Dorothy Sayers - The Documents in the Case

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The only one of Sayers' twelve major crime novels not to feature Lord Peter Wimsey, her most famous detective character, written in collaboration with Robert Eustace. This is an epistolary novel, told primarily in the form of letters between some of the characters. This collection of documents — hence the novel's title — is explained as a dossier of evidence collected by the victim's son as part of his campaign to obtain justice for his father.

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And he said that didn’t mean that God was vindictive, only that the Laws of Nature had their way, and worked out the punishment quite impartially, just as fire burns you if you touch it, not to punish you, but because that is the natural law of fire.

I am wandering on, darling, am I not? I only wondered what kind of natural revenge Mr Perry thought God would take for what he would call our sin. It does seem so ridiculous, doesn’t it? As if God or Nature would trouble about us, with all those millions and millions of worlds to see to. Besides, our love is the natural thing — it’s the Gorgon who is unnatural and abnormal. Probably that’s his punishment. He denies me love, and our love is Nature’s revenge on him. But, of course, he wouldn’t see it that way.

Oh, darling, what a wonderful time these last weeks have been. I enjoyed every minute. I have been so happy, I didn’t know how to keep from shouting my happiness out loud in the streets. I wanted to run and tell the people who passed by, and the birds and the flowers and the stray cats how happy I was. Even the Gorgon being there couldn’t spoil it altogether. Do you remember how angry he was about The Sacred Flame ? And you were holding my hand, and your hand was telling mine how true and right it was that the useless husband should be got out of the way of the living, the splendid wife and her lover and child. Darling, I think that play is the most wonderful and courageous thing that’s ever been written. What right have the useless people to get in the way of love and youth? Of course, in the play, it wasn’t the husband’s fault, because he was injured and couldn’t help himself — but that’s Nature’s law again, isn’t it? Get rid of the ugly and sick and weak and worn-out things, and let youth and love and happiness have their chance. It was a brave thing to write that, because it’s what we all know in our hearts, and yet we are afraid to say it.

Petra, darling, my lover, my dearest one, how can we wait and do nothing, while life slips by? The time of love is so short — what can we do? Think of a way, Petra. Even — yes, I’m almost coming to that — even if the way leads through shame and disgrace — I believe I could face it, if there is no other. I know so certainly that I was made for you and that you are all my life, as I am yours.

Kiss me, kiss me, Petra. I kiss my own arms and hands and try to think it’s you. Ever, my darling, your ownLolo

44. The Same to the Same

15, Whittington Terrace 5th Oct., 1929

‘Oh, Petra, I am so frightened. Darling, something dreadful has happened. I’m sure — I’m almost quite sure. Do you remember when I said Nature couldn’t revenge herself? Oh, but she can and has , Petra. What shall I do? I’ve tried things, but it’s no good. Petra, you’ve got to help me. I never thought of this — we were so careful — but something must have gone wrong. Petra, darling, I can’t face it. I shall kill myself. He’ll find out — he must find out, and he’ll be so cruel, and it will all be too terrible.

Petra, I was so desperate I tried to make him — don’t be angry, Petra — I mean, I tried to be nice to him and make him love me, but it wasn’t any good. I don’t know what he will do to me when he discovers the truth. Darling, darling do something — anything! I can’t think of any way, but there must be one, somehow. Everybody will know, and there will be a frightful fuss and scandal. And even if we got a divorce, it wouldn’t be in time — they are so slow in those dreadful courts. But I don’t expect he would divorce me. He would just smother it all up and be cruel to me. I don’t know. I feel so ill, and I can’t sleep. He asked me what was the matter with me today. I’d been crying and I look simply awful. Petra, my dearest, what can we do? How cruel God is! He must be on the conventional people’s side after all. Do write quickly and tell me what to do. And don’t, don’t be angry with me, darling, for getting you into this trouble. I couldn’t help it. Write to me or come to me — I shall go mad with worry. If you love me at all, Petra, you must help me now.Lolo

45. Statement of John Munting [Continued.]

The next news I had about the Harrisons was about the middle of October, 1929, when I got a note from Lathom, written, rather unexpectedly, from ‘The Shack, Manaton, Devon’. He said that he was staying with Harrison, who was having his annual ‘camp’ among the water-colour ‘bits’ and the natural food-stuffs. Harrison, it appeared, had been so pressing that he really had not known how to refuse, especially as he was really feeling rather played-out after several months’ strenuous work in Paris. After the unbearable hot and prolonged summer, the prospect of pottering about a bit among the lush grass and deep lanes of Devon had seemed attractive, even when coupled with the boredom of Harrison’s company. ‘As a matter of fact,’ he added, ‘the old boy is not so bad when you get him in the country by himself. This is the kind of life that really suits him. As a family man he is a failure, but he quite comes out and blossoms doing the odd bits of work about the shack. And he certainly is a first-class cook, though up to the present I have successfully avoided his nettle-broth and stewed toadstools, not wishing to be cut off in my youth. This is a pretty place — miles away from everywhere, of course, stuck down on a circumbendible lane which runs down from Manaton (half a dozen houses and a pub) to the deep valley which separates the Manaton Ridge and Becky Falls from Lustleigh Cleave. The only neighbours are the sheep and cows — an old ram walked into the kitchen the other day. Harrison was grunting over the stove and didn’t see him at first, “Be-hey-hey,” says the ram; “Eh-heh-heh,” bleats Harrison, looking up; and damn it, he was so exactly like the old fellow that he wanted nothing but a pair of horns to complete the resemblance! We wash the crockery, and then Harrison takes his newest superfine painting-box, with the collapsible legs and all the rest of it, and trundles away into the valley, where he sits all day in a gorse-bush, trying to put the tumbling of the stream on paper. The drought has dried it up a good bit, but never was anything so desiccated as the arid little plan of it he produces with pride for me to see, painted with a brush with three hairs in it — peck, peck, scratch and dab — like a canary scrabbling for seed. Why don’t I take the opportunity to do some work in this glorious place? No, thanks; I’m a figure and portrait wallah — besides, I’ve come here for a rest. It is not mine to sing the stately grace — I smoke my pipe in the doorway, drive the cattle out of the back garden, and see that the stewpot doesn’t boil too fast.

‘So here I am, in comfortable exile with Menelaus, while Helen sits at home and sews shirts. And it’s a better way, too. One mustn’t take these things too seriously. Damned if Harrison hasn’t got the right idea after all. Look after the grub and leave women to their own fool devices. They give a man no peace. You, being married, have perhaps got your house in order. Do you find it as easy to do your work, now that you’re hooked up to a whirlwind? But, of course, your whirlwind works too, and helps to turn the mill-wheel, which no doubt makes all the difference.’

Lathom went on in this strain for a page or so. Cynicism from him was something new, and I took it to spell restlessness of some sort or other. Either, I thought, he was getting fed up with the lady’s exactions, or the trio had arrived at a modus vivendi . It was no affair of mine.

He ended up by saying that he would be running up to town in a day or two and would look me up. I was then living in Bloomsbury — in fact, in my present house — and my wife was away with her people. I had arranged to go with her, but at the last moment an urgent matter turned up — an Introduction to an anthology, which had to be rushed out in a great hurry before some other publisher got hold of the idea, and I had to stay behind to get the thing fairly going, as it meant a good deal of work at the British Museum.

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