T. Parker - Laguna Heat

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Laguna... Where every day the sun makes a promise the nighttime breaks, while the super-rich live out expensive fantasies in posh beach houses and drown their memories in Cuervo Gold margaritas...
Laguna... Where trouble has swept in like a Santa Ana wind, blowing the cover off a world of torture, murder and blood-red secrets
Laguna... Where a crazed killer has turned paradise into a Disneyland of depraved violance — with a fiery vengeance — and where homicide cop Tom Shephard unravels a grisly mystery that reaches back across forty years of sordid sex, blackmail, and suicide into the dark corners of his own past, and sweats out a deadly truth in the sweltering..
Laguna Heat

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Shephard could hear her voice wavering, and Jane trying to force it under control.

“So I’d just slam him against that coldness, give him what I thought he deserved. It hurt him — I know it hurt him. Somehow, that only made me feel more right in doing it.”

When she turned again to Shephard she was red-faced, beginning to sob. He sat down on the couch, put a Racing Form across his knees and studied it. “Everybody blames himself when a parent dies,” he said. “My mother was killed when I was four months old, and when I got big enough to realize I didn’t have a mother I blamed myself for it. You grow into it, like a shirt. But go ahead and feel sorry for yourself if it makes you better.” From the corner of his eye he saw her head cock sharply in his direction.

“Up yours, Shephard. I can cry if I want to.”

“Long as you understand you’re crying for yourself.”

She was in front of him, thighs positioned straight before his face, her hand beginning its arc from outside his vision but descending with a swoosh through the air, gaining speed as he dropped the newspaper, caught her wrist, and forced her down, all in one motion. He stood and shoved the Racing Form into her hand. It dropped to her lap when she brought her hands to her face.

“There’s two kinds of crying, Miss Algernon. You cry for someone else and you choke the sounds right out, and it sounds like a dog gagging on a bone. You cry until your tears are gone and there’s nothing left to come out except maybe your guts. But when you cry for yourself, it sounds long and sad, like music. Like you sound right now. You haven’t cried for him yet, you’re still working on yourself. How come?”

It was easier than he had thought it would be. When she looked up at him, he saw it was over. Her eyes were big and blank, and she spoke quickly, as if disgorging something poisonous, long-held.

“It wasn’t two weeks ago when I saw him last,” she blurted. “It was Friday afternoon. He came to my house and stunk like whiskey, and I was revolted. I screamed at him. And he told me he was scared and wanted to know if... if...” Her head was shaking.

“If he could stay with you?”

“For a few days, he said. Someone was going to hurt him and he was afraid. But he always said such crazy things when he was drinking. I said he was just imagining. Jesus Christ, I told him he was just drunk and stupid. I finally gave him a little peck, a little ugly peck on the forehead, and then, I sent him out. God, I sent him out.”

“Who was going to hurt him, Jane?”

“Someone. He said someone was coming to get him. But he didn’t say who, or why, or for what, and I’d heard him say things before that were wild. I thought he was maybe just lonely, tired of living alone.”

Her last words were little more than a whisper, blown tearlessly in at the end of her storm. She had dropped her face into her arms, dark hair cascading over her knees and dangling in mid-air as she shook her head in disbelief.

“What else, Jane?”

“He said there might be others in trouble too. That it wasn’t just him.”

“Who?” Shephard watched the tears dropping onto Jane’s feet, the liquid shiny on her skin. He could scarcely hear her.

“He didn’t say. The whole world, maybe. He just didn’t say.”

Jane pitched over onto the cushions, drawing up her knees, burying her face in a pillow. Shephard saw her shoulders beginning the first shudders of what would be another storm. Worse this time, he thought. For her father. He spread an afghan over her quaking body, and went into the kitchen.

In a drawer near the telephone Shephard found a small address book, which he quickly leafed through, then pocketed. No Greeley was listed. He remembered Theodore’s words. Why would Algernon hope it was Greeley in trouble? Tim Algernon was a consistently sloppy secretary. One look at the address book told him that it wasn’t Algernon who had written in the Bible. Then who had? Had the killer written it himself, after the act, a triumphant good-bye? Or, perhaps, had the Bible come to Algernon earlier, the threat that had made Tim come to Jane and call Little Theodore for protection? If so, how had it arrived? Personal delivery, or by mail?

Shephard walked outside. With fumes of garbage wafting up into his face, he systematically pulled the contents from a trash can on the side of the house. Halfway down through the mess, smeared with the sticky pitch of orange juice concentrate, he found a plain brown wrapper, Bible-sized and torn open. He retrieved it with some sense of accomplishment, then set it on the ground, where he brought the fragments back to their original form.

Tim Algernon’s name and address were written across the paper in the same ink and same neat hand as in the Bible that contained the threat. The postmark was Wednesday, August 20, Sacramento. Three days before Ed Steinhelper was rolled. Four days before whoever took his wallet came into Laguna on Greyhound line 52. Eight days ago, he noted: five days before Algernon died.

He found Jane on her father’s couch, breathing deeply, covered by the afghan. Looking down at her, he felt a fluttering inside, of wings perhaps, as if a covey of quail were about to take flight. Then, the same frantic impulse to act that he had felt the night before, the urgent but undirected desire to do something. The conflux of feelings was rapid and contradictory. Paternal: he could adjust the pillow under her head, pull the afghan more comfortably to her waist. Carnal: he could simply stare. Professional: he could wake her. He felt paralyzed, or was it, he wondered, dumbfounded? He smiled stupidly. His path of action became clear. He walked quietly across the floor and shut the door behind him, sure he had done the right thing. As he moved through the bright noon heat he realized how long it had been since so little had mattered so much.

He felt altered, as if his system had just received a transfusion of something new.

Nine

A telephone company printout listed all calls made from Tim Algernon’s phone the week before he died. Shephard was handed the information by a reluctant company manager, who reminded him that the release of such data was illegal, then hustled him into a small room that contained a desk and chair. The manager’s patience seemed fatigued to its breaking point when Shephard requested a number-indexed directory. The manager delivered it after a punishing wait, sighed, and shut the door.

Using the directory and Algernon’s address book, Shephard translated the called numbers into names, and listed in his notebook parties called, times, duration of calls. After an hour’s work, it appeared that Algernon’s “fine old woman who lives in town” was one Hope Creeley. So Theodore got it a little mixed up, Shephard thought. To “hope it was Greeley.” Not bad for a man who can’t read or write. Her address was listed as 9487 Waveside, Laguna Beach, and Tim Algernon had called her a total of twenty-four times between 5 P.M. Saturday, August 23, and Sunday, August 24. Twenty-four calls of a minute each. The last was made at 11:54 Sunday night, six hours before Algernon had had his last whiskey with the man who killed him. What can a terrified man say in twenty-four one-minute calls that he couldn’t say in one twenty-four-minute call, Shephard wondered. He dialed Hope Creeley’s number from the booth outside, got no answer, and dialed again.

Back in the Mustang, he headed for Waveside Drive in the north end of town.

The house was a tidy, three-story Spanish-style manse with a clay tile roof and a spacious portico whose shade smelled of citrus to Shephard. He pushed the doorbell, which after a momentary silence prompted a muted chime from deep inside the house. Just to the right of the wooden door, a mailbox contained three envelopes. He removed them, glanced at the first and saw that it had been delivered that day. He rang again. No answer.

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