Frank Schätzing - Death and the Devil

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Death and the Devil: краткое содержание, описание и аннотация

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In the year 1260, under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral. Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly.
Morart is the first of many victims, pushed to his death from the cathedral’s scaffolding by a huge man with long hair, clad all in black. But hiding in the branches of the archbishop’s apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.
Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for?
Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself. But the wily Fox makes an alliance with some of the strangest of bedfellows: a beautiful clothes dyer, her drunken rascal of a father, and her learned uncle, who loves a good debate almost as much as he loves a bottle of wine.
Can this unlikely foursome triumph against the odds and learn the truth of the evil conspiracy before their quest leads to their death at the end of a crossbow arrow?
Readers who loved the richly textured setting and historical accuracy of Umberto Eco’s “The Name of the Rose” will thrill to discover a new novel through which they can vicariously enter the medieval world. With its vivid evocation of both the rich and powerful and those struggling to survive another day at the bottom of society’s rungs in the Cologne of 1260, “Death and the Devil,” the first novel by Frank Schätzing, sends a clear announcement to the literary world that an important new voice in fiction is here.

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It was enough to make you want to spew.

Matthias stole quietly through the alleyways around Haymarket. A man of his rank should have been on horseback, but a rider would attract attention to himself. Even in weather like this the night watchmen would be going about their business. It was not the best moment to be seen.

He had spent the last two hours finding out everything Urquhart needed to know to put an end to this mess once and for all. Matthias was under no illusion that they could silence everyone who had heard of Gerhard’s violent death. All the better if they could, of course. He didn’t imagine the Fox and Jaspar Rodenkirchen would have gone around telling everybody and anybody, but that was pure speculation on his part. The important thing was to eliminate Kuno. If Kuno talked, then he and his new friends had time before daybreak to ruin everything. Any influential person in Cologne would believe Kuno, and he could count on leniency from his judges if he gave evidence against them. A prattling beggar or a drunken priest, on the other hand, did not represent a serious danger to the Overstolzes.

Or, to be precise, a danger to me, thought Matthias. What are the others to me? They can lead the Kones or Heinrich, Daniel or Theoderich to the block for all I care.

In a few hours it would all be over anyway.

But first there was this night to get through. Urquhart had one more task before he could carry out the deed Matthias was longing to see. It gave him grim satisfaction to think that, however much what he was about to do ran counter to Johann’s wishes, it would receive Blithildis’s approval. She was the only person he really admired. She was an Overstolz, she was strength, power, even if she was blind and tied to her chair. She should have been his mother, not Johann’s.

He quickly went over what he had found out. Urquhart’s hostage was a Richmodis von Weiden. She lived on the Brook, together with her father. He knew the house. Jaspar von Rodenkirchen had no other relatives, only a servant, a cook, and a cleaning woman. Where the two women were, he had no idea. The servant was dead.

They were doomed. Urquhart would find them.

Suddenly Matthias felt the confidence well up inside him. Looking around to see that no one was watching, he slipped into a doorway. Beyond it yawned the emptiness of a huge courtyard. The howling storm was not so bad in the protection of its walls. By day flax and candles were sold here; now it was deserted. Heavy curtains of rain billowed before him.

He blinked and rubbed the water out of his eyes. Then he saw the immense shadow coming toward him through the downpour.

“I expected you sooner,” said Urquhart. His voice was as calm as ever, almost friendly, but a hint of sharpness was still audible.

“I came as quickly as I could.”

“Of course.”

“Have you gotten anywhere?”

Urquhart made a dismissive gesture. “I’ve been to the dean’s. Nobody there. They’re not that stupid.”

“Then go to Kuno’s. No, wait, leave that till last. There are too many other people there, servants and the like.”

“I wouldn’t bother with Kuno’s. Little Kuno escaped with the woman. Daniel—your noble family can be proud of him—was kind enough to poke a few holes in him.” Urquhart gave a mocking smile and threw his head back, letting the water run down over his face. “Women are such caring creatures. Softhearted. If they find a rabbit that’s been hurt they take it home and look after it.”

Matthias returned his smile. “I’ll tell you where to find her. Do what you can. Kill them all, if you like.”

“All? I couldn’t say who they all are anymore. Can you?”

“No. It’s enough if you eliminate one.”

“Who?” Urquhart said in the tone of a man who already knows.

Matthias spat on the ground. “The weakling.”

ON THE BROOK

“And the end of the story?” asked Jacob.

“Is quickly told,” said Jaspar.

Goddert gave them a disgruntled look and put a couple of logs on the fire. There was a crackling and whistling as air and moisture escaped.

“We ought to be doing something instead of philosophizing about history,” he muttered.

Jaspar disagreed. “We are doing something by philosophizing about history,” he said. “We know the conspirators and we know they have something planned. We still don’t know what or when. The answer must lie in the recent past.” He massaged the bridge of his nose. “After the Great Adjudication.”

“The ‘Great’?” asked Jacob.

“Yes,” said Richmodis, “there was another. Two years ago, when Conrad claimed there was a plot on his life.”

“Conrad would have lost that war, too,” Jaspar continued. “He was forced to make peace with the patricians. But he was still dangerous. And the conflict between patricians and tradesmen had reached the point where there were frequent armed clashes. On top of that there was the threat of civil war among the patricians, since they were split between the Overstolzes and their allies and the Weises. The Weises are the oldest merchant family in Cologne; compared to them the Overstolzes are nouveaux riches . The two groups had never been particularly fond of each other, but as long as there was a common enemy, the archbishop, they pulled together, more or less. But as the Overstolzes’ influence grew, the Weises looked for an ally. They found one in the archbishop.”

“Not really,” objected Goddert. “They supported the authorities. They behaved with dignity.”

“With dignity? They sold themselves. Not very wise, despite their name, to trust Conrad, if you ask me.”

“He’s our lord and master,” Goddert declared, “and it is not the place of his subjects to question his authority. Apart from his perhaps overly secular approach—”

“You’re talking like a priest.”

“And you are one.”

“Dean, if you please. Anyway, the Weises got nothing out of their treachery.”

“But—”

“Let me finish. Trusting Conrad is like holding out your hand to a mad dog. Everyone knows what happened in Neuss in 1255.”

“That was never proved.”

“What? It wasn’t proved that Conrad set fire to the tent of the King of Holland and the papal legate when they were trying to persuade him to release the bishop of Paderborn? It wouldn’t be the first time Conrad had used violence to get his way. Changing from Saul to Paul after his second big defeat was merely a tactical move. He had a trial before the Curia because of his debts and while that was taking its course he could sit back and watch the patricians falling out among themselves and with the guilds.”

Jaspar paused to see if Goddert would reply, but he had obviously lost interest in the argument.

“Anyway,” he went on, “the conflict between the city and Conrad about their rights and privileges wasn’t over. Once more a court of arbitration was set up, once more under Albertus Magnus. To demonstrate his impartiality, he even appointed some of Conrad’s supporters to it, but that didn’t stop Conrad’s demands on the city from being rejected once more. He must have been furious, but he had to be patient again. Albertus also criticized the sleaze and corruption among the patricians, and that gave the guilds hope. The Great Adjudication only calmed things superficially.”

Jacob rested his chin on his hand. “And not for long, I assume?”

“No. Last year Conrad removed all the mint officials from office, overnight, so to speak, allegedly for exceeding their powers. That meant the city could issue no more coins. The patricians screamed bloody murder, but the guilds saw their opportunity and made an official complaint against the burgomasters and magistrates, at which Conrad removed all the magistrates but one from office. He kept on emphasizing that it did not infringe on the terms of the Great Adjudication, but then he would, wouldn’t he? He decreed that in the future he would make all appointments to the council of magistrates himself. The patricians were sidelined. Only yesterday they had practically ruled the city; now they were banned from office. Conrad accused them of serious crimes and summoned them to a hearing, then outlawed twenty-five who refused to attend, including Kuno’s brothers. They had to flee the city, otherwise the populace would have torn them to pieces. Then Conrad appointed new magistrates, one or two patricians among them, but mostly craftsmen and guildmasters like Bodo Schuif.”

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