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Lawrence Block: Chip Harrison Scores Again

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Lawrence Block Chip Harrison Scores Again

Chip Harrison Scores Again: краткое содержание, описание и аннотация

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The devilish Chip Harrison — young, broke, and girlless — stumbles on a discarded bus ticket and finds himself in South Carolina, where he becomes the local sheriff's protege and falls in love with a preacher's daughter.

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So I said, “Well, I could paint it for you.”

“But I couldn’t afford it. The size of this house, and he wanted nine hundred dollars.”

“If you’ll pay for the paint and brushes, and find out where I can borrow a ladder, I’ll do it for five dollars a day and my keep.”

“Why, I just can’t believe that, Mr. Harrison! How can you afford to do that?”

“Well,” I said, “I don’t have all that much else to do, actually.”

It was really very satisfying doing things like that. With that house, I saw that she bought the best paint, and I took my time and did a good job. At the beginning I’m sure she was scared to death I would fall off the ladder and kill myself. The same thing had occurred to me. But I didn’t, and the house got painted, and I slept ten hours a night in my room and ate three good meals a day, and when I washed out my brush for the last time she paid me fifty dollars and couldn’t believe that was all it was going to cost her.

“It looks so fine now,” she said, walking around the house and admiring it from every angle. “It hasn’t looked so fine since he was alive. You don’t know what it’s been like, Mr. Harrison, thinking I would never live to see it looking right again.”

It made me feel good to leave a place in better shape than I found it. Sometimes I felt like Johnny Appleseed and other times like the Lone Ranger.

And I needed that kind of feeling, because if I let myself think about other things, about Bordentown things, I didn’t feel like Johnny or Lone. I just felt like a son of a bitch.

That first night, driving the Cadillac generally north and generally east, I was too numb to feel much of anything at all. It was a good thing Geraldine sent me away right off. If I had had a night to sleep on it God only knows what I would have done, but I was on the road before I knew exactly what was happening and there was never a point where I could turn back.

I kept wanting to for the longest time. But that was the one thing I knew I couldn’t do. I just couldn’t go back there again.

The car was a good one, old as it was, and plain driving was a good way to get away from yourself while getting away from Bordentown. I hadn’t realized they made Cadillacs with stick shifts, even back in 1954. I don’t suppose they made very many of them. The ones they made, they did a good job with. I got the hang of shifting pretty quickly, and after that there was nothing to do but drive.

What I would think about while I was driving, well, the hell with all that. Nothing very brilliant, I don’t guess.

I stayed at a motel the first night, and didn’t sleep much. It wasn’t exactly the Hilton. It was what I think they call a hot-pillow joint, and the room next door to mine was one of the ones they would rent out by the hour. If the walls had been any thinner they would have been transparent. All night long the bedsprings squeaked and groaned, and all night long different men and women told each other they loved each other, and they were all of them lying in their teeth. I don’t suppose I would have slept much anyway, but this didn’t help.

After that, though, it got easier. One thing the widows’ houses didn’t have was bedsprings wailing all night long. And I also learned that sleep was a great way to get through time without going crazy. I got so I could fall asleep right away, pulling the sleep over my head like a blanket, and I’d be good for ten hours, sometimes more. I never used to sleep that way before and never have since, just burrowing into sleep and sort of using it.

Every day Bordentown was a few miles further south and east and one day deeper in the past. You just let the past slip away from you and one day you turn around and it’s out of sight.

It’s that simple, and that hard.

I wrote three letters, one to Sheriff Tyles, one to Geraldine, one to Lucille. This was just a game I was playing with myself because I knew I didn’t intend to mail the letters. What was interesting was that the one to Geraldine was the hardest to write. I would have thought it would be the other way around. I tore them all up when I was done, and tore the pieces into smaller pieces, as if the FBI might come around and try to put the stupid letters back together again like jigsaw puzzles.

I also wrote a letter to Hallie telling her about the whole business in Bordentown. I actually expected to mail that letter when I was done with it, and I took a lot of time trying to get it just right, and of course when it was through I tore it up, too.

I did send Geraldine a postcard. I sent her a couple of them at different times. I could never once think of anything to write, so I would leave the message part blank or else just run the address across the whole length of the card. Miss Geraldine Simms, The Lighthouse, Bordentown, South Carolina. And the zip code, which I don’t remember, but I knew it at the time.

A lot of the time when I was driving there would be hitchhikers on the road, guys alone or two of them together or sometimes a guy and a girl. Back when I did a lot of hitching I would always promise myself that if I ever had a car I would never pass up a hitchhiker. And the people who gave me rides generally mentioned that they had thumbed their way around when they were younger, and that was why they felt they had to stop for me in return, even though they knew that it was supposed to be a dangerous thing to do.

Now I had a car, a big car with nothing but room in it, and there were all these people on the road, I never went a day without seeing a dozen of them, and I never once stopped. There were soldiers in uniform and hippies and straight-looking kids and older people, everything, and I passed them all up. Not because it was dangerous to stop, although I guess it is, but because I just didn’t want to talk to anybody.

It was a funny stretch of time. I guess I wouldn’t want to go through it again.

Fourteen

i had to write the last chapter twice. The first time I did it, I put in a six-page scene that never happened. It was the first night after I left Bordentown, when I stayed in the motel with cardboard walls. The way I wrote it the first time, there was this long scene where I listened to a couple through the wall, and the guy finished before the girl was satisfied, and he just left her there, and she was storming around the room throwing things and crying. So then I went next door and brought her back to my own room and took her to bed, and afterward she was sleeping and I heard the same thing happen again in the room next door, except this time the guy was drunk and passed out before he could do anything. Whereupon the heroic Chip Harrison went next door and found the second girl, and she was also ready to walk up the wall and across the ceiling, and good old Chipperoo brought her back, too, and balled her in the bed while the first girl was still sleeping, and then the first girl woke up, and the three of us had this wild orgy with everybody doing everything to everybody else all at once.

I filled up six pages with that crap. It was a pretty good scene, actually, and I think it would have been pretty erotic.

But I thought about it and tore it all up and did it over the way it really happened.

So I wrote that scene, and it didn’t bother me while I was writing it. In fact while I was typing it all out I could actually believe it really happened. Sometimes it’s a little frightening the way your imagination will take a lie and make it almost true.

Then why did I tear it up? I could say it was because I didn’t want to put any lies in this book, but that’s not it because there are already a couple of lies in it that I’m leaving in. Just small lies, but that doesn’t make them true. The real reason, I think, is that putting in a scene like that would just make a lie out of everything that happened in Bordentown and lot of what went on afterward. Because that scene I wrote could never have happened. If the beginning of it happened, and if a guy did leave a girl there all unsatisfied, I never would have gone next door. Not the way I felt. If anything I would have just left the motel and gotten back in the car and kept on driving. And if I tried to do anything with a girl just then, if somehow I really did make an effort, I’m sure I couldn’t have managed to accomplish it.

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