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Dashiell Hammett: The Dain Curse

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Dashiell Hammett The Dain Curse

The Dain Curse: краткое содержание, описание и аннотация

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One of the Continental Op's most bizarre cases as he is faced with Miss Gabrielle Dain Leggett who has an unfortunate effect on the people around her: they die violently. FROM THE PUBLISHER The Continental Op is a short, squat, and utterly unsentimental tank of a private detective. Miss Gabrielle Dain Leggett is young, wealthy, and a devotee of morphine and religious cults. She has an unfortunate effect on the people around her: they have a habit of dying violently. Is Gabrielle the victim of a family curse? Or is the truth about her weirder and infinitely more dangerous? The Dain Curse is one of the Continental Op's most bizarre cases, and a tautly crafted masterpiece of suspense.

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"You may tell Mrs. Collinson," he said, "that I shall return my letters testamentary to the court this week, with an accounting of the estate, and a request that I be relieved."

"That'll be swell," I said, but I felt sorry for the old boy shuffling down to his car, climbing slowly into it.

I didn't tell Gabrielle he had been there.

She was whining a little now between her yawning and sneezing, and her eyes were running water. Face, body, and hands were damp with sweat. She couldn't eat. I kept her full of orange juice. Noises and odors— no matter how faint, how pleasant-were becoming painful to her, and she twitched and jerked continually in her bed.

"Will it get much worse than this?" she asked.

"Not much. There'll be nothing you can't stand."

Mickey Linehan was waiting for me when I got downstairs.

"The spick's got herself a chive," he said pleasantly.

"Yeah?"

"Yeah. It's the one I've been using to shuck lemons to take the stink out of that bargain-counter gin you bought-or did you just borrow it, the owner knowing you'd return it because nobody could drink it? It's a paring knife-four or five inches of stainless steel blade-so you won't get rustmarks on your undershirt when she sticks it in your back. I couldn't find it, and asked her about it, and she didn't look at me like I was a well-poisoner when she said she didn't know anything about it, and that's the first time she never looked at me that way, so I knew she had it."

"Smart of you," I said. "Well, keep an eye on her. She don't like us much."

"I'm to do that?" Mickey grinned. "My idea would be for everybody to look out for himself, seeing that you're the lad she dog-eyes most, and it's most likely you that'll get whittled on. What'd you ever do to her? You haven't been dumb enough to fool with a Mex lady's affections, have you?"

I didn't think he was funny, though he may have been.

Aaronia Haldorn arrived just before dark, in a Lincoln limousine driven by a Negro who turned the siren loose when he brought the car into the drive. I was in Gabrielle's room when the thing howled. She all but jumped out of bed, utterly terrorized by what must have been an ungodly racket to her too sensitive ears.

"What was it? What was it?" she kept crying between rattling teeth, her body shaking the bed.

"Sh-h-h," I soothed her. I was acquiring a pretty fair bedside manner. "Just an automobile horn. Visitors. I'll go down and head them off."

"You won't let anybody see me?" she begged.

"No. Be a good girl till I get back."

Aaronia Haldorn was standing beside the limousine talking to MacMan when I came out. In the dim light, her face was a dusky oval mask between black hat and black fur coat-but her luminous eyes were real enough.

"How do you do?" she said, holding out a hand. Her voice was a thing to make warm waves run up your back. "I'm glad for Mrs. Collinson's sake that you're here. She and I have had excellent proof of your protective ability, both owing our lives to it."

That was all right, but it had been said before. I made a gesture that was supposed to indicate modest distaste for the subject, and beat her to the first tap with:

"I'm sorry she can't see you. She isn't well."

"Oh, but I should so like to see her, if only for a moment. Don't you think it might be good for her?"

I said I was sorry. She seemed to accept that as final, though she said: "I came all the way from the city to see her."

I tried that opening with:

"Didn't Mr. Andrews tell you . . . ?" letting it ravel out.

She didn't say whether he had. She turned and began walking slowly across the grass. There was nothing for me to do but walk along beside her. Full darkness was only a few minutes away. Presently, when we had gone thirty or forty feet from the car, she said:

"Mr. Andrews thinks you suspect him."

"He's right."

"Of what do you suspect him?"

"Juggling the estate. Mind, I don't know, but I do suspect him."

"Really?"

"Really," I said; "and not of anything else."

"Oh, I should suppose that was quite enough."

"It's enough for me. I didn't think it was enough for you."

"I beg your pardon?"

I didn't like the ground I was on with this woman. I was afraid of her. I piled up what facts I had, put some guesses on them, and took a jump from the top of the heap into space:

"When you got out of prison, you sent for Andrews, pumped him for all he knew, and then, when you learned he was playing with the girl's pennies, you saw what looked to you like a chance to confuse things by throwing suspicion on him. The old boy's woman-crazy: he'd be ducksoup for a woman like you. I don't know what you're planning to do with him, but you've got him started, and have got the papers started after him. I take it you gave them the tip-off on his high financing? It's no good, Mrs. Haldorn. Chuck it. It won't work. You can stir him up, all right, and make him do something criminal, get him into a swell jam: he's desperate enough now that he's being poked at. But whatever he does now won't hide what somebody else did in the past. He's promised to get the estate in order and hand it over. Let him alone. It won't work."

She didn't say anything while we took another dozen steps. A path came under our feet. I said:

"This is the path that runs up the cliff, the one Eric Collinson was pushed from. Did you know him?"

She drew in her breath sharply, with almost a sob in her throat, but her voice was steady, quiet and musical, when she replied:

"You know I did. Why should you ask?"

"Detectives like questions they already know the answers to. Why did you come down here, Mrs. Haldorn?"

"Is that another whose answer you know?"

"I know you came for one or both of two reasons."

"Yes?"

"First, to learn how chose we were to our riddle's answer. Right?"

"I've my share of curiosity, naturally," she confessed.

"I don't mind making that much of your trip a success. I know the answer."

She stopped in the path, facing me, her eyes phosphorescent in the deep twilight. She put a hand on my shoulder: she was taller than I. The other hand was in her coat-pocket. She put her face nearer mine. She spoke very slowly, as if taking great pains to be understood:

"Tell me truthfully. Don't pretend. I don't want to do an unnecessary wrong. Wait, wait-think before you speak-and believe me when I say this isn't the time for pretending, for lying, for bluffing. Now tell me the truth: do you know the answer?"

"Yeah."

She smiled faintly, taking her hand from my shoulder, saying:

"Then there's no use of our fencing."

I jumped at her. If she had fired from her pocket she might have plugged me. But she tried to get the gun out. By then I had a hand on her wrist. The bullet went into the ground between our feet. The nails of her free hand put three red ribbons down the side of my face. I tucked my head under her chin, turned my hip to her before her knee came up, brought her body hard against mine with one arm around her, and bent her gun-hand behind her. She dropped the gun as we fell. I was on top. I stayed there until I had found the gun. I was getting up when MacMan arrived.

"Everything's eggs in the coffee," I told him, having trouble with my voice.

"Have to plug her?" he asked, looking at the woman lying still on the ground.

"No, she's all right. See that the chauffeur's behaving."

MacMan went away. The woman sat up, tucked her legs under her, and rubbed her wrist. I said:

"That's the second reason for your coming, though I thought you meant it for Mrs. Collinson."

She got up, not saying anything. I didn't help her up, not wanting her to know how shaky I was. I said:

"Since we've gone this far, it won't do any harm and it might do some good to talk,"

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