Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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No indeed, the Russian was not to be envied.

After dinner, when Fandorin took a seat to one side in order to smoke a cigar, the commissioner settled into the next armchair and began puffing away at his pipe. Gauche had previously introduced himself to his new acquaintance as a Parisian rentier who was making the journey to the East out of curiosity (that was the cover he was using). But now he turned the conversation to the matter at hand, approaching it obliquely and with due caution. Fiddling with the golden whale on his lapel (the very same one retrieved from the rue de Grenelle) he said with a casual air, as though he were simply striking up a conversation: ‘A beautiful little bauble. Don’t you agree?’

The Russian glanced sideways at his lapel but said nothing.

‘Pure gold. So stylish!’ said Gauche admiringly.

Another pregnant silence followed, but a perfectly civil one.

The man was simply waiting to see what would come next. His blue eyes were alert. The diplomat had clear skin, as smooth as a peach, with a bloom on the cheeks like a young girl’s. But he was no mama’s boy, that much was obvious straight away.

The commissioner decided to try a different tack.

‘Do you travel much?’

A non-committal shrug.

‘I believe you’re in the diplomatic line?’

Fandorin inclined his head politely in assent, extracted a long cigar from his pocket and cut off the tip with a little silver knife.

‘And have you ever been in France?’

Again an affirmative nod of the head. Monsieur le russe is no great shakes as a conversationalist, thought Gauche, but he had no intention of backing down.

‘More than anything I love Paris in the early spring, in March,’ the detective mused out loud. ‘The very best time of the year!’

He cast a keen glance at the other man, wondering what he would say.

Fandorin nodded twice, though it wasn’t clear whether he was simply acknowledging the remark or agreeing with it.

Beginning to feel irritated, Gauche knitted his brows in an antagonistic scowl.

‘So you don’t like your badge then?’

His pipe sputtered and went out.

The Russian gave a short sigh, put his hand into his waistcoat pocket, extracted a golden whale between his finger and thumb and finally condescended to open his mouth.

‘I observe, monsieur, that you are interested in my b-badge? Here it is, if you please. I do not wear it because I do not wish to resemble a caretaker with a name tag, not even a golden one. That is one. You yourself do not much resemble a rentier, M. Gauche - your eyes are too probing. And why would a Parisian rentier lug a civil service file around with him? That is two. Since you are aware of my professional orientation, you would appear to have access to the ship’s documents. I assume therefore that you are a detective. That is three. Which brings us to number four. If there is something you need to find out from me, please do not beat about the bush, ask directly.’

Just try having a nice little chat with someone like that!

Gauche had to wriggle out of it somehow. He whispered confidentially to the excessively perspicacious diplomat that he was the ship’s house detective, whose job it was to see to the passengers’ safety, but secretly and with the greatest possible delicacy in order to avoid offending the refined sensibilities of his public. It was not clear whether Fandorin believed him, but at least he did not ask any questions.

Every cloud has a silver lining. The commissioner now had, if not an intellectual ally, then at least an interlocutor, and one who possessed remarkable powers of observation as well as quite exceptional knowledge on matters of criminology.

They often sat together on the deck, glancing now and then at the gently sloping bank of the canal as they smoked (Gauche his pipe, the Russian his cigar) and discussed various intriguing subjects, such as the very latest methods for the identification and conviction of criminals.

‘The Paris police conducts its work in accordance with the very latest advances in scientific method,’ Gauche once boasted. ‘The prefecture there has a special identification unit headed by a young genius, Alphonse Bertillon. He has developed a complete system for classifying and recording criminal elements.’

‘I met with Dr Bertillon during my last visit to Paris,’ Fandorin said unexpectedly. ‘He told me about his anthropometric method. Bertillonage is a clever theory, very clever. Have you already begun to apply it in practice? What have the results been like?’

‘There haven’t been any yet,’ the commissioner said with a shrug. ‘First one has to apply bertillonage to all the recidivists, and that will take years. It’s bedlam in Alphonse’s department: they bring in the prisoners in shackles, measure them up from every angle like horses at a fair, and jot down the data on little cards. But then pretty soon it will make police work as easy as falling off a log. Let’s say you find the print of a left hand at the scene of a burglary. You measure it and go to the card index.

Aha, middle finger eighty-nine millimetres long, look in section No. 3. And there you find records of seventeen burglars with a finger of the right length. After that, the whole thing is as easy as pie: check where each of them was on the day of the robbery and nab the one who has no alibi.

‘You mean criminals are divided up into categories according to the length of the middle finger?’ the Russian asked with lively interest.

Gauche chuckled condescendingly into his moustache.

‘There is a whole system involved, my young friend. Bertillon divides all people into three groups, according to the length of the skull. Each of these three groups is divided into three subgroups, according to the width of the skull. That makes nine subgroups in all. Each subgroup is in turn divided into three sections, according to the size of the middle finger of the left hand. Twenty-seven sections. But that’s not all. There are three divisions in each section, according to the size of the right ear. So how many divisions does that make? That’s right, eighty-one.

Subsequent classification takes into account the height, the length of the arms, the height when seated, the size of the foot and the length of the elbow joint. A total of eighteen thousand six hundred and eighty-three categories! A criminal who has undergone full bertillonage and been included in our card index will never be able to escape justice again. They used to have it so easy -just give a false name when you’re arrested and you could avoid any responsibility for anything you did before.’

‘That is remarkable,’ the diplomat mused. ‘However, bertillonage does not offer much help with the solution of a particular crime if an individual has not been arrested before.’

Gauche spread his arms helplessly.

‘Well, that is a problem that science cannot solve. As long as there are criminals, people will not be able to manage without us professional sleuths.’

‘Have you ever heard of fingerprints?’ Fandorin asked, presenting to the commissioner a narrow but extremely firm hand with polished nails and a diamond ring.

Glancing enviously at the ring (a commissioner’s annual salary at the very least), Gauche laughed.

‘Is that some kind of gypsy palm reading?’

‘Not at all. It has been known since ancient times that the raised pattern of papillary lines on the tips of the fingers is unique to every individual. In China coolies seal their contracts of hire with the imprint of their thumb dipped in ink.’

‘Well now, if only every murderer were so obliging as to dip his thumb into ink and leave an imprint at the scene of the crime …’ The commissioner laughed good-naturedly.

The diplomat, however, was not in the mood for joking.

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