Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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He was correct. My mother had not yielded her Jewish heritage upon entering wedlock, despite the collective urgings of my father's family, and once the Lloyd Street Synagogue was completed in Baltimore she had brought me with her.

Duponte returned to his usual silence. I kept my excitement to myself. I had begun to break down Duponte's walls.

***

I tried delicately to solicit Duponte for more facts about his past, but his face would stiffen each time. We developed a friendly routine. Each morning I would knock at his door. If he was stretched on his bed with the newspaper, he would invite me inside for coffee. Usually, Duponte would announce his departure for a walk and I would ask permission to accompany him, to which he would assent by ignoring my question.

He had an impenetrability, a moral invisibility that made me want to see how he would be in all the possible variations of life: to see him in love, in a duel, to see what meal he would select at a certain establishment. I burned to know his thoughts and wished him to desire to know more of me.

Sometimes I would bring him an item related to my original purpose that I hoped might strike his interest. For example, I found a guidebook of Baltimore in one of the Paris bookstalls and showed it to him.

"You see, inside there is a folded map-and this part of town is where Edgar Poe lived in Baltimore when he won his first newspaper prize for a tale called ‘Ms. Found in a Bottle.' Here is where he was discovered in an insensible state in Baltimore. Look here, monsieur; that is his burial place!"

"Monsieur Clark," he said, "I am afraid such things are of as little interest to me as you can imagine."

You see how it was. I tried every approach to uplift him from his inactive trance. For example, one hot day when Duponte and I were walking across a bridge over the Seine, we decided to pay twelve sous each to one of the floating establishments on the river to take a bath under a canvas roofing. We plunged into the cooling water opposite each other. Duponte closed his eyes and leaned back, and I followed his example. Our bodies were rocked up and down by the happy splashing of children and young men.

Quentin: "Monsieur, surely you know the importance of Poe's tales of C. Auguste Dupin. You have heard of them. They were published in the French journals."

Duponte (inattentively, a question or statement?): "They were."

Q: "Your own achievements in analysis provide the character of the main figure with his abilities. That must mean something to you! The exploits involve the most intricate, seemingly impossible, and miraculous triumphs of reason."

D: "I have not read them, I believe."

Q: "Not read the literature of your own life? That which will make you immortal? How could this be?"

D: "It is of as little interest to me as I could imagine, monsieur."

Should that last comment have an exclamation mark? Perhaps a grammarian could answer; it was quite sharply enunciated but without any greater volume than a waiter at a restaurant repeating an order back to his customer.

***

It was just a few days later when there came an important turn in my companionship with Duponte. I had walked with Duponte through the Jardin des Plantes, where not only the finest plants and trees were enjoyed in the summer but one of Paris's best scientific zoological collections. After a tunnel of clouds had darkened above the trees, we had begun walking for the exit when a man rushed up behind us. He spoke with great consternation.

"Kind monsieurs," he said, panting out the words, "have you seen somebody with my cake?"

"Cake?" I repeated. "What do you mean, monsieur?"

He explained that he had walked to the street-vendors and purchased a seedcake, a rare indulgence for him, to enjoy on what had been a beautiful sunny day before the rain began. This fellow had placed his treat lovingly on the bench beside his person until such a time as he would feel his earlier dinner properly digested. He had turned his back only for a brief moment to secure his umbrella from the ground upon noticing the storm gathering overhead. However, when he turned back finally ready to savor his sweet luxury, it had vanished completely, and there was not a man around!

"Perhaps a bird picked it up, monsieur," I suggested. I tugged at Duponte's arm. "Come along. It is beginning to rain, Monsieur Duponte, and we haven't any umbrellas."

We parted from our cakeless friend, but after a few steps Duponte turned around. He called back this despondent man.

"Monsieur," said Duponte, "stand where I am now and likely your cake shall return in two to seven minutes. Approximately speaking." Duponte's voice exhibited neither joy nor particular interest in the matter.

"Indeed?" the man cried.

"Yes. I should think so," said Duponte, and he began walking away again.

"But-how?" the man now thought to ask.

I, too, was held dumbstruck by Duponte's proposition, and Duponte saw this.

"Imbeciles!" said Duponte to himself.

"What?" the man asked with offense.

"Pardon, Monsieur Duponte!" I said, also protesting the insult.

Duponte ignored this. "I shall demonstrate the conclusion," he said. We two waited at the very edge of anticipation. But Duponte simply stood there. After a space of three and a half minutes, roughly, a regular stampede of hurried noises was heard nearby and there-I must reveal-came a piece of cake from around the corner, floating in the air, right near the nose of its rightful owner!

"The cake!" I pointed.

The confection was attached to a short string of some sort, and followed behind two small boys running headlong through the gardens. The man chased down the boy and untied his cake from its thief. He then ran back to us.

"Why, remarkable monsieur, you were entirely right! But how have you recovered my cake?" For a moment the man looked at Duponte suspiciously, as though he had been involved in some scheme. Duponte, seeing he would have no peace without explaining, offered this simple description of what had transpired.

Among the most popular attractions in the natural collections of the Jardin des Plantes was the exhibition of bears. Before being accosted by the cake-widower, Duponte had casually noticed that it was near the time in which the bears usually stirred from their sleep. This was also known by the many local devotees to these animals, and it was a daily occupation to try to make the waking bears perform various antics and climb the pole provided for them, an effort that often involved dangling some item of food into their pit by twine or string. Indeed, the vendors at the gates to the gardens sold as much of their wares for these purposes as for human nourishment. But since among the lovers of the bears who would come from miles away for this sport were many young boys, and since most of these gamins had no spare sous in their pockets for such delicacies, Duponte reasoned that as the man had turned to secure his umbrella at the sign of rain, one of these boys had snatched the cake on his way to the bears. Because the bench was quite high, and the boy short, the man, on turning around again, saw no one nearby and thought the source of the theft fantastic.

"Very well. But how did you know the cake would return, and at this very spot?" the man asked.

"You may have noticed," continued Duponte, seeming to talk more to himself than to either of us, "that upon entering the grounds of the gardens, there was a larger group of officers of the garden in the vicinity of the zoological attractions than usual. Perhaps you remember reading of one of the bears, ‘Martin,' having recently devoured a soldier who leaned over too far and fell into their domain."

"Indeed! I remember," said the man.

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