Michael Dibdin - A Rich Full Death

However, I never dreamed of mocking the spiritualists to anyone here: they are much too influential for that. There are of course a few die-hard sceptics-notably Mr Browning, who seems to regard spiritualism with a particularly virulent fury, as something not merely untrue but unclean, like a nigger fetish cult. Indeed, his behaviour has apparently been so extreme on some occasions in the past that some spiritualists here regard him as little short of deranged.

The whole movement is of course still at a pre-Nicene stage of indulgent toleration, but despite this, I was extremely surprised to find that the first person I saw on entering the Chauncey’s sitting-room was Miss Jessie Tate. This female is really the most extraordinary personage, even by the standards of the Florentine exile community. She is about thirty-five years of age; strong, stocky, almost burly in appearance, with a shock of fiery red hair and an almost violently animated manner; lives alone, smokes the local cigars, and worships Giuseppe Mazzini, whose daggers and bombs she believes will liberate Italy-although who is to liberate it from such liberators she does not say. She talks so hard you seem to hear the tumbrils rolling and the guillotine swish, and although radicalism is rife here-indeed it is as much de rigueur as spiritualism in many circles-Miss Tate is generally considered to take things a deal too far. To come upon her there in the Chaunceys’ old-maidish parlour was therefore as unexpected a shock as finding a tarantula in one’s bed.

Far more disturbing, however, was to learn why she was there. The discovery that Jessie Tate is an adherent to the spiritualist cause was not in itself any particular cause for astonishment: spiritualism appeals to all manner of people for all manner of reasons. As far as Miss Tate is concerned it is apparently part of something called ‘the wave of the future’, which as far as I could gather means that faith in kings and priests is to be replaced by the scientifically demonstrable doctrines of socialism and spiritualism, the latter providing the transcendental ingredient without which the former would become a mere mechanistic materialism incapable of satisfying mankind’s higher needs.

This, then, was enough to explain why Jessie Tate was attending a ‘seance’; it did nothing to explain why she was attending that one. For the intention was apparently to assemble a group of people whose relations with Isabel had been particularly close; since, as Miss Chauncey explained, ‘the spirits will only respond if the ectoplasmic vibrations are in harmony’: which I take to mean roughly that the inhabitants of the spirit world, like the rest of us, are more likely to accept invitations when the company is agreeable. If close relations with Isabel had been the criterion of inclusion, then what on earth was Miss Jessie Tate doing there?

Well, I was not long in finding out, and the answer left me feeling even more ‘streaked’ than the discovery that Isabel and DeVere were lovers. For what did I learn but that Miss Tate and Mrs Eakin had been the greatest of friends, and used to meet tete-a-tete at least once a week!

What they found to talk about I find as difficult to imagine as I do what possible attraction Miss Tate’s society could have had for a woman like Isabel. The inverse appeal is of course no very great mystery, given Jessie Tate’s presumed amorous propensities. I can only suppose that all her talk of a brave new world proved titillating to Mrs Joseph Eakin. After all, she had hooked herself a millionaire and could therefore afford the luxury of cultivating revolutionary blue-stockings. No doubt realising, however, that her ideas would cut precious little ice with Joseph Eakin himself, Miss Tate always took care to visit Isabel in her husband’s absence.

The only other person present on my arrival was Seymour Kirkup, a fantastic old gentleman whom I was surprised to see there only in the sense that it seems as remarkable to see him out of his own home as to see a turtle walking about without its shell. To do justice to this extraordinary character I should require Mr Dickens’s genius for caricature, combined with the antiquarian charm of a Walter Scott, a touch of Sterne’s crankiness, and more than a hint of the outright horror and madness of our own poor Edgar Poe.

Baron Seymour Stocker Kirkup, to give him his full name, seems older than the city itself, whose every stone he knows. He is an accomplished student of Dante, of whose works many rare manuscript versions are to be found in the fabulous library which fills several rooms of the old palace he inhabits. Just for good measure, this building-which overlooks the Arno at the south end of the Ponte Vecchio, a few doors from where Cecil DeVere lived and died-was the Florentine headquarters of the Knights Templar until the brutal suppression of that mysterious order five and a half centuries ago. It contained the chapel of the Holy Sepulchre, whose whereabouts Kirkup claims to have discovered by means of necromancy. He also claims to hold conversations with Dante, who revealed to him the location of his portrait by Giotto, which had been whitewashed over. It is even believed in some quarters that he possesses the secret of the Philosopher’s Stone! All in all, then, Kirkup is an eccentric although well-loved member of our little community-and one who enjoys the rare distinction of being notorious among the Florentines, who in general take as much notice of us as cattle of the flies that pester them in summer. Indeed, one reason Kirkup so rarely leaves home is that he is apt to be pursued through the streets by gangs of children yelling ‘Stregone!’ This means a sorcerer, one who exercises power through the agency of evil spirits; which may all seem mere superstitious rubbish in bright breezy Boston, but is still taken very seriously here.

And his connection with Isabel? I was ready for anything by now, particularly since I knew that Kirkup is given to recognising spritualistic ‘gifts’ in pretty young women-one of whom, a former servant, he has installed in his house, where she has subsequently proved to be with child. It turned out that my idea was not very wide of the mark, except that this was no mere senile fancy of Kirkup’s: no less an authority than Miss Edith Chauncey herself informed me solemnly that Isabel had had all the makings of a highly-gifted ‘medium’. Indeed, Miss Chauncey seemed to regret her ‘passing over’ almost solely for this reason. In all other respects, she assured me with a rather sickly smile, dear Isabel is so much better off ‘on the other side’, and once established over there will become a first-rate ‘control’ (whatever that may be)-indeed, it was for precisely this reason that this initial attempt to ‘make contact’ had been arranged.

I could not help feeling an instinctive revulsion at all this. There we were, five respectable gentlefolk seated in a primly decorous sitting-room, nibbling Miss Kate’s home-made cookies and chatting equably about the great army of the Dead, who it seems have nothing better to do than hang about their former haunts, as ubiquitous and pervasive as some stale odour.

Our company was not yet complete, however. It seems that the number required to initiate an experience of this kind is seven-a figure of considerable mystic significance, according to Kirkup, who treated me to a disquisition on numerical symbolism in Dante which might well have been considerably more protracted but for the arrival of the remaining two guests.

It having been established that these would be people whose relations with Isabel had been particularly intimate, the first thing to strike me about the newcomers was the fact that they were gentlemen. Well, one of them was, at any rate: Charles Nicholas Grant, an Englishman of some fifty years of age, whose family are long-established in the wine importing business. He is blessed with one of those faces which immediately inspire respect and trust, so clearly is it stamped with the great English civic virtues of rectitude and fair-dealing. So what had Isabel and Mr Grant been up to, that he should be invited to help contact her spirit? Well, it seems that Grant’s contacts with the Eakins were originally all with Joseph. However, he soon succeeded-as indeed was no matter for surprise, given the charming urbanity of his manner-in ingratiating himself with Isabel, whose passion for art he had helped to gratify by accompanying her on pilgrimages to various galleries, churches and palaces to which her husband, having once paid his respects, declined to return.