Chester Himes - If he hollers let him go

'Thanks,' I said.

He stopped me to shake hands again. 'It was nice seeing you, Robert.' He always made it a point to let me know he didn't have anything against me, even if I didn't belong to his class.

'It was nice seeing you too, Doctor,' I said.

Alice was waiting for me at the head of the spiral stairway. 'How are you, dear?' she greeted. Her cool contralto voice was under wraps and her eyes were controlled. She wore a scarlet velvet housecoat and her cheeks were slightly rouged. I couldn't help but think she was a regal-looking chick.

"Lo, baby,' I said, kissing at her.

She dodged. 'Don't!'

'All right, if that's the way-' I broke it off, looking beyond her into the sitting room. 'Goddamn, you've got company,' I accused. I was ready to turn and go.

But she said quickly, 'Oh, you'll like them,' took me by the hand and led me into her sitting-room.

It was a large pleasant room with a love seat and three armchairs done in flowered chintz. There were white scatter rugs on the polished oak floor and white organdie curtains at the double windows facing the street. Her bedroom was to the rear.

'You know Polly Johnson,' she said, and I said, 'Hello, Polly,' to a sharp-faced, bright yellow woman with a mannish haircut, dressed in a green slack suit.

'Hi, Bob, how's tricks?' she said around her cigarette.

'And Arline,' Alice went on. 'Arline Wilson.'

'Hello, Arline,' I said. She was a big sloppy dame in a wrinkled print dress with her black hair pulled tight in a knot at the back of her head, giving her a surprised, sweaty look. I imagine she thought it made her look childish. She was a schoolteacher.

'Here's that man again,' she said. I gave her a quick, startled look; she was too old for that, I thought.

'And this is Cleotine Dobbs,' Alice said of the third dame. 'Miss Dobbs, Mr. Jones.'

I shook hands with her. 'How do you do, Miss Dobbs.'

She was a long, angular, dark woman dressed in an Eastern suit. She was strictly out of place in that light bright clique.

'Cleo has just come to our city to direct the Downtown Settlement House,' Alice said sweetly. 'She's a Chicago gal.'

'That's fine,' I said, figuring on how to escape. Then to Alice: 'I really can't stay. I just dropped by to say hello.'

'Oh hush, Bob, and sit down,' she said. 'You know you haven't got a thing to do.'

I gave her a lidded look. 'Don't be too sure,' I said.

She put her hands on my shoulders and pushed me down on the other half of the love seat with Cleo, the dark dame.

'That's right, girl, don't let a man get away from us,' Arline said. I sneaked another look at her.

'Maybe Bob's afraid of all us women,' Polly said. 'We must look like dames on the make.' She had a blunt, sharp-tongued manner that could soon irritate me.

'Although God knows I haven't started picking them up off the street,' Arline said, and she and Polly crossed glances.

'I'm overwhelmed,' I choked, then got my voice under better control.

'We were just discussing the problems that confront the social worker in Little Tokyo,' Cleo said, coming to my rescue, I supposed. 'I was saying that first of all there must be some organization within the community through which a programme of integration may be instituted into the broader pattern of the community. There must be adequate provisions for health care, adequate educational resources and opportunities for recreation,' she enumerated. She sounded as if she'd just gotten her Doctor's.

'What they need down there more than anything else is public housing,' Polly said bluntly. 'Have you seen some of those places that those people live in? Twelve people in a single room and not even any running water.' I remembered then that she worked with the housing authority. 'That place is a rat hole. Without adequate housing you can't even start any programme of integration.'

I sat there with my hands clasped in my lap, looking from one speaker to another with a forced interested smile, wondering what the hell had brought all of this on and getting tighter every second.

'Housing takes time,' Arline put in. She had the soft manner of the appeaser. 'And you know how they'll do even if they build a development down there; they'll allocate about one-fourth to Negroes and the rest to whites and Mexicans.'

'Mexicans are white in California,' Polly said.

'I know,' Arline said. 'That's what I mean. What they should really do is to stop all these Southern Negroes from coming into the city.'

By now I was tense, on edge; what they were saying didn't have any meaning for me-just some cut-rate jive in social workers' phraseology that proved a certain intellectualism, I supposed. But I didn't have to listen to it; I was going to get the hell out.

'But these people are already here,' Cleo pointed out. 'The ghetto's already formed. The problem now is how best to integrate the people of this ghetto into the life of the community.' She turned to me; I'd been silent long enough, 'What do you think, Mr. Jones?'

'About what?' I asked.

She threw a look at me. 'I mean what is your opinion as to the problem arising from conditions in Little Tokyo?'

Well, sister, you're asking for it, I thought. Aloud I said: 'Well, now, I think we ought to kill the coloured residents and eat them. In that way we'll not only solve the race problem but alleviate the meat shortage as well.'

There was a shocked silence for an instant, then Polly broke into a raucous laugh. Alice said softly, 'Bob!'

All I wanted was for them to get the hell out of there so I could be alone with Alice, but I lightened up a little out of common courtesy. 'All kidding aside,' I said, 'if I knew any solution for the race problem I'd use it for myself first of all.'

'But this isn't just a problem of race,' Cleo insisted. 'It's a ghetto problem involving a class of people with different cultures and traditions at a different level of education.'

'Different from what?' I said.

'The mayor's organizing a committee to investigate conditions down there,' Arline said. 'Blakely Moore is on it.'

'Would you gals like a drink?' Alice asked, and at their quick nods, turned to me, 'Bob dear…'

I went down to the kitchen with her for the rum-and-coke setups, glad to get a breather. 'Can't you get rid of 'em?' I asked. 'I want to talk to you, baby.'

She put her arms about me and kissed me. 'Be nice, darling,' she said. 'Tom's coming by and they want to meet him.'

'Tom who?' I asked, but she just smiled.

'You'll like him,' she said. 'He's something like you.'

The drinks got them gossipy.

'Herbie Washington has married a white girl.'

'No!'

'I don't believe it!'

'Who is she?' Alice asked.

'She's white,' I muttered to myself. 'Ain't that enough?' They didn't even hear me.

'Nobody knows,' Arline said. 'Some girl he met at one of Melba's parties.'

That started Cleo off. 'I can't understand these Negro men marrying these white tramps,' she said. You wouldn't, I thought, black as you are. 'Chicago's full of it. Just as soon as some Negro man starts to getting a little success he runs and marries a white woman. No decent self-respecting Negro man would marry one of those white tramps these Negroes marry.'

'I wouldn't say that exactly,' Polly injected. 'I know of Negro men married to decent white women-as decent as you and I.' She was taking up for herself-her father was a Negro married to a white woman.

But Cleo didn't know that. 'Nothing but tramps!' she stormed, getting excited about it. The veneer came off and she looked and talked just like any other Southern girl who'd never been farther than grammar school. 'Nobody but a white tramp would marry a nigger!' she shouted, almost hitting me in the mouth with her gesticulations. 'And nobody but a nigger tramp would have 'em. I was at a party in Chicago and saw one of our supposed-to-be leading Negro actors sitting up there making love to some white tramp's eyebrows.'