Chip Harrison
Make Out with Murder
This is for REX STOUT, whoever he may be...
The man was about forty or forty-five. I guessed his height at five-seven, which made him about four inches too short for his weight. He was wearing a brown suit, one of those double-knit deals that are not supposed to wrinkle. His was sort of rumpled. He was wearing gleaming brown wing-tip shoes and chocolate brown socks. He wore a ring on his left pinky with what looked like a sapphire in it. Anyway, it was a blue stone, and I figure any blue stone is either a sapphire or trying to look like one.
I don’t know all this because I have some kind of terrific memory or anything. I know it because I wrote it all down. Leo Haig says that ultimately I won’t have to write things down in my notebook. He says I can train my memory to report all conversations verbatim and remember photographically what people are wearing and things like that. He says if Archie Goodwin can do it, so can I. It’s a matter of training, he says.
Maybe he’s right. I don’t know. If so, I need all the training I can get. I figure it’s going to be a good day if I remember in the morning where I put my wristwatch the night before.
Anyway, there’s something we’d better get straight right in front. In the course of writing all this up for you, some of the facts will be as I’ve jotted them down in my notebook, and some will be as I happen to remember them, and things like conversations are as close as my memory can make them to how they happened originally. I don’t have a tape recorder in my head, but I do tend to listen to people and remember not only what they said but how they said it. I suppose that’s as close to the truth as you can generally come.
The guy in the brown suit was very boring to follow. I picked him up outside of the Gaily Gaily Theater on Eighth Avenue between 45th and 46th. That was 1:37 in the afternoon, and the particular afternoon was the third Wednesday in August. He emerged from the theater (All-Male Cast! XXX-rated! Adults Only Positively! ) making those hesitant eye movements that you would expect anybody to make under those circumstances, as if he wanted to make sure that nobody he knew was watching him, but without making it obvious that he was looking around.
I picked him up because I liked the idea that he was already behaving with suspicion. It seemed likely that he would be more of a challenge.
See, I had no real reason to follow this man in particular. This was what Leo Haig calls a training exercise. We didn’t have a case at the time, and while he enjoyed having me hang around and listen to him talk while he played with his tropical fish, we both eventually felt guilty if I wasn’t doing something to earn the salary he paid me. So he sent me out to follow people. I would do this for as many hours as I could stand, and then I would go back and type up a report on my activities as a shadow. He would then read the report very critically. (I’m surprised he managed to read these reports at all, to tell you the truth. When all you do is follow a woman from her apartment building to Gristede’s and back again, there is not a hell of a lot of excitement in a detailed report of what you have seen.)
But all of this would develop my powers of observation, he said, plus my skills in following people, in case we got a case that demanded that sort of thing. And it would also point up my journalistic talents. Leo Haig is very firm on I this last subject, incidentally. It’s not enough to be a great detective, he says, unless somebody writes about it well enough to let the world know about you.
Well, the guy in the brown suit certainly moved around I enough. From the theater he went to a cafeteria on Broadway and had a cup of coffee and a prune Danish. I sat half a dozen tables away and pretended to drink my iced tea. He left the cafeteria and walked around the corner onto 42nd Street, where he entered First Amendment Books, a hole-in-the-wall that specializes in reading matter that abuses the amendment it’s named after. I don’t know what he bought there because I didn’t want to go in there after him. I loitered outside, trying not to look like a male hustler. By concentrating on Melanie Trelawney, I figured it might be easier to project a determinedly heterosexual image.
Thinking about Melanie Trelawney may not have made me look more heterosexual, but it certainly made me feel heterosexual as all hell. And thinking about Melanie came fairly easily to me because I had been thinking of very little else for the past month. In a sense, thinking about Melanie was more rewarding than spending time with her, because I allowed myself to play a more active role in thought than I did in life itself.
In the little plays I acted out in my head, for example, Melanie did not deliver lines like, “I think we should wait until we know each other better, Chip.” Or, “I’m just not sure I’m stable enough for an active sexual relationship.” Or, “Stop!”
My mental Melanie, my liberated, receptive Melanie was purring like a kitten while I stroked the soft skin of her upper thigh, when the man in the brown suit picked that moment to emerge from First Amendment with a parcel under his arm. Magazines, by the size and shape of the parcel. I had a fair idea what kind of magazines they were.
He headed west and walked briskly to Eighth Avenue. Just before he reached the corner he stopped in a doorway and talked to a tall slender young man wearing faded jeans and brand-new cowboy boots. They talked for a few moments and evidently failed to come to an agreement. My target heaved his shoulders and lurched away, and the kid with the boots gave him the finger.
On the other side of Eighth he had better luck. He stopped again in a doorway, and I loitered as unobtrusively as possible while they got it together. Then they walked side by side over to Ninth Avenue and two blocks north to something that was supposed to be a hotel. That’s what the sign said, anyhow. From the looks of it I got the feeling that if you ever needed a cockroach in a hurry, that was the place to look for one.
There was a liquor store next to the hotel, and they stopped there first, with the hustler waiting outside while Brown Suit bought a bottle. He came out with a pint of something and they went into the hotel together.
I was going to leave him there and say the hell with it, and either follow somebody else or call it a day, but Haig had told me just a couple of days ago that the attribute a successful surveillance man most needed to develop was patience. “You must cultivate sitzfleisch , Chip. Sitting flesh. A mark of professionalism is the ability to do absolutely nothing when to do otherwise would be an improper course of action.”
I went into a coffee shop across the street and settled my sitzfleisch on a wobbly counter stool. The special of the day was meat loaf, which suggested that the activity of the night before had been sweeping the floor. I had a glazed doughnut and a lot of weak coffee, and concentrated on developing the ability to do absolutely nothing.
While I worked on this I did a little more thinking about Melanie Trelawney.
I had met her about a month ago. I was in Tompkins Square Park trying to decide whether or not I wanted a Good Humor. The Special Flavor of the Month was Chocolate Pastrami and I wasn’t sure I could handle it, but it did sound off the beaten track. Somebody came by that I knew, and then someone else materialized with a guitar, and eventually a batch of us were sitting around singing songs of social significance. After a while somebody started passing out home-made cigarettes with an organic and non-carcinogenic tobacco substitute in them, but I just passed them up, because by this time I had seen Melanie and I was high already.
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