Frank Schätzing - Death and the Devil

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Death and the Devil: краткое содержание, описание и аннотация

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In the year 1260, under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral. Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly.
Morart is the first of many victims, pushed to his death from the cathedral’s scaffolding by a huge man with long hair, clad all in black. But hiding in the branches of the archbishop’s apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.
Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for?
Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself. But the wily Fox makes an alliance with some of the strangest of bedfellows: a beautiful clothes dyer, her drunken rascal of a father, and her learned uncle, who loves a good debate almost as much as he loves a bottle of wine.
Can this unlikely foursome triumph against the odds and learn the truth of the evil conspiracy before their quest leads to their death at the end of a crossbow arrow?
Readers who loved the richly textured setting and historical accuracy of Umberto Eco’s “The Name of the Rose” will thrill to discover a new novel through which they can vicariously enter the medieval world. With its vivid evocation of both the rich and powerful and those struggling to survive another day at the bottom of society’s rungs in the Cologne of 1260, “Death and the Devil,” the first novel by Frank Schätzing, sends a clear announcement to the literary world that an important new voice in fiction is here.

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“All right. But if you’d just let me finish—”

“And you, Jacob, you heathen. Have you ever bothered with religion, with heaven and hell? You don’t even know a prayer and suddenly you start wittering on about the Devil. Do you really believe you saw the Devil up there? Or is that what you want to believe because it’s nice and simple?”

Jacob and Richmodis exchanged looks. They shrugged their shoulders uncertainly. He’s right, thought Jacob. It’s easy to make the Devil responsible for everything. I don’t really think I saw the Devil on the scaffolding. So why did I say I had?

“However,” Jaspar went on in milder tones now that he saw his words were having an effect, “what we do know is that at least four members of patrician families have a finger in this particular pie. That doesn’t sound like the Devil to me, more like a conspiracy.”

He got up and started striding around the room, his nostrils quivering. “We have to find out what they’re plotting. Find their weak spot.”

Richmodis nodded slowly. “Kuno said something to Daniel about an alliance being broken, whatever he meant by that. It sounded as if they had originally been on the same side, then fallen out.”

Jaspar stopped. “There you are. Just as I said.”

“But it was unclear to me what he meant.”

“Perhaps not to me. Think back!”

“I don’t know. Everything happened so quickly. I was just terribly afraid. I think I was praying, without daring to make a sound, while Kuno kept trying to persuade Daniel of something.”

“What did he say?”

“Something about a common goal and higher justice, that kind of thing. And that they had done something that was wrong.”

“What?”

“They sacrificed someone—Kuno’s only friend—”

“Gerhard,” Jaspar cried triumphantly. “I knew it. Gerhard knew their secret, and that’s why he had to die. Kuno has broken with them. He’s changed sides. I knew it. I knew it.”

“Wait.” Her frown cleared. “There was something else. Kuno reminded Daniel of his past, of how important justice had been to him.” She puckered her lips in distaste. “Strange. I can’t imagine that bastard ever being concerned about justice.”

“He wasn’t,” growled Jaspar. “Daniel was one of the youngest magistrates, a corrupt bigmouth with money but no brains. A trick Kuno tried to talk him around. Without success.” He paused and slapped his forehead. “And Daniel is the son of Johann Overstolz! My God! If he’s in it, too, that means we have almost all the senior members of the Overstolz clan against us. An alliance between the Overstolzes and the Kones. What could that mean? A patrician revolt?”

“Why should they plan a revolt?” Jacob asked.

“They’ve got reason enough.”

“Why?”

“To regain their old supremacy.”

Jacob glanced at Kuno. Had the man moved or was he just imagining it? “What’s the point of all this, Jaspar?” he said in desperation. “It’s all beyond me. I know nothing of power and politics, nothing about the patricians. I know nothing at all. How am I supposed to defend myself against something that’s a complete mystery to me?”

“But you live here, in the city,” said Jaspar. It didn’t sound reproachful, only surprised.

“Only for the last few months. I’ve been away too long. Since I came back I haven’t concerned myself with what’s going on in Cologne. I just wanted to get on with my life.”

“Have you ever really concerned yourself with anything?” asked Richmodis.

Her remark cut him to the quick. “Perhaps,” he said coolly.

Jaspar came over and squatted down in front of him. “Am I wrong, or could you be running away from something?”

“You know already.”

“No, I don’t know. I mean something you can’t escape. Always keeping your eyes closed, not facing up to things, not being interested in things, not even in your music, really, even though you play your whistle exceptionally well. There’s something wrong there.”

Jacob looked at him. The palms of his hands were sore. He realized he had been boring his fingernails into them and forced a grin to his lips. “Blessed are the poor in spirit. Isn’t that what it says?”

“Not in Abelard.”

“Oh, to hell with your Abelard.”

“Fox-cub!”

“Why should the patricians plan a revolt?”

“You’re changing the subject.”

“Yes, I’m changing the subject,” Jacob snapped. “And if I am, then it’s my business alone. You said we should attack, so please enlighten me. If you can.”

“Oh, I can enlighten you. Given your eagerness to learn, the basic principles will probably take a lifetime, though I wouldn’t guarantee you’d understand them even then.”

“Jaspar,” said Jacob softly, “before I met you I may well have been stupid, but I never had the feeling I was.”

“Oh, I see.” Jaspar scratched the back of his head. “Sir is sorry for himself. It’s certainly easier to be stupid.”

“I’m not listening to this.”

“Oh, we’re not listening to this, are we? That’s because you don’t want to. You always choose the easy option. If things get hard, you give up and take to your heels. You don’t want to learn, you don’t want to know, not even now.”

“I want the truth.”

“You can’t take the truth.”

Jacob breathed in deeply, trying to calm himself down. Most of all he felt like ramming his fist between Jaspar’s mocking eyes. Suddenly he felt Richmodis’s hand ruffling his hair. “Stop that,” he snapped.

“Jacob.”

He tried to shake her off.

“Jacob, your hair gets even redder when you’re angry. Did you know that?”

He stared at the fire in silence.

“And it sticks up like a hedgehog’s.” She giggled. “No, more like a cock. A little angry cock. A cockerel.”

He felt his anger subside and chewed his lips. He was unhappy, and his unhappiness had nothing to do with the events of the last couple of days. “I’m the Fox,” he said weakly.

“And the Fox is cunning,” she said with a smile. “I’m just a silly goose, but this goose has its claws in your hair, so be careful.”

Jaspar went back to sit by the fire. Jacob had the feeling he was both irritated and amused at the same time. His face was glowing with the reflection of the fire. He poked the logs, sending up a crackling shower of sparks.

“All right,” said Jacob, “I know nothing. I know nothing about the emperor and the pope and what the point of an archbishop is and so on and so forth. Happy now?”

“No,” said Jaspar, staring into the flames. “You’ve told us too much for that to be true. You know a lot. You can remember astonishing details. Up to the day you ran away from home.” He turned toward him, a grin on his face. “But don’t worry, Fox-cub, we’re stuck in here for the next few hours, so I might as well give you the benefit of my historical knowledge in the hope of filling that hollow skull of yours to overflowing with wisdom. Interested?”

Jacob sighed. “Of course.”

“Good. Basically, it all comes down to who’s the boss. After the collapse of Rome the empire was split up. There followed a dark period of conflict and confusion, before it was reunited under the spiritual authority of the popes and the secular power of the emperors and kings. To general rejoicing, of course. But the immense empire proved too much for them, especially since the pope only actually rules the Vatican. People were needed to administer specific local territories, and among these were some I would call—just as a joke, God forgive me my vanity—secular clerics, representatives of the powers of the pope and of the king in the same person. These were the prince bishops and archbishops.”

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