Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing,
And sparkling evermore,
A troop of Echoes, whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.

But evil things, in robes of sorrow,
Assailed the monarch's high estate.
(Ah, let us mourn! - for never morrow
Shall dawn upon him desolate!)
And round about his home, the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.

When a period was put to this poem, I felt triumphant. There reached my ears thinly scattered applause, drowned out by a few coughs. Peter frowned at me, and simultaneously threw a pitying glance at Hattie. Only a few guests who had not been listening, but were pleased for any distraction, seemed appreciative. Hattie still applauded after all the others had stopped.

"It is the finest recitation ever spoken on a girl's birthday," she said.

Soon, one of Hattie's sisters agreed to sing a song at the piano. Meanwhile, I'd taken more wine. Peter's frown, which had quivered into place during the recitation of the poem, remained fixed when, after the ladies excused themselves to another room and the men began smoking, he brought me to a private corner where the massive hearth sequestered us.

"Do you know, Quentin, that Hattie came quite close to not wanting to celebrate her birthday tonight, and relented at the last moment upon my insistence on a supper?"

"Not because of me, Peter?"

"How could someone who thinks so much of the world depends on him not see what does depend on him? You did not even remember it was her birthday. It is time to stop, Quentin. Remember the words of Solomon: ‘By slothfulness the building decayeth, by idleness of the hands the house droppeth through.'"

"I don't know what you're driving at," I said irritably.

He looked straight at me. "You know well enough! This queer behavior. First, your strange preoccupation with a stranger's funeral. And riding the omnibuses back and forth without destination like a gadabout-"

"But who told you that, Peter?"

And there was more, he said. I had been seen running through the streets a week earlier, my dress out at the elbows, chasing someone like I was a police officer making an arrest. I had continued to spend inordinate amounts of time in the athenaeum.

"Then there is the idea of imagining strangers are threatening you on the streets for the poems you read. Do you think your reading is so important that people would harm you for it? And you wandering around the old Presbyterian burial ground like a pretty resurrection man looking for bodies to steal, or like a man who walks under a spell!"

"Hold on," I said, regaining my composure. "How do you know that, Peter? That I was at that old burial ground the other day? I am certain I hadn't mentioned it." I thought of the carriage hurrying away from the burial yard. "Why, Peter! Was it you? You followed me!"

He nodded and then shrugged. "Yes, I followed you. And found you at that cemetery. I confess openly I have been most anxious. I wanted to be certain you were not involved in some trouble or that you hadn't joined some cracked Millerites, waiting in white robes somewhere for the Savior to descend from heaven two Tuesdays from now! Your father's money will not last forever. To be rich and useless is to be poor. If you are occupied in strange habits, I fear you will find ways to squander it-or that some woman, some lesser member of the kinder sex than Miss Blum, by the bye, finding you in such a lonely state, will squander it for you-even a man with the strength of Ulysses must fasten himself to his mast when facing the artful woman!"

"Why would you leave that flower at his grave?" I demanded. "To mock me?"

" Flower? What do you mean? By the time I found where you had gone, you were kneeling on the grave, as though praying before some idol. That's all I saw, and it was enough. Flower-do you think I have time for such things!"

On this point, I could not help but believe him, as he truly sounded as though he had never heard the word "flower" before or beheld one. "And did you send that man to me? That warning not to meddle. To try to dissuade me from my interests outside the office? Tell me at once!"

"Absurd! Quentin, listen to your own flat nonsense before they send for a straitjacket! Everyone understood you needed time after what happened. Your depression of spirits was…" He looked away from me for a moment. "But it has been six months." Actually, it had been five months and one week since my parents had been laid to rest. "You must think of all this, beginning now, or…" He never finished this statement, only nodded with decision to impress the point. "It's that other world you're fighting against."

"The ‘other world,' Peter?"

"You think me at odds with you. But I tried to gain greater sympathy with you, Quentin. I sought out a book of tales by that Poe. I read half of one tale-but I could go no further. It seemed…" Here he lowered to a confessional whisper. "It seemed as I read that God was dead to me, Quentin. Yes, it's that other world that I worry about for you-that world of books and bookmen who invade the minds that read them. That imaginary world. No, this is where you belong. These are your class, serious and sober people. Your society. Your father said that the idler and the melancholy man shall ever wander together in a moral desert."

"I know what my father would say!" I protested. "He was my father, Peter! Do you not think I keep a memory of him as strong as yours?"

Peter glanced away. He seemed embarrassed by the question, as though I was challenging his very existence, though in fact I sincerely wished to know his answer. "You have been like a brother to me," he said. "I mean only to see you contented."

A gentleman obliviously interrupted us, ending our discussion. I refused his offer of tobacco, but I did take a glass of warm apple-toddy. Peter was right. Unspeakably right.

My parents had given me a post in society, but it was now my place to earn its luxuries and fine associations. What dangerous restlessness had I been dandling! It was to be able to enjoy the comforts and delights of good circles that I labored at our law practice. To enjoy the company of a lady like Hattie, who never failed as a friend and a steady influence. I closed my eyes and listened to the sounds-friendly sounds of contentment, which cordially surrounded me from every side and drowned out my riotous thoughts. In here people knew themselves, and never doubted for a moment that they understood the others around them and that they themselves were perfectly understood in return.

When Hattie returned to the room, I signaled her to come to me. To her surprise, right away I took her by the hand and kissed it, then kissed her cheek in front of everyone. The guests one by one fell silent.

" You know me," I whispered to her.

"Quentin! Are you unwell? Your hands feel warm."

"Hattie, you've known my feelings for you, whatever those who babble about me say, haven't you? Haven't you always known me, though they gape and simper? You know I am honorable, that I love you, that I loved equally yesterday and today."

She took my hand in hers and a thrill ran through me to see her so happy merely by a few honest words from me. "You've loved me yesterday and today. Tomorrow, Quentin?"

At eleven o'clock on this night, her twenty-third birthday, Hattie accepted my marriage proposal with a simple nod. The match was declared suitable by all present. Peter's smile was as wide as anyone's; he forgot entirely about his rough words to me, and more than once he took credit for the arrangement.

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