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Boris Akunin: All the World's a Stage

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Boris Akunin All the World's a Stage

All the World's a Stage: краткое содержание, описание и аннотация

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Eliza Altairsky-Lointaine is the toast of Moscow society, a beautiful actress in an infamous theatre troupe. Her love life is a colourful as the parts she plays. She is the estranged wife of a descendant of Genghis Khan. And her ex-husband has threatened to kill anyone who courts her. He appears to be making good on his promise. Fandorin is contacted by concerned friend — the widowed wife of Chekhov — who asks him to investigate an alarming incident involving Eliza. But when he watches Eliza on stage for the first time, he falls desperately in love… Can he solve the case — and win over Eliza — without attracting the attentions of the murderer he is trying to find?

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STORYTELLER

They hasten on, leaving these parts as far behind as possible.
The wind mischievously tosses their hair about.
Their earthly love leads them on an uncertain route,
Along the springy pathways of the Earth –
The cruel, kind, abundant, meagre Earth.
The travellers will wander it until at last
Their earthly love is consigned to the earth
And scattered by the careless wind, a mere handful of dust.

The light goes out.
In the darkness Kinjo and Yuba disappear.

Scene two

O-Bara’s room again. The geisha comes in, carrying flowers. Futoya follows her, shrouded in a cloak. O-Bara turns towards him and they both freeze on the spot.

STORYTELLER

O-Bara has summoned her accomplice once again,
To tell him all is ready, she has given the secret sign.
But the villainess is unaware that now a silent spy
Is tracking her, watching her every step.

He strikes his drum. The Inaudible One appears on the other side of the paper partition and parts the shoji slightly. O-Bara and Futoya start moving again.

O-BARA Today or tomorrow we shall see the end of her. There will be no obstacle to my success.

She sits down at the little table and starts arranging an ikebana thoughtfully.

Now everything that we desire, dear friend, will come about. There is no doubt of it.

FUTOYA Most welcome news. And now I ask you to return the token that I entrusted to your safe keeping. The sign has been given and Izumi’s final hour has come. The Sinobi execute a sentence promptly. Their messenger may appear at any moment now, and I must return the dragon instantly.

O-Bara takes her time to finish arranging the bouquet. Then she lifts the table up slightly, opens the secret compartment and rummages in it. She thinks she has tried the wrong leg and looks in each of them by turn.

STORYTELLER ( in the meantime )

The Ninja hears this conversation and the background
To the situation is revealed to him.
The instigators of the murder are both here before him.
It is their fault that he must take Izumi’s life!
What satisfaction he would feel in putting to a cruel death
O-Bara and the merchant, and accept no payment for it!
But the Sinobi laws prohibit any punishment of clients
Without some weighty and compelling argument…

O-BARA Where has it got to? I remember very clearly that I put the dragon in my secret hiding place.

FUTOYA This is no time for foolish joking! Give me back the talisman!

O-BARA Oh, damnation! It has been stolen! I simply can’t believe my eyes. Look, the table leg is hollowed out. No hiding place could possibly be safer!

Futoya overturns the table.

FUTOYA I understand! I realise everything! Oh, you vile serpent! You wish to get rid of me now! You no longer have any need of me! My usefulness has been exhausted! You wish to hand me over, so that they can torture me to death! ( He grabs her roughly by the shoulder .) The Jyonin will kill me for losing his dragon! And that is what you want. Give it back!

O-BARA ( resisting ) What is this, have you lost your mind? Let go of me, you idiot! You and I are allies! Why should I wish to have you killed? Yuba must have robbed me. I had noticed a strange new wilfulness in her behaviour…

FUTOYA ( not listening to her ) Give me back the dragon, you bitch! Out of my love for you I have sinned and marred my karma for ever.

She breaks free and he chases her around the room. He knocks her down, but O-Bara is strong and agile, and she breaks free again. Eventually they both fall and start rolling about on the mats, punching and scratching each other. All this takes place with no words spoken and no shouting, in pantomime.

STORYTELLER ( during the pantomime )

Fate, the joker, lays out her traps for us,
Righteous and sinners both. None are protected.
It brings her great delight when a cunning fisherman
Blunders into the nets she has flung out.
The Sinobi rejoices. What’s this? The dragon has been lost?
Now he can rightfully call to account
These petty people who arranged Izumi’s death!
The Inaudible One takes paper and a brush…

The Inaudible One takes a scroll out of his belt and tears a piece off it. He takes out a portable inkwell and a little brush and writes something quickly.

And writes: ‘The sentence has been carried out.
Now please return the dragon, as the Jyonin ordered.’

A single drumbeat.

The Sinobi tears open the shoji and walks into the room.

O-BARA Enough of this! Stop it! You and I are not alone! ( to the Inaudible One ) How can you dare to enter uninvited, you buffoon?

O-Bara and Futoya disentangle themselves. They both sit up, trying to put their clothes and hair in order. The Inaudible One, taking no notice of the geisha, holds out the piece of paper to the merchant.

FUTOYA A piece of paper! What’s this now? And are you giving it to me? ( He reads it and cries out in a loud voice. ) All-merciful Buddha! She is already dead!

The Invisible One takes a dragon with a snake-like blade out from behind his back and reaches out his hand for the dragon.

FUTOYA ( creeping away in a squatting pose ) We are joint clients in this contract. I gave the dragon to this honourable lady for safe keeping.

O-BARA He lies! This is the first that I have heard of this. I do not understand what you are saying. What contract do you mean?

The Inaudible One picks the branch of the apple tree up off the floor and shows it to the geisha.

O-BARA ( realising that her denials are pointless ) Yes, yes, please, I’m sorry. I was simply being cautious to begin with, in order to make sure. So she is dead? So quickly? Our commission has been carried out? Can this be possible? I want to see her body.

FUTOYA ( in a loud whisper ) You’ll be the death of us, you fool! Do not insult him! In cases like this the Sinobi never tell lies to their clients! Give him back the dragon! Your trick has failed! Or he will kill us both this very moment!

O-BARA ( also whispering and creeping towards the paper lantern standing on the floor ) It’s you who are the fool, dear sir. The dragon’s not here, it has disappeared. If you want to live, keep your mouth shut. And don’t get in my way!

Bowing to the formidable messenger, Futoya creeps towards her, still squatting. The Inaudible One watches them, holding out his hand demandingly. He has hidden the dagger away again.

O-Bara overturns the lantern and it goes out. Darkness.

O-BARA’S VOICE Now save me, legs!

FUTOYA’S VOICE Wait! What about me?

The sound of scurrying feet.

The curtain closes.
During the mitiyuki scene the scenery is changed.

The second mitiyuki

Caught in a patch of light, O-Bara and Futoya run along the hanamichi , without moving from the spot. Their feet seem to be sticking in sand: they run agonisingly, as people do in nightmares; their breathing is fitful and laboured. The geisha has outrun the merchant. She has thrown off her lacquered sandals and tucked the hem of her kimono in her belt so that she can run more freely.

FUTOYA It is pointless to flee! There is no way to escape them! They will find us anywhere, even on the bottom of the sea!

O-BARA ( not looking round ) I am not running from the Ninja, but from you, you blockhead. I did not take the dragon, and I should not have to answer for it!

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