James Cain - The Magician's Wife

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The Magician's Wife: краткое содержание, описание и аннотация

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In The Magician's Wife, Cain returns to his classic themes of lust and greed. Clay Lockwood, a business executive, falls in love with the irresistible Sally Alexis, wife of a professional magician.

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“Did he say what he wants, Miss Helm?”

“Well, I didn’t ask him. Shall I?”

“No. And nothing’s wrong. Send him in.”

Mr. Alexis came in importantly, a tall, slender young man in smart summer suit, with a little eyebrow mustache and sharp, squinting expression. With him came a girl, a small, plump creature with light hair and twinkling eyes, whose outfit was certainly startling, consisting as it did of pink crepe dress with no sleeves, red socklets on bare legs, white kid shoes with high heels, and red band around her head. She smiled at Clay while her companion held out his hand, announcing with bland assurance: “Alexis, Mr. Lockwood — professionally known as the Great Alexis. You may have heard of me.”

“Why — yes, I have,” said Clay, gulping and after a moment taking the hand, then letting go after one pump.

“This is Miss Conlon — she works with me.”

“Professionally known as Buster,” said the girl, “and you must have heard of me.”

“I have indeed,” Clay assured her, taking the soft little paw she gave him. “I’m very glad to know you.”

“Likewise,” she said. “Very, very, very.”

But as she looked Clay up and down with obvious interest, Mr. Alexis chided her: “You don’t have to jump in his lap.” He tried to sound facetious, but something ugly, perhaps of jealousy, showed through.

“Well, he hasn’t asked me yet,” she replied archly.

“Sit down, sit down, please!” Clay interjected, pushing up chairs, then resuming his own seat, in the chair back of the desk. Leaning back, he coached himself to say: “I’m sorry, you’ll have to talk with my lawyer — I don’t handle such things myself.” He assumed this was about Sally, though what Buster had to do with it he had no idea at all. So he was confused when Mr. Alexis, his aplomb somewhat regained, said: “Mr. Lockwood, Mike Dominick sent me to you, on a matter that’s come up that he said you could help me on, and might be willing, if I—”

Mike Dominick? ” Clay exclaimed.

“He runs the Lilac Flamingo, that Baltimore club where I work.” And then, at Clay’s astonished stare: “Well, look, if I’m in the wrong place, just run me out, Mr. Lockwood. Mike told me you were a friend.”

“Well, yes. I sell him meat. But—”

“Something’s wrong, I can see. So—”

“No, please!”

“You don’t have to jump in his lap,” said Buster to Mr. Alexis. “Give him time, let him readjust. How do you know? Maybe Mike has other names too — and not at all professional. They could be aliases, even. And—”

“I’m sorry,” Clay apologized. “I’m not quite caught up, that’s all. Let’s start over. I know Mike, of course — I’ve known him for years, and he’s right. He is a friend. How is the old mafioso ?”

“About the same,” said Mr. Alexis.

“Which is not saying much,” Buster murmured.

“Practically nothing at all,” Clay agreed. “He’s O.K., just the same. What’s this matter of yours, Mr. Alexis? The one you say has come up.”

“It has to do with my act.”

“And my neck,” Buster explained.

“I see, I see,” said Clay, though he didn’t.

“Next week,” Mr. Alexis continued, “we go on summer schedule, with half the place closed for redecoration all through July and then the other half through August — and of course for some alteration, which is where I come in. I have to have stuff put in for an act I hope to pull off, beginning in the fall. But I have to speak up now, so contracts can be let. Because, Mr. Lockwood, take magic — what’s wrong with it, now?”

“Well — is anything?”

“No! And that, my friend, is what’s wrong!”

“You have to work on it,” Buster told Clay. “It doesn’t get any better, but at least you can understand it.”

“If you’d keep your mouth shut!” snapped Mr. Alexis.

“Your wish is my command,” she told him, winking at Clay and zipping her mouth with her thumb.

Mr. Alexis now grew dramatic, asking Clay: “So what makes a variety act? The perfection of it? No! The things that do go wrong! Like on the wire, when the guy misses his somersault and has to take it over — that’s what they eat up, isn’t it? And with dogs, the one the people love is the little white pooch who won’t go over the man, but runs between his legs! Even with cats, the tiger they go for is the one that balks at his jump and has to be coaxed with the whip. But with magic, what? Nothing ever goes wrong, and I say that’s what’s wrong. So, I’ve been working on it. All last season, in our levitation, Miss Conlon went up in the air. She floated, she rose, she came down — and that was all.” And then in a whisper, leaning close: “I want this girl to get lost! So when I make my little speech, pick up the steel hoop, and turn to pass it over her, she’s not there. She’s disappeared. I ask for quiet, for absolute quiet — I request that nobody move, and begin calling to her. And then a woman screams. And then I see where she is — they all see where she is — floating up under the ceiling”

“In my weightless condition,” said Buster.

“But to do it,” said Mr. Alexis, ignoring her, “I must have a movable cradle I can suspend her from, which must have something to run on and—”

“You want to look at our overhead stuff?”

“That’s it! If I may, Mr. Lockwood!”

“Nothing to it — we’ll look at it right now!”

Beads of sweat, of infinite relief, standing out on his brow, he took three coats from their hangers, gave one to Mr. Alexis, one to Buster, and slipped one on himself. Her zipper, as he pulled it up from the floor, ran over quite shapely contours, evoking her baby stare, which Mr. Alexis saw. However, nothing was said, and they trooped down to the storage room, where the rails, trolleys, and hooks excited Mr. Alexis greatly. He asked all sorts of questions about them, getting a card from his pocket and making note of the company that put such fixtures in. He inquired about strength, being assured by Clay “it’s tested for tons, not pounds — has to be, as quarters of beef can get bunched, rolling along, so the strain on the rail is quite heavy. One quarter weighs two hundred pounds — more than Miss Conlon, I imagine.” But when Mr. Alexis rolled one of the quarters an experimental foot or two, it made a dismaying rumble. Clay used the weighmaster’s phone, told Miss Helm to come down “and bring some rubber bands — whole box, if it’s there, of the biggest ones we have.” When she got there with them, he took a hook off the rail, wrapped its roller in rubber, put it back again, and tried it. It rumbled scarcely at all. “Now we’re coming!” said Mr. Alexis. “It’s going to work, I can see that.”

“I want to try it,” said Buster.

“What for?” asked Mr. Alexis.

“Well, what do you think? After all, I’m going to be up there. Not somebody else, Alec — me. And I want to feel how it is.”

She raised her arms, as though to be lifted up, but Mr. Alexis just stood there, not stepping forward to help. Prettily, she looked at Clay.

He lifted her.

She caught the rail, nodded.

She swung a little and jerked up and down.

“O.K.,” she said, and Clay stepped forward to lift her down. To his astonishment, Mr. Alexis put out his arm, barring his way. “Not so fast,” he told Clay. And then, to Buster: “You want down, let go. You’ll come down.”

“Well, thanks a lot,” said Buster, her white kid shoes dangling. But when Clay moved to help her, Mr. Alexis stepped between. “ Hey! ” he growled, “ she’s my girl!

“She’s my guest,” said Clay, “in my place. I just don’t care to be sued if she falls and breaks a leg.”

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