Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Gauche was so upset that he lost track of his argument. Not on your life, he thought to himself, you will not have my client.

I’ll put an end to this farce and then go straight to the French consul. I’ll take the murderer to France myself. And immediately he could see it: the crowded quayside, the police cordons, the journalists …

But first the case had to be brought to a conclusion.

‘Now Inspector Jackson will tell us what was found when the defendant’s cabin was searched.’

Gauche gestured to Jackson to say his piece.

Jackson launched into a monotonous rigmarole in English, but the commissioner soon put a stop to that:

‘This investigation is being conducted by the French police,’ he said sternly, ‘and the official language of this inquiry is also French. Apart from which, monsieur, not everyone here understands your language. And most importantly of all, I am not sure that the accused knows English. And you must admit that he has a right to know the results of your search.’

The protest was made as a matter of principle, in order to put the English in their place from the very beginning. They had to realize that they were the junior partners in this business.

Renier volunteered to act as interpreter. He stood beside the inspector and translated phrase by phrase, enlivening the Englishman’s flat, truncated sentences with his own dramatic

intonation and expressive gestures.

‘Acting on instructions received, a search was carried out. In cabin number twenty-four. The passenger’s name is Gintaro Aono. We acted in accordance with the Regulations for the Conduct of a Search in a Confined Space. A rectangular room with a floor area of two hundred square feet. Was divided into twenty squares horizontally and forty-four squares vertically.’

The lieutenant asked what that meant and then explained to the others. ‘Apparently the walls also have to be divided into squares - they tap on them in order to identify secret hiding places.

Although I can’t see how there could be any secret hiding places in a steamship cabin … The search was conducted in strict sequence: first vertically, then horizontally. No hiding places were discovered in the walls …’ At this point Renier gave an exaggerated shrug, as if to say: who would ever have thought it? ‘During the examination of the horizontal plane. The following items relevant to the case were discovered. Item one: notes in a hieroglyphic script. They will be translated and studied.

Item two: a long dagger of oriental appearance with an extremely sharp blade. Item three: a sack containing eleven Egyptian gourds. And finally, item four: a bag for carrying surgical instruments.

The compartment for holding a large scalpel is empty.’

The audience gasped. The Japanese opened his eyes and glanced briefly at the commissioner, but still did not speak.

He’s going to crack any moment, thought Gauche, but he was wrong. Without getting up off his chair, the Oriental swung round to face the inspector standing behind him and struck the hand holding the revolver a sharp blow from below. While the gun was still describing a picturesque arc through the air, the athletic Japanese had already reached the door, but when he jerked it open the two policemen standing outside jammed the barrels of their Colts into his chest. A split second later the inspector’s weapon completed its trajectory, crashed onto the centre of the table and detonated with a deafening roar. There was a jangling sound and the air was filled with smoke. Someone screamed.

Gauche quickly summed up the situation: the prisoner was backing towards the table; Mrs Truffo was in a dead faint; there seemed to be no other casualties; there was a hole in Big Ben just below the dial and its hands weren’t moving. The clock was jangling. The ladies were screaming. But in general the situation was under control.

The Japanese was returned to his seat and shackled with handcuffs; the doctor’s wife was revived and everyone went back to their places. The commissioner smiled and began talking again, demonstrating his superior presence of mind.

‘Gentlemen of the jury, you have just witnessed a scene that amounts to a confession of guilt, even though it was played out in a somewhat unusual manner.’

He’d made that slip about the jury again, but he didn’t bother to correct himself. After all, this was his dress rehearsal.

‘As the final piece of evidence, it could not possibly have been more conclusive,’ Gauche summed up smugly. ‘And you, Jackson, may consider yourself reprimanded. I told you that he was dangerous.’

The inspector was as scarlet as a boiled crayfish. That would teach him.

All in all, everything had turned out quite excellently.

The Japanese sat there with three guns pointing at him, pressing his shackled hands to his chest. He had closed his eyes again.

‘That is all, Inspector. You can take him away. He can be kept in your lock-up for the time being. When all the formalities have been completed, I shall take him to France. Goodbye, ladies and gentlemen, old papa Gauche is disembarking, I wish you all a pleasant journey.’

‘I am afraid, Commissioner, that you will have to travel with us a little further,’ the Russian said in that monotonous voice of his.

For a moment Gauche thought he had misheard.

‘Eh?’

‘Mr Aono is not guilty of anything, so the investigation will have to be continued.’

The expression on Gauche’s face must have looked extremely stupid - wildly staring eyes and bright scarlet cheeks …

Before the outburst of fury came, the Russian continued with quite astonishing self-assurance:

‘Captain, on b-board ship you are the supreme authority. The commissioner has just acted out a mock trial in which he took the part of prosecutor and played it with great conviction. However, in a civilized court, after the prosecution has made its case the defence is offered the floor. With your permission, I should like to take on that assignment.’

‘Why waste any more time?’ the captain asked in surprise. ‘It all seems cut and dried to me. The commissioner of police explained everything very clearly.’

‘Putting a passenger ashore is a serious m-matter, and the responsibility is ultimately the captain’s. Think what damage will be done to the reputation of your shipping line if it turns out that you have made a mistake. And I assure you,’ said Fandorin, raising his voice slightly, ‘that the commissioner is mistaken.’

‘Nonsense!’ exclaimed Gauche. ‘But I have no objections. It might even be interesting. Carry on, monsieur, I’m sure I shall enjoy it.’

After all, a dress rehearsal had to be taken seriously. This boy was no fool, he might possibly expose some gaps in the prosecution’s logic that needed patching up. Then if the prosecutor made a mess of things during the trial, Commissioner Gauche would be able to give him a hand.

Fandorin crossed one leg over the other and clasped his hands around his knee.

‘You gave a brilliant and convincing speech. At first sight your arguments appear conclusive. Your logic seems almost beyond reproach, although, of course, the so-called “circumstantial evidence” is worthless. Yes, Mr Aono was in Paris on the fifteenth of March. Yes, Mr Aono was not in the saloon when the p-professor was killed. In themselves these two facts mean nothing, so let us not even take them into consideration.’

‘Very well,’ Gauche agreed sarcastically. ‘Let us move straight on to the hard facts.’

‘Gladly. I counted five more or less significant elements. Mr Aono is a doctor, but for some reason he concealed that from us.

That is one. Mr Aono is capable of shattering a hard object such as a gourd - and perhaps also a head - with a single blow. That is two. Mr Aono does not have a Leviathan emblem. That is three.

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