Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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Whom did I await with palpitating breast? Duponte? Hattie? Perhaps the sour but stalwart expression on the face of Peter Stuart? The Baron Dupin himself, escorted by the doctors, able to bear witness to the real culprit who shot him and to free me? I longed even for the clamor of my great-aunt's voice. Anything to remind me that there was another person concerned by my fate.

There was no word about Duponte, meanwhile. I feared for him an outcome worse than my own. I had failed him. Failed in my role to protect him in the operation of his genius.

Officer White circulated a selection of passable newspapers and journals as part of the jail liberties for the prisoners who were literate. I accepted them, but only pretended to read them while, in fact, I went about far more important reading, which I had smuggled in with me. When I had wrestled at the lyceum with the Baron Dupin, I had semi-consciously removed from his hands the notes he had brought for his speech. Hardly thinking of their significance, I had thrust these papers into my coat before accompanying Officer White to the station house.

As long as I had candlelight in my cell, I studied them, propped in a magazine. Edgar Poe has not left, but has been taken away, said the Baron's treatise. It was not on the whole inelegant, though at no time aspiring to literary merit. As I read, I committed it to memory. I thought of Duponte reading over my shoulder. Only through observing that which is mistaken can we come to the truth.

One time while studying these pages, I was interrupted by the approach of a visitor. The slouching figure of a man came into the hall, escorted by the clerk. It was a man unknown to me, wearing an expressionless face. He leaned his umbrella on the wall and shook off the excess water from his gigantic boots, which seemed to take up half his height.

"The stink in here…" he said to himself, sniffing.

A woman sang drunkenly from the ladies' cells corridor. The visitor merely stood silently. Not finding any particular look of sympathy about him, I did the same.

I was surprised when the stranger was joined by a frightened young lady, wrapped tightly in her cloak.

"Oh, dear Quentin, look at where they've put you!" Hattie stared pityingly at me. She was near tears.

"Hattie!" I reached out and grabbed her by the hand. It hardly seemed possible that she was real, even with the warm leather of her gloves. Taking renewed notice of the stranger, I released her hands. "Is Peter not with you?"

"No, he would not hear of me coming. He will not speak of the situation at all. When he went to the lecture, he was quite angered, Quentin. He felt he had to do something to try to stop you. I do believe he is still your friend."

"He must know I am innocent! How could I have something to do with the shooting of the Baron? The Baron had kidnapped my friend to prevent him from speaking-"

"Your friend? Would that be the friend who has placed you into this débâcle, Mr. Clark?" said the man standing at Hattie's side, turning toward me with a frown not unlike Peter's.

Hattie motioned him for patience. She turned back to me. "This is my cousin's husband, Quentin. One of the finest attorneys in Washington in this sort of matter. He can help us, I'm certain."

Despite the despair of what was now my lot, I felt comfort at the word "us."

"And the Baron himself?" I asked.

"He lies without hope of recovery," my new lawyer blurted out.

"I have written to your great-aunt for her to come at once; she shall help rectify all this," Hattie continued, as though not having heard the terrible words. If what her cousin said was true, if the Baron was shortly to die, in the eyes of the world I would be condemned as a murderer.

A few days later I was moved from the district station house to the Jail of Baltimore City and County, on the banks of Jones Falls. The atmosphere duplicated my hopelessness; the surrounding cells were filled to capacity with some who'd been convicted of grave crimes along with those waiting, with small hopes, for their trial dates, or with perverse eagerness for their own hangings.

The morning before, I had been officially arraigned for the attempt to murder Baron Dupin. My declarations that the Baron must be stopped, combined with my appearance on the lyceum stage, were cited widely. Hattie's cousin shook his beard disapprovingly at the fact that a highly respected police officer was a witness against me. The police had also found a gun when searching Glen Eliza-the weapon I had brought as a safeguard when I'd visited John Benson, which, absentmindedly, I had left in plain view.

The tempests outside grew worse every day. The rain would not stop. Each time it slowed itself it followed on even harder, as though it had only been taking a breath. It was said that a bridge was swept away at Broadway near Gay Street and struck another bridge, so that the two bridges drove themselves downriver through half of Baltimore, knocking entire houses off the banks along their way. In the prison, meanwhile, the air itself seemed to change-full of pressure and discomfort. I saw one prisoner scream frightfully and squeeze his head with his hands as though something was burrowing through to get out. "It's come!" he cried apocalyptically. "It's come!" Confrontations between some of the more desperate prisoners and the guards also grew worse, whether from the air or from other causes of which I had not made myself aware. Through the bars of my window, I could see the shore of Jones Falls gradually surrender to the boiling layer of rainwater. I felt myself do the same.

My lawyer returned, each time with more bad tidings from outside. The newspapers, which I could read only listlessly, were quite giddy about my guilt. It was now written that the Frenchman dangerously wounded and lying in the hospital was the model for Poe's tales of analysis, and that I had done away with him because of jealousy, due to a diseased preoccupation with Poe. The Whig newspapers thought my action as assassin somehow heroic. The Democratic newspapers, perhaps in response against the Whigs, were convinced I was villainous and cowardly. Both, though, had decided I was certainly the killer. The newspapers known to be neutral, namely the Sun and Transcript, worried that the episode would do no insignificant damage to our country's relationship with the still young French Republic and its president, Louis-Napoleon.

I protested vociferously that the Baron Dupin was by no means the real Dupin, though I believe Hattie's cousin thought my choice of objection in the matter most strange. Edwin came to see me several times, but soon the police peppered him with questions, suspicious of any Negro having business with me, and I begged him to refrain from his visits to protect himself from their scrutiny. John Benson, my benevolent Phantom, came to call on me in this wretched place, too. I shook his hand warmly, desperate for an ally.

The cross-bar shadows fell over his haggard face. He explained that he was working nearly all hours on his uncle's account books. "I'm dragged out, no mistake. The devil himself was never so pressed with business," he said. He looked at me sidelong through the bars, as though at any moment we could exchange places if he were not careful with the words he chose.

"Perhaps you should confess, Mr. Clark," he advised.

"Confess what?"

"That you had been overtaken with Poe. Overcome, so to speak."

I hoped I could elicit more valuable assistance from him. "Benson, you must tell me if there was anything else you discovered about how Poe died."

He sat on a stool kicking his legs out, despondent and sleepy, and repeated his suggestion that I consider making a complete confession. "Don't think of the Poe predicament any longer, Mr. Clark. The truth behind his death is beyond discovery now. You see that."

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