Alistair MacLean - The Guns of Navarone

Harper

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by Collins 1957

Copyright © HarperCollins Publishers 1957

Cover design © HarperCollins Publishers Ltd 2019 Cover photograph © Stephen Mulcahey

Alistair MacLean asserts the moral right to be identified as the author of this work

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780006172475

Ebook Edition © OCTOBER 2014 ISBN: 9780007289349

Version: 2020-09-03

Cover Page

Title Page The Guns of Navarone Alistair MacLean

Copyright

Introduction

Dedication

ONE Prelude: Sunday 0100–0900

TWO Sunday Night 1900–0200

THREE Monday 0700–1700

FOUR Monday Evening 1700–2330

FIVE Monday Night 0100–0200

SIX Monday Night 0200–0600

SEVEN Tuesday 1500-1900

EIGHT Tuesday 1900-0015

NINE Tuesday Night 0015-0200

TEN Tuesday Night 0400–0600

ELEVEN Wednesday 1400–1600

TWELVE Wednesday 1600–1800

THIRTEEN Wednesday Evening 1800–1915

FOURTEEN Wednesday Night 1915–2000

FIFTEEN Wednesday Night 2000–2115

SIXTEEN Wednesday Night 2115–2345

SEVENTEEN Wednesday Night Midnight

Keep Reading

About the Author

Also by Alistair MacLean

About the Publisher

I wanted to write a war story – with the accent on the story. Only a fool would pretend that there is anything noble or splendid about modern warfare but there is no denying that it provides a great abundance of material for a writer, provided no attempt is made either to glorify it or exploit its worst aspects. I think war is a perfectly legitimate territory for a story-teller. Personal experience, I suppose, helped to play some part in the location of this story. I spent some wartime months in and around Greece and the Aegean islands, although at no time, I must add, did I run the risk of anything worse than a severe case of sunburn, far less find myself exposed to circumstances such as those in which the book’s characters find themselves.

But I did come across and hear about, both in the Aegean and in Egypt, men to whom danger and the ever-present possibility of capture and death were the very stuff of existence: these were the highly trained specialists of Earl Jellicoe’s Special Boat Service and the men of the Long Range Desert Group, who had turned their attention to the Aegean islands after the fall of North Africa. Regularly these men were parachuted into enemy-held islands or came there by sea in the stormy darkness of a wind- and rain-filled night and operated, sometimes for months on end, as spies, saboteurs and liaison officers with local resistance groups. Some even had their own boats, based on German islands, and operated throughout the Aegean with conspicuous success and an almost miraculous immunity to capture and sinking.

Here, obviously, was excellent material for a story and it had the added advantage for the writer that it was set in an archipelago: I had the best of both worlds, the land and the sea, always ready to hand. But the determining factor in the choice of location and plot was neither material nor the islands themselves: that lay in the highly complicated political situation that existed in the islands at the time, and in the nature of Navarone itself.

There is no such island as Navarone – but there were one or two islands remarkably like it, inasmuch as they were (a) German-held, (b) had large guns that dominated important channels and (c) had these guns so located as to be almost immune to destruction by the enemy. Again the situation in the Dodecanese islands was dangerous and perplexing in the extreme, as it was difficult to know from one month to another whether Germans, Greeks, British or Italians were in power there – an excellent setting for a story. So I moved a Navarone-type island from the middle of the Aegean to the Dodecanese, close in to the coast of Turkey, placed another island, filled with trapped and apparently doomed British soldiers, just to the north of it, and took as much advantage as I could of what I had seen, what I had heard, the fictitious geographical situation I had arranged for my own benefit, and the very real political and military state of affairs that existed in the Dodecanese at that time.

ALISTAIR MACLEAN

Glasgow, 1958

To my mother

The match scratched noisily across the rusted metal of the corrugated iron shed, fizzled, then burst into a sputtering pool of light, the harsh sound and sudden brilliance alike strangely alien in the stillness of the desert night. Mechanically, Mallory’s eyes followed the cupped sweep of the flaring match to the cigarette jutting out beneath the Group-Captain’s clipped moustache, saw the light stop inches away from the face, saw too the sudden stillness of that face, the unfocused vacancy of the eyes of a man lost in listening. Then the match was gone, ground into the sand of the airfield perimeter.

‘I can hear them,’ the Group-Captain said softly. ‘I can hear them coming in. Five minutes, no more. No wind tonight – they’ll be coming in on Number Two. Come on, let’s meet them in the interrogation room.’ He paused, looked quizzically at Mallory and seemed to smile. But the darkness deceived, for there was no humour in his voice. ‘Just curb your impatience, young man – just for a little longer. Things haven’t gone too well tonight. You’re going to have all your answers, I’m afraid, and have them all too soon.’ He turned abruptly, strode off towards the squat buildings that loomed vaguely against the pale darkness that topped the level horizon.

Mallory shrugged, then followed on more slowly, step for step with the third member of the group, a broad, stocky figure with a very pronounced roll in his gait. Mallory wondered sourly just how much practice Jensen had required to achieve that sailorly effect. Thirty years at sea, of course – and Jensen had done exactly that – were sufficient warrant for a man to dance a hornpipe as he walked; but that wasn’t the point. As the brilliantly successful Chief of Operations of the Subversive Operation Executive in Cairo, intrigue, deception, imitation and disguise were the breath of life to Captain James Jensen, DSO, RN. As a Levantine stevedore agitator, he had won the awed respect of the dock-labourers from Alexandretta to Alexandria: as a camel-driver, he had blasphemously out-camel-driven all available Bedouin competition: and no more pathetic beggar had ever exhibited such realistic sores in the bazaars and market-places of the East. Tonight, however, he was just the bluff and simple sailor. He was dressed in white from cap-cover to canvas shoes, the starlight glinted softly on the golden braid on epaulettes and cap peak.