Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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Perhaps I should have found aid, rest, sanctuary, at the moment. Perhaps I should never have left the confines of the prison, where, strange to say, I was safe from what awaited me outside. But what would you have done-remained there on your cot, staring out at the lights of the stars? Consider now what you'd have done, if you had known with sudden clarity that Edgar Poe was among the living.

(Had Duponte not seen it? Had he not considered it in all his analysis?)

We do not care what happened to Poe. We have imagined Poe dead for our own purposes. In some sense, Poe is still very much alive.

I remembered that Benson had said this in our first meeting, very nearly those words, at least. Benson had seemed to know more than he was telling me. Had he known this ? Had he found something he could not reveal in his early investigation, and had he been giving me a suggestion, a clue to the secret truth?

I could see the faces of the men at the funeral, as though daguerreotyped on the mind, could still see them coming toward me with the hurried, muddied footsteps of that day.

Think of it…think of the evidence. George Spence, the sexton, had not seen Edgar Poe in many years, and had emphasized Poe's unfamiliar appearance when brought in for burial. Neilson Poe saw his cousin only through a curtain at the college hospital, and did he not tell me in his chambers that the patient looked like another man altogether ?

Meanwhile, the funeral I witnessed had been performed hastily, lasting perhaps three minutes, with few witnesses and even a canceled oration-as inconspicuous, as quiet, as was ever seen. Even Snodgrass, intransigent Dr. Snodgrass, had exhibited anxiousness, misgiving, self-reproach over Poe's end and burial. I thought again of the poem we found in Snodgrass's desk that he had written on the subject, which spoke of his idea of Poe's drunkenness. It had also recalled that day of the funeral.

But haunts me still that funeral scene!
In shame and sadness oft I trace
Thy burial - sadder none hath seen -
In that neglected resting place!

Had any who knew him of recent years seen the lifeless form as it lay in the coffin before it was lowered under the earth? And most of those witnesses-Neilson Poe, Henry Herring, Dr. Snodgrass-wanted to say nothing about this funeral, as though there was something to conceal. Had they known more? That Poe, in fact, still breathed and still lived? Had he been hidden by outside agents concealing something? Or had he, Edgar Poe, perpetrated his ultimate hoax upon the world?

You see that the reasoning in my mind, produced in an admittedly highly excited state, was neither deranged nor insubstantial. I would demonstrate Poe was not yet dead, and all that had occurred would be thrown into an immediate reversal. I proceeded by foot after passing through the sewer directly to the old Westminster Presbyterian burial ground. Its place toward the center of the city, away from the larger bodies of water, had spared it and the surrounding roads the worst consequences of the flooding, though rivulets still streamed through the grassy burial yard, and certain crevices and corners contained deeper gullies of water.

I would speak to the sexton and insist upon full answers. But as I crossed through the gates, a different determination overtook me. Though it was dark, my eyes retained the exaggerated power of sight resulting from my prolonged stay in the dark cells of the prison. Indeed, with just a single burst of lightning from another storm that was gathering itself, I located precisely the spot of Edgar Poe's grave, which outrageously had remained unmarked. What was underneath?

I cleared the tree branches and other debris that covered it, and began digging with my bare hands into the grass. With each tuft of grass I removed from the center, a stream of water would appear from underneath. I tried around the periphery with no better luck. At certain places, the soil was so hardened that my fingernails cracked, staining the clumps of dirt and mud with blood.

Realizing I could make only incremental advancement in this fashion, I crossed the burial yard and, fortune on my side, located a small spade. With this instrument I began the labor of breaking up the earth in a circle outlining the grave. I drove the spade into the ground with zeal. Mounds of dirt soon surrounded me. The task was exhausting, and consumed me to such a degree that at first I did not pay attention to the sudden noise bearing down on me. I was distracted by what I saw below.

It was a common pine coffin. I reached my hand down and could touch the cold surface of the smooth wood. Clearing the soil from the top, my fingers found where the cover met the coffin but, just as I began to lift it, I was compelled to release it.

The sexton's mongrel dog was racing upon me ferociously. She pounced a few feet from me and I thought, for a moment, that she had paused because she remembered our having befriended each other. This was not the case. Or, if she remembered, she was all the more angered by my betrayal of our mutual trust. She was quite certain I was trying to steal a body from her domain (the opposite, brave canine! There is no body to steal!). She snarled and snapped her jaws among the graves, and in my state of intense excitement I thought I could see Cerberus's three jaws in that one. I tried waving her away with the shovel, but she only lowered her position and, at any moment, would launch herself onto my throat.

The sexton now emerged from within the underground tomb I had once found him in, holding up a lantern. The air was of a quality so dense and dark that I could hardly see him. He looked to be all of one color. I pictured him as the man who was found petrified to stone in that same vault.

"I am not a resurrection man!" I cried out. Although I suppose that as I was waving a shovel in the air, my hands and clothing covered in dirt and blood, with a partially revealed coffin below me, this proclamation was hardly convincing. "Look inside! Look inside!"

"Who is it? Who's there? Sailor, get 'em!"

I had no choice. I looked longingly at the wood below me, then dropped the shovel and ran. Man and dog chased at my heels.

I was not yet defeated. After leaving behind my pursuers in the cemetery, I located myself in a narrow alleyway for shelter. I spent nearly a half hour recuperating from the fatigue of my failed attempt at the burial yard before stirring myself with a renewed objective. Surely the sexton would now be guarding Poe's grave. But with wild determination, I made my way across the city, remembering along the way the address of Poe's last home in Baltimore, on Amity Street between Lexington and Saratoga, to which I had seen reference during my long researches into Poe's history.

I could ask him. Why? Friend Poe, why write the letter? Why say I am an idle young man, a pest? Had you forgotten we understood one another?

Poe had just withdrawn from his place as a cadet at West Point when, shunned by John Allan in Richmond, who refused to help rescue him from a series of debts, the twenty-two-year-old Poe came to this modest dwelling to live with his aunt, Maria Clemm, her daughter, Virginia-then eight years old-as well as Poe's older brother, William Henry, and his ailing grandmother. Poe searched for a position as a teacher in one of the local schools, without success. Each of his fellow cadets at West Point had given him a dollar for the publication of his first collection of poems, and with this volume he had great plans to make his name.

Certain I had found the correct address at a narrow house between Lexington and Saratoga streets, without any consideration of a more rational scheme, I burst up the steps through the street door and, finding myself at the foot of a narrow staircase, bounded upstairs. Why? Oh, Edgar! Why write that of all things? Perhaps, if Poe had lived, he would have returned here, to his last home in Baltimore, and left some sign for me of his next destination. I hardly noticed the two women, one with white hair and one young and fair, who screamed upon seeing me enter the tiny back room where they were sitting by a fireplace. (Perhaps I was a dreadful sight, my sackcloth uniform fitted to me by the prison now tattered and dripping, and spotted with soil and blood from my failed efforts at the burial yard.) In another bedroom, a garret room at the very top of the house, a lanky man leaned out the window overlooking Amity Street and began calling, Robbery! Murder! and other exclamations. The two women now scurried through the house, and the walls reverberated with unintelligible shouts.

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