Jack Grimwood - Moskva

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Moskva: краткое содержание, описание и аннотация

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‘Even better than Telegraph
‘Given that the definitive thriller in 1980’s Moscow already exists (Martin Cruz Smith’s
), Jack Grimwood’s
looks like a crazy gamble. But it’s one that comes off…’

‘Tom Fox is well drawn, the action scenes are filled with energy and tension, but the real hero of
is Russia itself, bleak, corrupt, falling apart, but with an incurable humanity.’
— Tom Callaghan, author of
‘A compulsive and supremely intelligent thriller from a master stylist.’
— Michael Marshall, author of
‘A first-rate thriller –
grips from the very first page. Heartily recommended.’
— William Ryan, author of
‘Like the city herself, Jack Grimwood’s
is richly layered, stylish, beautifully constructed, and full of passion beneath the chills. Part political thriller, part historical novel, part a story of personal redemptions,
cements Jack Grimwood as a powerful new voice in thriller writing. Not to be missed.’
— Sarah Pinborough, author of The Dog-Faced Gods trilogy ‘Hard to know what to praise first here: the operatic sweep of this mesmerising novel; the surefooted orchestration of tension; or the vividly realised sense of time and place; all of these factors mark Jack Grimwood’s
out as **something special in the arena of international thrillers.’
— Barry Forshaw, author of
‘Memorable characters, powerful recreations of history and an unrelenting pace that will keep you breathless. A striking début in the genre.’
— Maxim Jakubowski ‘A sublime writer… I felt glimmers of Le Carré shining through the prose.’
— Moskva
Kolymsky Heights
Gorky Park
Red Square, 1985. The naked body of a young man is left outside the walls of the Kremlin; frozen solid – like marble to the touch – missing the little finger from his right hand. A week later, Alex Marston, the headstrong fifteen year old daughter of the British Ambassador disappears. Army Intelligence Officer Tom Fox, posted to Moscow to keep him from telling the truth to a government committee, is asked to help find her. It’s a shot at redemption.
But Russia is reluctant to give up the worst of her secrets. As Fox’s investigation sees him dragged deeper towards the dark heart of a Soviet establishment determined to protect its own so his fears grow, with those of the girl’s father, for Alex’s safety.
And if Fox can’t find her soon, she looks likely to become the next victim of a sadistic killer whose story is bound tight to that of his country’s terrible past… * * *
Praise for Jack Grimwood:

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‘They’ll cost.’

‘Of course.’

‘The KGB don’t drink at my bar. Not that I know. The ordinary police, on the other hand…’

Tom pulled out his wallet.

‘Not here! Your shadow will think I’m changing dollars. America is our enemy. Changing dollars is a crime. Also, their president is a shit who sells missiles to savages.’ Dennisov headed into an alley so overhung with balconies that snow barely reached its floor. ‘I’ll give back what I don’t use.’

‘Keep –’

‘I’ll give it back,’ Dennisov growled.

They parted at a metro station and Tom headed for Red Square, walking the last leg across a bridge over the frozen river. The sun was lower than ever, the horizon darkening and lights were coming on around him.

In reception, Tom asked to be put through to the ambassador, feeling pompous as he added that Sir Edward would want to take the call. It was the kind of thing his brother-in-law would say. Tom was halfway up the stairs when he met Anna Masterton coming down. ‘Any news?’ she demanded.

‘I’m on my way to see your husband.’

‘You can’t tell me?’

‘I should probably tell both of you.’

Anna turned on her heels and headed upstairs before Tom could say that it wasn’t as bad as it could be. She rapped on the inner door to her husband’s office before his secretary had time to do more than look up. The noise of her golf-ball typewriter stuttering to a halt sounded like the dying throes of a small revolution.

The knock drew a tight-lipped ‘Come in’.

Sir Edward looked no happier to see her than he did Tom, although he took off his spectacles and put down what he was reading.

‘You found the address?’

‘Alex wasn’t there.’

‘Told you,’ Sir Edward said. ‘She’s sulking with some friend.’

He sounded so relieved that Tom glanced sharply across and Sir Edward looked away, checking the time on a wall clock against the watch he was wearing as if that had always been his intention.

‘No one else knew anything?’ Anna asked.

‘We went to a warehouse too. But it was burned out. The police recovered a body… Not Alex,’ Tom added, as Anna threw a hand to her mouth.

‘How do you know?’ she demanded.

Tom prayed he had remembered right. ‘How tall is your daughter?’

‘Five foot three.’

‘Then it definitely wasn’t her. Burned bodies shrink, but even shrunken this one was taller.’

‘Anna…’ Sir Edward sounded as if he was trying to be soothing. ‘It’s going to be fine. She probably wasn’t even there.’

‘I’m afraid she probably was, sir. I found this in the rubble.’

Tom put the remains of the jade ring on Sir Edward’s desk, the half-circle of burned stone coming loose and falling away.

Anna Masterton vomited.

Tom left, having decided not to mention that the body might be Alex’s boyfriend. He’d find a way to tell Sir Edward later, or maybe he’d tell Mary Batten, who would find her own way to let the ambassador know.

Neither Mary nor Sir Edward would need telling that anyone who could wire a boy’s hands behind his back and burn him to death was not someone you wanted to have hold of a fifteen-year-old English girl for long.

10

Not Enough Room to…

Something in his flat was wrong. Tom knew it the moment he opened the door.

It wasn’t the smell, although that was metallic and flat, a slight odour underpinning the sourness of unemptied bins and sheets that needed washing. He’d been planning a bath, hot water allowing, to rid himself of the stink from the warehouse that infected his clothes. But the stench of something older and darker made hairs stand up on the back of his neck.

Later, with a whiskey in his hand and his back to the wall in the living room, sitting on the floor in the dark, he came up with a logical explanation for his split second of atavistic fear of what he’d believed an ancient evil.

He recognized, without realizing it, the smell of blood.

That thought held for the time it took him to sip dry his whiskey, time he spent going back over what he’d found on returning home. If you could call a top-floor flat in a Moscow block reserved for foreigners home.

His living room had been undisturbed.

The ashtrays still overflowed. The cactus he’d inherited looked as miserable as ever. His briefcase, with its combination lock, lay exactly where he’d left it. His bedroom was a mess, but no worse than when he’d dragged himself from sleep and rolled out of bed that morning.

Pillows adrift, duvet thrown back, greying sheets.

Tom knew, because his flat at Sad Sam was tiny, and its bathroom door was open and nothing looked different in there either, that what awaited him must be in the kitchen.

He was right.

A dead cat hung above his sink.

It was suspended by its back legs from a string tied to the fluorescent tube above. Tom knew it was Black Sammy, the cat he’d seen the night he came back from the New Year’s Eve party, because whoever had skinned it had left its pelt on the worktop.

Thinner than blood and thicker than lymph, the liquid that pooled in his sink told him the animal had been alive when the torture began. Rigor was well set in though, stiffening the carcass. Tom cut it down with scissors.

He used scissors because his only kitchen knife rested on the folded skin, where it had been placed after it had been used to flay the animal. Under the knife was a photograph of Tom on the corner by the Khrushchevka, with his shadow away to one side and an old woman he didn’t remember huddled in a doorway.

Picking it up, Tom took the photograph into the hall where the light was better.

The depth of field was so flat it had to have been taken with a telephoto lens. From high up, looking down. If it was taken from the top of a block of flats, then the photographer must have been there waiting, which meant he had known where Tom was headed. Someone didn’t want questions asked about Alex.

For all Tom knew, that same someone was watching his flat now to see how he’d react. Would he call his embassy? Would he simply wrap the poor bastard cat in newspaper and dump it in the communal bins? He could imagine the children of one of the journalists who lived in a bigger flat below finding it.

Returning to his kitchen, Tom took down the chopping board left by the previous tenant and ran the cat under cold water to make it less slippery. Then he began with the head, which he removed by putting the knife on the back of its spine and smacking the blunt edge of his blade. It was the most noise Tom would make that evening and the action he found hardest.

Dealing with the carcass was easy enough after that.

Having split the head down the middle, he rinsed and flushed both pieces, before filleting the rest and jointing it cleanly, running each piece under the tap before flushing it down the loo. He opened the ribs with scissors, washed the contents of the stomach down the sink, and flushed out the viscera.

Tom thought he was beyond shock. But unfolding Black Sammy’s pelt, he discovered he had exactly half of it. That was when he realized the pan he’d left dirty had been neatly washed up. As had a spatula and fork. Plus, his olive oil was out, along with his salt and pepper. A neat little threesome on the countertop.

Like a small family.

Tom took care not to clog the lavatory with flesh or fur and to leave long enough between flushes to keep what he was doing from being obvious to those below. What had happened never happened. He wanted anyone watching to know that.

When he was finished, Tom scrubbed the board and hung it back on the wall, washed the knife and the scissors, rinsed out the sink, put away his olive oil and salt and pepper, and poured himself another whiskey, taking it through to the darkness of his sitting room.

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