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Dashiell Hammett: The Dain Curse

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Dashiell Hammett The Dain Curse

The Dain Curse: краткое содержание, описание и аннотация

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One of the Continental Op's most bizarre cases as he is faced with Miss Gabrielle Dain Leggett who has an unfortunate effect on the people around her: they die violently. FROM THE PUBLISHER The Continental Op is a short, squat, and utterly unsentimental tank of a private detective. Miss Gabrielle Dain Leggett is young, wealthy, and a devotee of morphine and religious cults. She has an unfortunate effect on the people around her: they have a habit of dying violently. Is Gabrielle the victim of a family curse? Or is the truth about her weirder and infinitely more dangerous? The Dain Curse is one of the Continental Op's most bizarre cases, and a tautly crafted masterpiece of suspense.

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She laughed again, licking her lips.

"Harvey and I had to have money, and I couldn't-I was too afraid of being suspected-get enough from Andrews; so we pretended I had been kidnapped, to get it that way. It was a shame you killed Harvey: he was a glorious beast. I had that bomb, had had it for months. I took it from father's laboratory, when he was making some experiments for a moving picture company. It wasn't very large, and I always carried it with me-just in case. I meant it for you in the hotel room. There was nothing between Owen and me-that was another lie-he didn't love me. I meant it for you, because you were-because I was afraid you were getting at the truth. I was feverish, and when I heard two men go out, leaving one in your room, I was sure the one was you. I didn't see that it was Owen till too late-till I had opened the door a little and thrown the bomb in. Now you've got what you want. Give me morphine. There's no reason for your playing with me any longer. Give me morphine. You've succeeded. Have what I've told you written out: I'll sign it. You can't pretend now I'm worth curing, worth saving. Give me morphine."

Now it was my turn to laugh, asking:

"And aren't you going to confess to kidnapping Charlie Ross and blowing up the Maine?"

We had some more hell-a solid hour of it-before she exhausted herself again. The night dragged through. She got a little more than two hours' sleep, a half-hour gain over the previous night. I dozed in the chair when I could.

Sometime before daylight I woke to the feel of a hand on my coat. Keeping my breathing regular, I pushed my eyelids far enough apart to squint through the lashes. We had a very dim light in the room, but I thought Gabrielle was in bed, though I couldn't see whether she was asleep or awake. My head was tilted back to rest on the back of the chair. I couldn't see the hand that was exploring my inside coat-pocket, nor the arm that came down over my shoulder; but they smelled of the kitchen, so I knew they were brown.

The Mexican woman was standing behind me. Mickey had told me she had a knife. Imagination told me she was holding it in her other hand. Good judgment told me to let her alone. I did that, closing my eyes again. Paper rustled between her fingers, and her hand left my pocket.

I moved my head sleepily then, and changed a foot's position. When I heard the door close quietly behind me, I sat up and looked around. Gabrielle was sleeping. I counted the bindles in my pocket and found that eight of them had been taken.

Presently Gabrielle opened her eyes. This was the first time since the cure started that she had awakened quietly. Her face was haggard, but not wild-eyed. She looked at the window and asked:

"Isn't day coming yet?"

"It's getting light." I gave her some orange juice. "We'll get some solid food in you today."

"I don't want food. I want morphine."

"Don't be silly. You'll get food. You won't get morphine. Today won't be like yesterday. You're over the hump, and the rest of it's downhill going, though you may hit a couple of rough spots. It's silly to ask for morphine now. What do you want to do? Have nothing to show for the hell you've been through? You've got it licked now: stay with it."

"Have I-have I really got it licked?"

"Yeah. All you've got to buck now is nervousness, and the memory of how nice it felt to have a skinful of hop."

"I can do it," she said. "I can do it because you say I can."

She got along fine till late in the morning, when she blew up for an hour or two. But it wasn't so bad, and I got her straightened out again. When Mary brought up her luncheon I left them together and went downstairs for my own.

Mickey and MacMan were already at the dining room table. Neither of them spoke a word-to one another or to me-during the meal. Since they kept quiet, I did.

When I went back upstairs, Gabnielle, in a green bathrobe, was sitting in the leather rocker that had been my bed for two nights. She had brushed her hair and powdered her face. Her eyes were mostly green, with a lift to the lower lids as if she was hiding a joke. She said with mock solemnity:

"Sit down. I want to talk seriously to you."

I sat down.

"Why did you go through all this with-for me?" She was really serious now. "You didn't have to, and it couldn't have been pleasant. I was-I don't know how bad I was." She turned red from forehead to chest. "I know I was revolting, disgusting. I know how I must seem to you now. Why-why did you?"

I said:

"I'm twice your age, sister; an old man. I'm damned if I'll make a chump of myself by telling you why I did it, why it was neither revolting nor disgusting, why I'd do it again and be glad of the chance."

She jumped out of her chair, her eyes round and dark, her mouth trembling.

"You mean-?"

"I don't mean anything that I'll admit," I said; "and if you're going to parade around with that robe hanging open you're going to get yourself some bronchitis. You ex-hopheads have to be careful about catching cold."

She sat down again, put her hands over her face, and began crying. I let her cry. Presently she giggled through her fingers and asked:

"Will you go out and let me be alone all afternoon?"

"Yeah, if you'll keep warm."

I drove over to the county seat, went to the county hospital, and argued with people until they let me into Fitzstephan's room.

He was ninety per cent bandages, with only an eye, an ear, and one side of his mouth peeping out. The eye and the half-mouth smiled through linen at me, and a voice came through:

"No more of your hotel rooms for me." It wasn't a clear voice because it had to come out sidewise, and he couldn't move his jaw; but there was plenty of vitality in it. It was the voice of a man who meant to keep on living.

I smiled at him and said:

"No hotel rooms this time, unless you think San Quentin's a hotel. Strong enough to stand up under a third-degree, or shall we wait a day or two?"

"I ought to be at my best now," he said. "Facial expressions won't betray me."

"Good. Now here's the first point: Fink handed you that bomb when he shook hands with you. That's the only way it could have got in without my seeing it. His back was to me then. You didn't know what he was handing you, but you had to take it, just as you have to deny it now, or tip us off that you were tied up with the Holy Grail mob, and that Fink had reasons for killing you."

Fitzstephan said: "You say the most remarkable things. I'm glad he had reasons, though."

"You engineered Riese's murder. The others were your accomplices. When Joseph died the blame was put all on him, the supposed madman. That's enough to let the others out, or ought to be. But here you are killing Collinson and planning God knows what else. Fink knows that if you keep it up you're going to let the truth out about the Temple murder, and he'll swing with you. So, scared panicky, he tries to stop you."

Fitzstephan said: "Better and better. So I killed Collinson?"

"You had him killed-hired Whidden and then didn't pay him. He kidnapped the girl then, holding her for his money, knowing she was what you wanted. It was you his bullet came closest to when we cornered him."

Fitzstephan said: "I'm running out of exclamatory phrases. So I was after her? I wondered about my motive."

"You must have been pretty rotten with her. She'd had a bad time with Andrews, and even with Eric, but she didn't mind talking about them. But when I tried to learn the details of your wooing she shuddered and shut up. I suppose she slammed you down so hard you bounced, and you're the sort of egoist to be driven to anything by that."

Fitzstephan said: "I suppose. You know, I've had more than half an idea at times that you were secretly nursing some exceptionally idiotic theory."

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