasionally, but with no definite purpose. Fitzstephan then met the Haldorns. The cult was his idea: he organized it, financed it, and brought it to San Francisco, though he kept his connection with it a secret, since everyone who knew him knew his skepticism; and his interest in it would have advertised it as the fake it was. To him, he said, the cult was a combination of toy and mealticket: he liked influencing people, especially in obscure ways, and people didn't seem to like buying his books.

Aaronia Haldorn was his mistress. Joseph was a puppet, in the family as in the Temple.

In San Francisco Fitzstephan and Alice arranged so that he became acquainted with her husband and Gabrielle through other friends of the family. Gabrielle was now a young woman. Her physical peculiarities, which he interpreted pretty much as she had, fascinated him; and he tried his luck with her. He didn't have any. That made him doubly determined to land her: he was that way. Alice was his ally. She knew him and she hated the girl-so she wanted him to have her. Alice had told Fitzstephan the family history. The girl's father did not know at this time that she had been taught to think him her mother's murderer. He knew she had a deep aversion to him, but did not know on what it was based. He thought that what he had gone through in prison and since had marked him with a hardness naturally enough repellant to a young girl who was, in spite of their relationship, actually only a recent acquaintance.

He learned the truth about it when, surprising Fitzstephan in further attempts to make Gabrielle-as Fitzstephan put it-listen to reason, he had got into a three-cornered row with the pair of them. Leggett now began to understand what sort of a woman he was married to. Fitzstephan was no longer invited to the Leggett house, but kept in touch with Alice and waited his time.

His time came when Upton arrived with his demand for blackmail. Alice went to Fitzstephan for advice. He gave it to her-poisonously. He urged her to handle Upton herself, concealing his demand-his knowledge of the Leggett past-from Leggett. He told her she should above all else continue to keep her knowledge of Leggett's Central American and Mexican history concealed from him-a valuable hold on him now that he hated her because of what she'd taught the girl. Giving Upton the diamonds, and faking the burglary evidence, were Fitzstephan's ideas. Poor Alice didn't mean anything to him: he didn't care what happened to her so long as he could ruin Leggett and get Gabnielle.

He succeeded in the first of those aims: guided by him, Alice completely demolished the Leggett household, thinking, until the very last, when he pursued her after giving her the pistol in the laboratory, that he had a clever plan by which they would be saved; that is, she and he would: her husband didn't count with her any more than she with Fitzstephan. Fitzstephan had had to kill her, of course, to keep her from exposing him when she found that his clever plan was a trap for her.

Fitzstephan said he killed Leggett himself. When Gabrielle left the house after seeing Ruppert's murder, she left a note saying she had gone for good. That broke up the arrangement as far as Leggett was concerned. He told Alice he was through, was going away, and offered of his own accord to write a statement assuming responsibility for what she had done. Fitzstephan tried to persuade Alice to kill him, but she wouldn't. He did. He wanted Gabrielle, and he didn't think a live Leggett, even though a fugitive from justice, would let him have her.

Fitzstephan's success in getting rid of Leggett, and in escaping detection by killing Alice, encouraged him. He went blithely on with his plan to get the girl. The Haldorns had been introduced to the Leggetts some months before, and already had her nibbling at their hook. She had gone to them when she ran away from home. Now they persuaded her to come to the Temple again. The Haldorns didn't know what Fitzstephan was up to, what he had done to the Leggetts: they thought that the girl was only another of the likely prospects he fed them. But Doctor Riese, hunting for Joseph in Joseph's part of the Temple the day I got there, opened a door that should have been locked, and saw Fitzstephan and the Haldorns in conference.

That was dangerous: Riese couldn't be kept quiet, and, once Fitzstephan's connection with the Temple was known, as likely as not the truth about his part in the Leggett riot would come out. He had two easily handled tools-Joseph and Minnie. He had Riese killed. But that woke Aaronia up to his true interest in Gabrielle. Aaronia, jealous, could and would either make him give up the girl or ruin him. He persuaded Joseph that none of them was safe from the gallows while Aaronia lived. When I saved Aaronia by killing her husband, I also saved Fitzstephan for the time: Aaronia and Fink had to keep quiet about Riese's death if they wanted to save themselves from being charged with complicity in it.

By this time Fitzstephan had hit his stride. He looked on Gabrielle now as his property, bought with the deaths he had caused. Each death had increased her price, her value to him. When Eric carried her off and married her, Fitzstephan hadn't hesitated. Eric was to be killed.

Nearly a year before, Fitzstephan had wanted a quiet place where he could go to finish a novel. Mrs. Fink, my village-blacksmith, had recommended Quesada. She was a native of the village, and her son by a former marriage, Harvey Whidden, was living there. Fitzstephan went to Quesada for a couple of months, and became fairly well acquainted with Whidden. Now that there was another murder to be done, Fitzstephan remembered Whidden as a man who might do it, for a price.

When Fitzstephan heard that Collinson wanted a quiet place where his wife could rest and recuperate while they were waiting for the Haldorns' trial, he suggested Quesada. Well, it was a quiet place, probably the quietest in California. Then Fitzstephan went to Whidden with an offer of a thousand dollars for Eric's murder. Whidden refused at first, but he wasn't nimble-witted, and Fitzstephan could be persuasive enough, so the bargain had been made.

Whidden bungled a try at it Thursday night, frightening Collinson into wiring me, saw the wire in the telegraph office, and thought he had to go through with it then to save himself. So he fortified himself with whiskey, followed Collinson Friday night, and shoved him off the cliff. Then he took some more whiskey and came to San Francisco, considering himself by this time a hell of a desperate guy. He phoned his employer, saying: "Well, I killed him easy enough and dead enough. Now I want my money."

Fitzstephan's phone came through the house switchboard: he didn't know who might have heard Whidden talking. He decided to play safe. He pretended he didn't know who was talking nor what he was talking about. Thinking Fitzstephan was double-crossing him, knowing what the novelist wanted, Whidden decided to take the girl and hold her for, not his original thousand dollars, but ten thousand. He had enough drunken cunning to disguise his handwriting when he wrote his note to Fitzstephan, not to sign it, and to so word it that Fitzstephan couldn't tell the police who had sent it without explaining how he knew who had sent it.

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