Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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‘Thank you for the lecture,’ said Gauche, with an ironic bow.

‘And was it shame that made your client attempt to escape from custody too?’

‘That’s the point,’ agreed Jackson, suddenly transformed from enemy to ally. ‘The yellow bastard almost broke my wrist.’

‘Once again you have guessed correctly, Commissioner. It is impossible to escape from a steamship, there is nowhere to go. Believing his position to be hopeless and anticipating nothing but further humiliation, my client (as you insist on calling him) undoubtedly intended to lock himself in his cabin and commit suicide according to samurai ritual. Is that not right, Mr Aono?’

Fandorin asked, addressing the Japanese directly for the first time.

‘You would have been disappointed,’ the diplomat continued gently. ‘You must have heard that your ritual dagger was taken by the police during their search.’

‘Ah, you’re talking about that - what’s it called? - hira-kira, hari-kari.’ Gauche smirked into his moustache. ‘Rubbish. I don’t believe that a man could rip his own belly open. If you’ve really had enough of this world, it’s far better to brain yourself against the wall. But I won’t take you up on that either. There is one piece of evidence you can’t shrug off-the scalpel that is missing from his medical instruments. How do you explain that? Do you claim that the real culprit stole your client’s scalpel in advance because he was planning the murder and wanted to shift the blame onto Aono? That just won’t wash! How could the murderer know the professor would decide to tell us about his discovery immediately after dinner? And Sweetchild himself had only just guessed the secret of the shawl. Remember the state he was in when he came running into the saloon!’

‘Nothing could be easier for me than to explain the missing scalpel. It is not even a matter of supposition, but of hard fact Do you remember how things began disappearing from people’s cabins after Port Said? The mysterious spate of thefts ended as suddenly as it had begun. And do you remember when? It was after our black stowaway was killed. I have given a lot of thought to the question of why he was on board the Leviathan, and this is my explanation. The negro was probably brought here from darkest Africa by Arab slave traders, and naturally he arrived in Port Said by sea. Why do I think that? Because when he escaped from his masters, the negro didn’t simply run away, he boarded a ship. He evidently believed that since a ship had taken him away from his home, another ship could take him back.’

‘What has all this got to do with our case?’ Gauche interrupted impatiently. ‘This negro of yours died on the fifth of April, and Sweetchild was killed yesterday! To hell with you and your fairy tales! Jackson, take the prisoner away!’

The commissioner set off decisively towards the door, but the diplomat grabbed his elbow in a vice-like grip and said in a repulsively obsequious voice:

‘Dear M. Gauche, I would like to follow my arguments through to their conclusion. Please be patient for just a little while longer.’

Gauche tried to break free, but this young whippersnapper had fingers of steel. After his second attempt failed, the commissioner decided not to make himself look even more foolish.

He turned to face Fandorin.

‘Very well, five more minutes,’ he hissed, glaring into the insolent youth’s serene blue eyes.

‘Thank you. Five minutes will be more than enough to shatter your final piece of hard evidence … I knew that the runaway slave must have a lair somewhere on the ship, so I looked for it. But while you were searching the holds and the coal-holes, Captain, I started with the upper deck. The black man had only been seen by first-class passengers, so it was reasonable to assume that he was hiding somewhere close by. I found what I was looking for in the third lifeboat from the bow on the starboard side: the remains of his food and a bundle of his belongings. There were several pieces of coloured cloth, a string of beads and all sorts of shiny objects, including a small mirror, a sextant, a pince-nez and also a large scalpel.’

‘Why should I believe you?’ roared Gauche. His case was crumbling to dust before his very eyes.

‘Because I am a disinterested party who is prepared to confirm his testimony under oath. May I continue?’ The Russian smiled his sickening little smile. ‘Thank you. Our poor negro was evidently a thrifty individual who did not intend to return home empty-handed.’

‘Stop, stop!’ cried Renier, with a frown. ‘M. Fandorin, why did you not report your discovery to the captain and me? What right did you have to conceal it?’

‘I didn’t conceal it. I left the bundle where it was. But when I came back to the lifeboat a few hours later, after the search, the bundle was gone. I was sure it must have been found by your sailors. But now it seems that the professor’s murderer got there before you and claimed all the negro’s trophies, including Mr Aono’s scalpel. The c-criminal could have foreseen that he might need to take … extreme measures and carried the scalpel around with him as a precaution. It might help to put the police off the scent. Tell me, Mr Aono, was the scalpel stolen from you?’

The Japanese hesitated for a moment before nodding reluctantly.

‘And you did not mention it, because an officer of the imperial army could not possibly possess a scalpel, am I right?’

‘The sextant was mine!’ declared the redheaded baronet. ‘I thought … but that doesn’t matter. So it turns out that savage stole it. Gentlemen, if someone’s head is smashed in with my sextant, please bear in mind that it is nothing to do with me.’

Bewildered by this final and absolute disaster, Gauche squinted inquiringly at Jackson.

‘I’m very sorry, Commissioner, but it seems you will have to continue your voyage,’ the inspector said in French, twisting his thin lips into a smile of sympathy. ‘My apologies, Mr Aono. If you would just hold out your hands … Thank you.’

The handcuffs jangled plaintively as they were removed.

The silence that ensued was broken by Renate Kleber’s frightened voice:

‘I beg your pardon, gentlemen, but then who is the murderer?’

PART

THREE

Bombay to the Palk Strait

170

Gintaro Aono

The 18th day of the fourth month

In view of the southern tip of the Indian peninsula It is now three days since we left Bombay, and I have not opened my diary even once since then. This is the first time such a thing has happened to me since I made it a firm rule to write every day. But I made the break deliberately. I had to come to terms with an overwhelming torrent of thoughts and feelings.

The essential significance of what has happened to me is best conveyed by a haiku that was born spontaneously at the very moment when the inspector of police removed the iron shackles from my wrists.

Lonely is the flight
Of the nocturnal butterfly,
But stars throng the sky.

I realized immediately that it was a very good poem, the best that I have ever written, but its meaning is not obvious and requires elucidation. I have meditated for three days on the changes within my being, until I think I have finally discovered the truth.

I have been visited by the great miracle of which every man dreams - I have experienced satori, or catharsis, as the ancient Greeks called it. How many times has my mentor told me that if satori comes, it comes when it will and on its own terms, it cannot be induced or impeded! A man may be righteous and wise, he may sit in the zazen pose for many hours each day and read mountains of sacred texts, but still die unenlightened. And yet the radiant majesty of satori may be revealed to some ne’er-do-well who wanders aimlessly and foolishly through life, transforming his worthless existence in an instant! I am that ne’er-do-well. I have been lucky. At the age of 27 I have been born again.

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