Джон Макдональд - All These Condemned

Judy appeared on the terrace at the head of the steps. “The sun is gone, people,” she said. “Judith turns blue. Feed the girl rum. Hey there, Paul, Mavis. How do you like the gilded wilderness?”

I like Judy. She got her start singing with a band. She didn’t have much voice, but what she had she threw around with abandon. When her face is in repose, which is not often, you realize with surprise that she is quite a pretty blonde. And when she stands still, which is equally seldom, you see that her figure is trim and good. But when she is in motion, with that rubbery mercurial face, with all her calculated awkwardness and grotesqueries of stance and movement, you see merely that clown, that Judy Jonah, that crazy gal.

But I feel sad, watching her, because I know television has devoured her, and I know she knows it. The last forty weeks of Judy, the half-hour show that we sponsored until she went off in June for the summer, slipped in the ratings, week by week. There is a limit to the amount of straight comedy the public will take from one person. Situation comedy has a longer life. Judy’s was straight. And almost inevitably, she duplicated routines. I knew that Wallace Dorn, the account executive at Fern and Howey who has the Ferris account tucked neatly under his wing, had been scouting around for a new fall show, new talent for Ferris. So I wondered what Judy was doing up here without her agent. I suspected that Wilma had clubbed her into it. It would be so easy to trade on Judy’s uncertainty. “Don’t bring that horrible man, darling. We won’t talk business, believe me.”

The music masked the sound of the last car coming in. We didn’t know Wallace Dorn had arrived until he walked around the edge of the terrace. He wore his country tweeds and an ascot. He is an ersatz Englishman. There seems to be a constant supply of them in New York. The military mustache, the carefully gobbled enunciation with the ends of sentences falling off into “d’y’ know.” Much talk of the club, no ice in mine, please, and, on occasion, a silly little stick to carry. Veddy, veddy country, old Wallace Dorn. Bachelor, sportsman, school-tie type.

It was another hour before we were all collected on the terrace, Judy and Gilman Hayes back in clothes, José in a far corner standing behind a little bar on wheels, standing with the remote patience of a horse, and a little Mexican gal, cute as a button, hefty across the hips and shoulders, who appeared among us from time to time to pass little items of melted cheese.

As the alcohol worked on them I could begin to smell more and more of the tension. I didn’t know what was up, but Wilma seemed both too gay and too smug, and everyone else too miserable.

I finally had a chance before dinner to cut Steve Winsan out of the herd. I got him aside and said, “What goes, Steve? What the hell is up? Why all the sniping going on in all directions?”

He shook his head sadly. “Lucky boy,” he said. “A nice safe clean job. Lucky boy.”

“What is up? Is it a state secret?”

“I’m just sore enough to tell you, Pappy. I lose one client, I figure on picking up another. Our Wilma lives big. Old Randy, the watchdog, has been nibbling on her very gingerly about personal expenses. There’s a tax matter pending. She put too many cookies in this layout. She’s living too high. She’s a client on a personal basis, you know. Not through the company. Randy thinks I should be cut off at the pockets. And he wants her to drop Muscle Boy as an expensive luxury, which means cutting me off there, because she has been paying the PR shot on Muscle Boy, the shot that made him a big wheel in the gallery world. I handle Judy, too. She’s got Judy up here to put the blocks to her. She promised Judy next year’s show but didn’t put it in writing, and at the same time told Jolly Boy Dorn to dig up something else for fall. He hasn’t found anything and Randy whispers to me that she’s lifting the account and putting it in another agency. Which Dorn damn well suspects. And don’t think he won’t put up a battle. Don’t think I’m not going to do battle too, my friend. I need a good lever. With same I will pry hell out of Randy and get him to tell Wilma dahling that she better keep me on. My God, if I lose all three, it’s better than six hundred a week that Stephan Winsan Associates stop getting. If I wasn’t half tight I wouldn’t be telling you all this, Pappy. You sure she’s not about to cut your throat too?”

“You make me wonder.”

“There’s one more wheel within a wheel too, Pappy. She tells our Randy that, as her tame and captive business manager, he should not have permitted her current expenses to get into such a state. The poor jerk. He begs and pleads and she ignores him, then she turns around and blames him because she didn’t listen to him. She’s got him so jumpy if you went up behind him and snapped your fingers he’d jump out of his shoes. This is going to be a gay, gay week end. Keep your guard up.”

I tried to follow his advice. Steve’s briefing clarified the tension. I could watch the focal points. Judy was overly casual. Wallace Dorn became more British than Churchill. Randy Hess had the severe shakes. Noel acted as though she wished she were somewhere else. Steve was quarrelsome. As my Mavis got drunker, her imitation of Wilma began to border on parody. And you could almost hear Wilma purr. I half expected her to sit on the floor and start cleaning her shoulder with her tongue. We ate abundantly of the highly spiced Mexican food prepared by the doom-faced Rosalita, served by José, her brother, and Amparo, the cutie. It was semibuffet, with each of us filling our plates the first time and with Amparo trotting about with the hot casseroles providing refills. I saw Gilman Hayes sitting on the floor in a shadowy corner and saw the exceedingly primitive caress he conferred on Amparo when she leaned close to serve him. Her only reaction was a bit of excess hip sway when she moved away from him. The stolid mestiza face did not change expression. Later I saw José watching Gilman Hayes with an equal lack of expression. I did not think I would care to be looked at in precisely that way.

After dinner there was the softness of the good music in the big lounge, and all the world outside brilliantly floodlighted. Steve and Wilma played their normal vitriolic game of gin. Judy Jonah, Wallace Dorn, and I played a three-way game of Scrabble at a nickel a point. Noel Hess, pleading a headache, had gone to bed. Randy jittered around, taking care of the music, fussing with the floodlighting, rearranging ash trays, fixing drinks, kibitzing at both games. Randy kept South American music on the turntable at Gilman Hayes’s request. The light was bright on the Scrabble board, a spotlight with an opaque shade.

My concentration was bad because I could not help being aware of Mavis dancing with Hayes. I had no cause for complaint, no legitimate cause. But the music was low, slow, and insinuating, and they did entirely too much dancing without moving from one spot. I felt alternately sweaty and cold. I could not turn and look at them. I would see them from the corners of my eyes. Fragments. A slow turn, his hand brown on the softness of her waist. An infrequent image of them in the glass. The music was full of rhythmic tickings and clackings and thumps, with a horn crying. Wilma was saying, in the other corner, “One card at a time, damnit, Winsan,” and Wallace Dorn gave a little grunt of satisfaction, then clacked the wooden tiles onto the board.

I suddenly realized that Hayes and my wife were gone. I turned quickly and looked at the empty room. I must have started to rise. But Judy, with a quick shielded movement, pressed my arm. I looked at her. Wallace Dorn was studying his rack, chewing a fragment of his mustache. Judy made a slight motion with her head. I looked in that direction, through the glass, and saw that they were dancing on the big terrace now, in the light of the floods. They had a theatrical look, as though they were on one of those monstrous sets that the Hollywood geniuses create for Astaire. At any moment a silver staircase would unwind from the stars, and down it would come the sharp-shouldered chorus boys and a quarter ton of bare thighs.