Matthew Pearl - The Poe Shadow

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The Poe Shadow: краткое содержание, описание и аннотация

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MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern.
Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery.
Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe.
Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination."
When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death.
Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details.
Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens.
With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum.

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Since I had to move about the city anyway, it could not hurt to ride the omnibus more frequently and, when I did, ask such questions.

You have no doubt noted that Poe's time in Baltimore had not seemed to be premeditated. After becoming engaged to Elmira Shelton in Richmond, he had announced his intentions of going to New York to complete his future plans. But what had been the poet's whereabouts and purposes here in Baltimore? Baltimore should not be so indifferent as simply to lose a man, even in its dingiest shipping quarters-it was not Philadelphia. Why had he not traveled straight to New York after sailing here from Richmond? What had happened over the course of five days between leaving Richmond and being discovered in Baltimore and what had brought him into such a state that he would be wearing someone else's clothes?

After my visit to the burial ground, I'd been bent on directing to these questions my own faculties of intelligence, which I would humbly measure against those of any man-at least any man I had yet known (for this was about to change).

There was that one momentous afternoon when the answers seemed to come improbably into view. Peter had been delayed at court, and our desks were empty of new work. I was walking away from the Hanover Market and was stepping to the Camden Street curb with an armful of packages.

"Poe the poet?"

At first I ignored this. Then I stopped and turned around slowly, wondering if my ears had been fooled by the wind. Truly, though, if this voice had not pronounced on its own power "Poe the poet" it had said something just like that.

It was the fish dealer, Mr. Wilson, with whom I had just done business at the market. Our law office had recently arranged some mortgages for him. Though a few times he had come to our offices, I preferred finding him here, as I could then also select the finest fish to be prepared for supper at Glen Eliza. And Wilson's crab-and-oyster gumbo was the best this side of New Orleans.

The fishmonger motioned me to follow him back to the large market. I had left my memorandum book at his table. He wiped his hands on his streaked apron and handed it to me. It was now wrapped in the distinct odors of his store, as though it had been lost at sea and then pulled out.

"You don't want to forget your work. I opened it to see who it belonged to. I see you've written the name Edgar Poe." The fishmonger pointed to the open page.

I returned the book to my bag. "Thank you, Mr. Wilson."

"Ah, Squire Clark, here's something." He excitedly unwrapped a package of fish from its paper. Inside was a hideously ugly fish, piled upon its identical brothers. "This was ordered especially from out west for a dinner party. It is called a dog-fish by some. But it's also called a ‘lake lawyer,' for its ferocious looks and voracious habits!" He chuckled uproariously. He quickly worried he had insulted me. "Not like you, of course, Squire Clark."

"Perhaps that is the problem, my friend."

"Yes." He hesitated and cleared his throat. He was now hacking at fish without looking down at his hands or at the heads shooting off them. "Any event-poor soul, must have been, that Poe. Died over at that creaky ol' Washington College Hospital some weeks back, I heard. My sister's husband knows a nurse there, who says, according to another nurse who spoke to a doctor- demonish busybodies, these women-who said Poe wasn't right in his upper story, that as he lay there he called out a name over and over before he…well, that is," he shifted to a whisper of great sensitivity, "before he croaked. God have mercy on the weak."

"You said he called a name, Mr. Wilson?"

The fishmonger sloshed around his words to remember. He sat at his stool and began picking out unsold oysters from a barrel, carefully prying each one open and checking them for pearls before discarding them with philosophical regret. The oyster was the consummate Baltimore native, not only because it was enterprising and could be traded but because it possessed the always-present possibility of an even more valuable treasure inside. Suddenly the fish dealer clucked exultantly.

"‘Reynolds,' it was! Right, that's it, ‘Reynolds'! I know because she kept saying it when she told me over supper, and on our plates were the last good soft-shell crabs of the season."

I asked him to think hard and be certain.

"‘Reynolds, Reynolds, Reynolds! '" he said with some offense at my doubt. "That's how he was calling it out, all through the night. She said she couldn't pluck it out of her brain after she heard of it. Creaky ol' hospital-should be burnt down, I say. I knew a Reynolds in my youth who threw stones at infantrymen-he was a demonish character, no mistake, Squire Clark."

"But did Poe ever mention a Reynolds before?" I asked myself out loud. "A family member, or…"

The fish dealer's enjoyment of the scene lessened, and he stared at me. "This Mr. Poe was a friend of yours?"

"A friend," I said, "and a friend of all who read him."

I bid my client a hasty good evening with much gratitude for the remarkable service he had provided me. I had been permitted to hear Poe's very last utterance to this earth (or nearly the last, anyhow), and in it some retort, some revelation, some remedy to the slashing and the cutting of the press might be recovered. That single word meant there was something to be found, some life left of Poe's for me to discover.

***

Reynolds!

I spent countless hours searching through Poe's letters to me and through all of his tales and verse to detect any sign of Reynolds. Tickets to exhibitions and concerts went unused; if Jenny Lind, the "Swedish Nightingale," were singing in town, I would have been among my books all the same. I could almost hear my father direct me to put all this away and return to my law books. He would say (so I imagined), "Young men like yourself should observe that Industry and Enterprise can slowly do anything Genius does with impatience-and many things Genius cannot. Genius needs Industry as much as Industry needs Genius." I felt suddenly, each time I opened another Poe document, as though I was in an argument with Father, that he was trying to tear the very books out of my hands. It was not a wholly unwelcome feeling to encounter: in fact, I think it actually pushed me forward. Besides, in my capacity as a man of business I had promised Poe, a prospective client, that I would defend him. Perhaps Father would have commended me.

Hattie Blum, meanwhile, called at Glen Eliza with her aunt frequently. Whatever disapproval on their part had developed from my recent transgression had passed, or at least been suspended. Hattie was as thoughtful and generous in our conversations as ever. Her aunt, perhaps, was more watchful than usual, and seemed to have developed the dark eyes of a secret agent. Of course, my intense preoccupations, along with my general tendency to grow quiet when others talked, meant the women in my drawing room addressed each other more than me.

"I do not know how you bear it," said Hattie, looking up at the high domed ceiling. "I could not suffer a house as enormous as Glen Eliza alone, Quentin. It takes bravery to have too much space for yourself. Don't you think, Auntie?"

Auntie Blum snorted out a laugh. "Dear Hattie becomes terribly lonesome when I leave her for an hour with only the help for company. They can be dreadful. "

One of my domestics came from the hall and refreshed the ladies' tea.

"Not so, Auntie! But with my sisters gone," Hattie began, then paused, with a slight and uncharacteristic blush.

"Because they've all married," her aunt said quietly.

"Of course," I agreed after a long pause from both Blum ladies suggested a comment on my part.

"With my three sisters out of the house, well, it can seem awfully desolate at times, like I must fend for myself but I do not even know against what. Haven't you ever had a feeling like that?"

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