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Mo Hayder: Pig Island

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Mo Hayder Pig Island

Pig Island: краткое содержание, описание и аннотация

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Journalist Joe Oakes makes a living exposing supernatural hoaxes. A born sceptic, he believes everything has a rational explanation. But when he visits a secretive religious community on a remote Scottish island, everything he thought he knew is overturned. Questions mount: why has the community been accused of Satanism? What has happened to their leader, Pastor Malachi Dove? And perhaps most important, why will no one discuss the strange apparition seen wandering the lonely beaches of Pig Island? Their confrontation, and its violent and bloody aftermath, is so catastrophic that it forces Oaksey to question the nature of evil, and whether he might not be responsible for the terrible crime about to unfold. In her compulsive and haunting new novel, Mo Hayder dares her readers to face their fears head on and to look at what lurks beneath the surface of everyday normality. "Pig Island" is about the unspeakable things people can do to each other. Brace yourself for a terrifying read.

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'Hey! Hey! Come along now…' She tried to kick me again, but Struthers pulled her away, turning her to look at him, holding her face. She was weeping uncontrollably now, wiping her nose and shaking her head. 'Let's not see any more of that, wee lassie. You hear me?'

'I want to go. I want to go. I'm not staying here with him.'

'Callum, for God's sake.' Danso waved his hand at Struthers. 'You're FLO-trained, aren't you? Take her somewhere. Have you got somewhere to go, lovey?'

'No!'

'No one to visit?'

She shook her head again. Then something occurred to her. She wiped her eyes with the palms of her hands, taking breaths to stop her chest heaving. 'Yes. Paul. I can go to him.'

'Paul?' I echoed. 'Who the fuck's Paul?'

She looked at me, full of contempt. 'You didn't even bother to find out his name.'

'That fucking arty photographer? How long have you and him been friends, then?'

'That's enough.' Danso flicked a hand in the direction of the street. 'Get her out of here. Meet me at Salusbury Road.'

As Struthers pulled her to her feet, the warm, creamy expanse of her right breast slid briefly into view from her sweater, then back as she straightened. She shook her hair, tucking a curl behind her ear, taking care not to look at me. I sat totally still, numb, silent. My head was pounding. Mineshaft, I was thinking. Wedged in a minesbaft.

'Was there a carcass on top of him?' I asked Danso distantly, not taking my eyes off Angeline. She was letting herself be led to the door. In the hallway they paused so Struthers could sort through the coats, looking for hers, asking her, did she need a handbag, keys, phone? A wash of unreality came over me. I felt like something old and poisonous had fastened its mouth over mine and was breathing silently and steadily into me. 'An animal? One of the pigs?'

'I suppose if someone wanted to disguise the smell of a corpse it's a good idea…'

'Yeah. A dead pig. It would have disguised the smell. And my fingerprints… they were…' I paused. Struthers was taking Angeline out of the front door and on to the garden path. Now he'd transferred his hand from under her arm to round her shoulders. She was leaning against him, steadying herself against his chest as she limped away to the street. For a moment I was back on Cuagach, a cold wind blowing, her voice, thin and fleeting: 'Stop it watching me …' 'They were on a chemical drum, weren't they? My fingerprints. That's where you found them?'

'I've got a case to build, Joe. You understand that. What we're going to do now is take you down to Salusbury Road and question you.'

'But they were. Weren't they? My prints. On a chemical drum.' I stood, heading in a trance for the front door. 'A drum wedged in front of him.'

'You'll need to stay here, Joe. Until I've got some men in.' When I didn't stop he raised his voice behind me. 'You're detained, Joe. Detained.'

I threw open the door. In the dark street the blue emergency light flashed on and off, shadows racing up the neighbouring houses. The hail had stopped and Struthers stood at the police car, closing the door on Angeline. As I came down the path he went round to the other side and got in. Danso was coming up behind me. I wrenched the garden gate open. 'Hey!' I said, hurling myself at the car, shaking the handle. 'You! Angeline.' I banged a fist on the window. 'Open this. Open the fucking door.'

Out of the corner of my eye I could see uniformed police jumping out of the other cars. I could hear Danso breathing behind me. 'Joe,' he said. 'Come on, son.'

'Open the fucking door,' I bellowed. The driver flashed me a nervous glance, just a small glint of eye under the cap, and put the car into gear, taking off the handbrake. Struthers was leaning forward, urging the driver on. 'No! You fuckers!' I grabbed the door trim, digging my nails in, shouting at Danso who was behind me, hands on my shoulders. 'I put the fucking drum in the shaft for her.' I banged on the window. Blood vessels popped in my temples. 'Angeline. Open this fucking door.' Flecks of spit shot out of my mouth. 'Angeline. You bitch. You BITCH. You evil bitch:

Suddenly, with a whoosh of cool air, the electric window slid smoothly down and Angeline's face appeared close to mine. Everyone on the street became very still. The driver re-engaged the handbrake and Struthers sat back with a jerk. 'What did you say?' She leaned close to me. Her breath was sour, like something was erupting from her. 'Just then, what did you say?'

'I said, you evil fucking bitch:

'Joe.' She reached a hand up to my face. 'Joe. You don't believe in evil. You don't believe in possession and you don't believe in evil. You said it yourself.'

'Shut up!' I bellowed. 'Shut up!' Out of nowhere hard arms wrapped round me, pinning my hands down. Someone was frisking me, searching my pockets. I twisted in their grip, banging my leg on the car and sending someone's cap flying off into the gutter. 'You arseholes.'

'Joe, whatever it is you've done…' More tears came to her eyes. She looked pityingly at my struggles. '… I don't blame you. You must remember that, I don't blame you.'

She sat back in the seat, letting the electric window slide calmly up to close off her face. I stopped struggling and stared at her. She crossed her stockinged legs and next to her Struthers lowered his chin to get a look. There was a bit of a pause, then the driver took off the handbrake again and the car pulled neatly out into the road. For a split second I thought I saw something coiled and dark, like smoke or a spirit, lifting itself out of the car and hovering near the roof, then the driver reached the end of the road, hesitated, put the indicator on, turned and disappeared from sight, leaving me standing in front of my own house, held back by two police officers, nothing better to do than watch the car drive away.

THE END

Acknowledgements

Thank you to everyone at Transworld, particularly my utterly dedicated, 24/7 editor Selina Walker, and also Patrick Janson-Smith (keep trying, PJS, and one day I might forgive you for leaving Transworld). To Jane Gregory for being my rock — and a brilliant, flaming, red-headed rock at that. A loud cheer too for the Hammersmith office: Anna the traitor, Claire, Emma, Jemma and Terry.

To everyone in the Strathclyde police force: DC Dee Bradbury and DC Gary Brown for fitting me in between pregnancies and attempted murder charges, and DS Allan Derrick (glockenspiel king). To Dr Awny Lutfy (FRCPath) of The Dumfries and Galloway Royal Infirmary; to Sisters Rosalyn Bonner and Jackie Iverson, and especially Nurse Practitioner Breeda McCahill of the Glasgow Royal Infirmary Burns Unit. To Mr Richard Spicer (FRCS) of the Bristol Royal Hospital for Children for the insights into the sacrococcygeal growth and its complications, and to explosives expert David Hargreaves for detailed explanations of how to make things go bang. Thank you to Minette Walters for teaching me more about the publishing industry in four days than I've learned in the last eight years, and most of all a huge hug to Mairi Hitomi for being my best chum and for teaching me how to get ma geggy round Glasgae slang.

Thank you also to: my mother, my father and my little brother; Jim Brooks; Broo Doherty; Simon Gerard; Pat Mallows (website king); Murf and Margaret (OWO Murphy); Karin Slaughter; Gilly Vaulkhard; the Downings, the Laydons; the Heads; the Roberts. A special hurrah for everyone at Bath Spa MACW (especially Tracy and Richard), everyone at Appletree and the Larkhall yummy mummies: Helen, the two Kates, Konny, Mel, Ness, Olivia, Rebecca. But most of all: love and a thank-you that goes on for ever to you, Keith, and our little girl, Lotte Genevieve.

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