Эд Макбейн - Guns

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Guns: краткое содержание, описание и аннотация

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GUNS: A crime novel unlike any you’ve ever read by Ed McBain, a story of fear and obsession — tougher, grittier, even more suspenseful than his famous 87th Precinct series.
GUNS: For months Colley Donato and his partners have been robbing liquor stores in New York — quick cash, easy pickings. But today something is very wrong. The weather is suffocatingly hot, tempers are short — and it is their thirteenth job. Colley doesn’t like it when the others decide to go ahead anyway. He likes it even less when two cops come charging down the aisle with guns in their hands. As if in slow motion, Colley sees his finger pull the trigger — and the back of a cop’s head comes off.
Colley Donato, twenty-nine, has just been promoted. He used to be a small-time robber, hardly worth the trouble. Now he has killed a policeman — and all hell is about to break loose.
GUNS is the story of the next twenty-four hours in Colley’s life as he scrambles for safety — dodging, improvising cons (for which he has surprising talent), using and being used by a bizarre variety of friends and strangers: like Benny, the broad, smiling, benign man who makes a living hooking girls on dope and turning them onto the streets; Jeanine, Colley’s ex-partner’s wife, who shows a terrifyingly unexpected gift for savagery; his brother, Albert, a Buick dealer in Larchmont, who lectures him: “Nick, a man who has to commit robberies is a man with a serious personality disorder.”
With a razor-sharp eye for detail, McBain draws us into the codes and rhythms of Colley’s world, into the flickering scenes inside Colley’s head — the art of growing up in East Harlem; the Orioles “Social and Athletic Club,” where he first makes his mark as “sergeant at arms”; the jobs he pulls; the prisons; above all the exhilaration and glory of holding that first gun at age fifteen, feeling its beauty, its wonderful power...
GUNS: Ed McBain’s abilities for characterization, tight suspense, and hard, clear detail have always been first-rate, but this new novel gives them room to stretch as they never have before. From the opening page to the stunning climax, the result is a superb thriller and a brilliant exploration into the criminal mind.

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“Colley,” she said, “if those cops are dead, they’ll get to you.”

“Well,” he said.

“Even if only one of those cops is dead...”

“Who said anybody’s dead, huh? Teddy was only in the store there a minute, when he come in to help me with Jocko. Whyn’t you ask me, huh? I was the one in there with Jocko when the shooting started. I’m the one ought to know what happened in there.”

“All right,” she said, “what did happen in there, Colley?”

“They surprised us, that’s all. Jocko threw down on the guy behind the counter, and next thing you know there was fuzz.”

“Who was the one started shooting?”

“The one coming at me,” Colley said. “Holding out his badge. He was left-handed, Jeanine, both of them were left-handed. They had their pieces in their left hands, how you like that?” he said, and shook his head in amazement. “Listen,” he said, “you got anything to drink around here? I could really use a drink.”

“There’s booze in the kitchen,” she said.

“You want one?” he said.

“Mix me a light Scotch and water.”

“I’m not moving in,” he said, “I just want to sec the news. I’ll go right after the news, you don’t have to worry.”

“Who’s worrying?” Jeanine said, and looked at him.

“Well, I didn’t mean actually worrying.

“What did you mean?” she said.

She was still watching him. He couldn’t read the look on her face. He knew she was angry because of the shooting in the liquor store, and Jocko getting hurt. But there was something else mixed in with the anger.

“What I meant is I know you’re upset right now,” he said, and got up quickly and went out into the kitchen. On the counter near the refrigerator there was an almost full bottle of Scotch and an unopened bottle of bourbon. He pried an ice-cube tray loose from the freezer compartment and put a few cubes in each of two glasses. He was pouring Scotch liberally into both glasses when he remembered she’d asked for a light one, so he poured more heavily into his glass, which made hers light by comparison. “Did you say water in this?” he called to the living room, but she either didn’t hear him or didn’t care to answer him. He himself wanted soda, but there wasn’t any in the refrigerator, so he put a little water in both glasses and then carried them out to the living room. The living room was empty. Down the hall, he heard the shower going. He looked at his watch again. It was a quarter to eleven, plenty of time before the news came on.

He turned on the set, and then sat on the sofa and took a good heavy gulp of his drink, and then another heavy gulp, and then just began sipping at it slowly. Down the hall, the shower was still going. The apartment was still except for the steady drumming of the water and the drone of the television set. A movie was on, he watched it only because he did not want to think about what had happened in the liquor store. He did not want to believe that either of those two cops were dead.

He could accept them being hurt bad, but he didn’t want to believe they were dead because then he might just as well admit he himself was dead. You kill a fuckin cop in this city — any city, for that matter — that was it, Charlie. So he didn’t want to believe he had killed that cop. Until he knew other wise, why then, he chose to believe the man was only hurt bad. Stupid bastard running at him that way, holding out the badge as if it was a shield could protect him from harm. Like people hanging St. Christopher medals in their car. All those crazy bastards on the highway, you needed more than a St. Christopher medal to survive.

The sound of the water stopped. He kept watching the movie. He had no idea what the movie was about, no idea who the actors were. Down the hallway, he heard the bathroom door opening. Silence. The ticking of the clock. On the street outside, filtering up to the open windows, the distinctive laughter of a black woman. In the distance, the sound of an approaching train rattling along the elevated tracks on Westchester Avenue. Summertime. It was summertime in that apartment and beyond those open windows. Summertime. And he had shot a cop.

When she came back into the room, she was wearing faded blue jeans and a white cotton T-shirt. No bra, her breasts moved fluidly beneath the thin fabric as she came barefooted into the room. She looked clean and cool and she brought the scent of soap with her. She looked younger, too, possibly because the narrow jeans hid the fleshiness of her thighs and gave her a long, slender look. Stopping just inside the door to the room, she put her hands on her hips and stood there watching the television screen. The movie had just gone off. Another train went roaring past on the avenue a block away, smothering all sound. Jeanine looked for her drink, saw it on the coffee table and bent over to pick it up.

The anchorman came on just then to give a quick summary of the news. They both turned to watch the screen, Jeanine standing to Colley’s left, the drink in one hand, the other hand still on her hip. The anchorman was saying something about a demonstration outside the U.N. Building. Jeanine sipped at the drink, her eyes on the screen. Now the anchorman was talking about a three-alarm fire in the Wall Street area. Colley was hoping there wouldn’t be anything about the robbery. If they didn’t report it on television, that would mean neither of the two cops had been hurt bad. But then the anchorman said, “In the Bronx tonight one detective was killed and another seriously injured when a pair of armed men attempted to hold up a liquor store on White Plains Avenue. And in...”

“There it is,” Jeanine said.

“Shhh,” Colley said.

“...the Brooklyn Battery Tunnel, a three-hour traffic jam caused tempers to flare while temperatures soared. Details on these in a moment.”

“One of them’s dead,” Jeanine said.

“I heard.”

“Great,” she said.

“Shhh, I want to hear if they...”

“Just great.”

She seemed about to say something more, but instead she angrily plucked a cigarette from the box on the coffee table, and struck a match with the same angry, impatient motion, and then walked to the easy chair across from the sofa and was about to sit in it when she saw she still had the burnt match in her hand. She pulled a face and came back to the coffee table and put the burnt match in the ashtray there. Then, instead of going back to the easy chair, she sat cross-legged on the floor in front of the couch, and silently and sulkily watched the screen. The commercial was over, the news team came back to elaborate on the events the anchorman had earlier summarized. Jeanine dragged on the cigarette and let out a stream of smoke. They were showing footage of the Wall Street fire now; it was really fascinating, fires fascinated Colley. They began interviewing a fireman, he was telling all about the people they’d rescued from the top floor of the office building. Then, suddenly, the liquor store appeared on the screen.

There it was, all right, it was really funny seeing it there on a television screen. Earlier tonight Colley had felt the job itself was like a goddamn movie, and now it really was a movie, right there on television. Only thing missing was the actors. Camera was roving around outside the store, showing the lettering on the plate-glass window, Carlisle Liquors, and the bottles in the window, focusing on a sign that was advertising something for $3.99, and then moving away to the front door, the door was opening, the camera moving into the store itself, going in through the door, showing the bloodstains on the floor, and then continuing to move deeper into the store, toward the cash register, to show where the second cop had been shot.

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