'What the fuck's this?'
'Pig meat,' said the lobsterman. 'Dead pigs. Killt in one of them rituals on Pig Island and been washed off the island.'
'Police have seen it,' the landlord said, 'and they've not cared to do anything about it — can't prove where it's coming from and, anyway, a few dead pigs aren't hurting anyone, is their manner of thinking.'
'Dead pigs?' I looked up at the mouth of the Firth. The moon picked out the silvery tips of waves as far as the eye could see — to where Pig Island peeped round the end of Luing, silent and hunched, like a dozing beast. 'All of this is dead pigs?'
'Aye. That's what they say.' The landlord puffed out a series of short, dry laughs — like the world never ceased to amaze him. 'That's what the police say — everything here is just pig meat. But you know what I think?'
'What do you think?'
'I think that when it comes to the lovers of Satan you can never be too sure.'
Let's think about my mistakes with the whole Pig Island thing. Well, the first one was letting my wife come to Scotland with me. What was I thinking? I've had to stop punching myself in the face about it, because you have to find ways of hanging on to a bit of sanity, so I say whoever was to blame, Lexie was there with me. Course, I didn't know she was there for her own reasons, didn't know she had something on her mind. I thought she was totally made up with her job — a receptionist at a London clinic — besotted by the media-whore neurosurgeon who ran the place (you guessed I don't like him, right?). The last thing I expected was for her to want to leave London. But one minute I say, 'I'm coming to Scotland,' next thing she's on the web looking for holiday cottages.
She found a crappy one-bed bungalow on Craignish Peninsula that my budget stretched to. It was hot and unventilated and Lexie slept restlessly. The night I got back from the beach she was already in bed, turning over in her sleep, whimpering and pushing at the pillow. I got in silently and lay next to her, staring up at the ceiling. Tomorrow I'd be on Pig Island. I needed to think about what I was chasing. I was going to have to play it dead carefully. Going to have to concentrate, be ready for anything.
The Psychogenic Healing Ministries wanted me at their Positive Living Centre on Pig Island because of Eigg, the little Hebridean island fifty miles to the north. They hadn't said it, but I knew it anyway. On Eigg the tenants had raised the money to buy the island from the owner. They got donations from everywhere, all over the country — even the National Lottery. Booted old Schellenberg and Maruma out. And how did they manage that? Good publicity. Simple as that. Someone was there to spread their story to the world. And that someone was me. I'd been there — helped break the story in the press. How I saw it now was the Psychogenic Healing Ministries probably had some legal hassle they wanted to raise money for. Thought I could help. If they'd known I had history with their founder, Pastor Malachi Dove, if they'd known that eighteen years ago I'd written an article on him under the name Joe Finn, that he'd been so arsed off about it he'd tried to sue me for libel, I'd never have got even a little bit close to Pig Island. But, like I said, canny bastard, me.
I lay awake half the night ticking off kit in my head: MP3 player, camera, batteries, spare camera card, phone … Didn't get to kip until three in the morning and the next day I was on edge. After breakfast, when I'd packed and was ready to set off for Pig Island, I got the laptop out one last time.
I never had found out what came first — the rumours that the Psychogenic Healing Ministries were practising Satanism, or the video. But when the public saw it they made up their mind it was an image of the devil, brought down on to Pig Island by the Satanic ritual of the PHMs. A great steaming pile of bollocks, naturally, but even I had to admit there was something dead creepy about the video.
First of all, it wasn't trick photography. It had been through every AV specialist unit in the country, passed every test, been torn apart frame by frame, but even with all that gadgetry thrown at it, it kept coming up clean over and over again. Whoever had cooked up this little bit of chicanery hadn't used trick photography: something had definitely been on the island beach that hot 18 July two years ago.
That morning I played it again on my laptop. I sat forward on the edge of my seat, concentrating hard. I'd seen it a thousand times and knew every frame. It started off kind of ordinary, with the camera lingering on the horizon out to sea, tilting gently as the single-engined boat bobbed on the waves in the Firth of Lorn. I dragged the RealPlayer toggle to the bit where a shout went up on the boat. This was the exact moment when one of the other tourists saw something moving on the island. A few indistinct shouts came from the TV — a lot of camera movement as the surprised tourist whipped the videocam sideways, taking in one or two shocked faces on the boat, then focused across the bay on an indeterminate line of green-brown — the seaward shoreline of Pig Island. Someone close to the camera spoke. The words were totally unintelligible because of the wind on the soundtrack, but the BBC unit had added sub-titled dialogue to my copy: 'What in fuck's name is that?'
This was the important bit. You could feel the guys on the boat inching forward in curiosity, staring at the beach where a creature no one could put a name to moved ponderously through the foliage at the water's edge. It stood at about five foot eleven; the BBC technicians figured this out from comparative measurements using sun and trees. In most ways it appeared like a naked human being — the video showed its back from the waist down; the upper half was concealed in shadow. Except it wasn't human. There was something dangling from the base of its spine. Estimated to be about two feet in length, the same battered brown flesh as the body, it looked just like a fleshy tail. It banged once on the back of the creature's legs as it moved.
Even in that stifling bungalow, with the sun coming through the picture windows, lying in great squares on the dingy patterned carpet, and Lexie a few yards away in the kitchen, I got this crawl of discomfort across my skin. I leaned nearer to the TV and stared at the wavery brown line of empty beach, the camera holding steady on the island in case the beast reappeared. A full three minutes elapsed until the tourist gave up waiting and turned the camera back to the other men on the boat. They stood at the gunwales, all four of them in their Bolton Wanderers shirts, holding the stanchion line and staring in silence at the spot on the beach where the creature had been.
The people at the BBC reckoned it was an actor, someone in a costume. Their AV unit had worked on the Bluff Creek Bigfoot film, and they thought this video had some of the same hallmarks: Sasquatch, as we all knew, was just some guy in a Hollywood gorilla suit — and the technicians decided that was probably what was happening in the Pig Island film. The problem was, because the video was taken from a boat about two hundred yards offshore, because the 'creature' emerged from the trees at frame 1,800 and had disappeared into the foliage by frame 1,865 (at a rate of thirty frames per second that meant a shade over two seconds), and because the movement of the boat had the picture jumping all over the place, the Beeb couldn't get a good enough image to analyse it any closer. They could only say what it appeared to be.
Half beast. Half human.
'I'll put your lighter in the rucksack,' said Lexie, suddenly, from the kitchen. 'I'm putting it in the front pocket.'
Читать дальше