Jon Grimwood - Stamping Butterflies

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A circle may begin at any point - with a gun, or a an argument, or a butterfly blown by the wind. When someone shoots at the President on tour in Morocco, the shock is less than the mystery. Of all the recent Presidents, why this one? What to do with the shooter, dubbed Prisoner Zero? And - increasingly urgent - who IS Zero? Prisoner Zero will say nothing, and seems to have no past. He could be Arab. He could be American. He could be insane, he could be professional, he could be a lone gunman or represent a vast conspiracy. Maybe he has more than one past. Or maybe the answer lies in the future, where an emperor waits alone in the Forbidden City, for an assassin and a butterfly.
Jon Courtenay Grimwood's gripping and brilliantly clever new novel confirms what fans of his Ashraf Bey series have always known - that he is one of Britain's most innovative writers..

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STAMPING BUTTERFLIES

by JON COURTENAY GRIMWOOD (2004)

For Sammy, same as it ever was... and Jams.

"When the truth is replaced by silence, the silence is a lie..."

Yevgeny Yevtushenko

*Please note: Future dates are given by number of emperor and years reigned. So CTzu53/Year7 means 53rd emperor (Chuang Tzu), 7th year of reign.

PROLOGUE

Paris, Monday 26 March [Now]

Beijing outraged ...

Someone had taken the fate of the world and tossed it onto a chair and somebody else had dumped it under a table, where it remained until a thin, grey-haired tramp picked up the paper, wiped off the worst of the grime and spread it out.

Forty-one degrees in Cairo. Snow in Cape Town. Russia's president-for-life had just re-invaded Chechnya, the Chinese navy was blockading Taiwan and the current occupant of the White House had announced his intention to become the first president since Truman to visit North Africa.

It was five years since the tramp had read a newspaper and within three paragraphs he remembered why. His life was messy enough without adding complications from the rest of the world.

"Monsieur?"

This was his cue to order a coffee or leave. Counting his coins without taking his hand from his coat pocket, the clochard nodded. "Espresso," he said. He didn't blame the boy. There'd been that summer he arrived as the shutters were opening and stayed until the old woman, the one who was now dead, shooed him out onto Rue du Temple so she could finish mopping up for the night.

Leaving a handful of coppers, mostly to prove he could, the tramp began to fold his paper. That was when he first noticed two young men going from table to table, both dressed in the default cool of New York or London, black T-shirts hanging loose outside black chinos, expensive shades and simple shoes.

It was the dress of urban anonymity. One that spoke of hurried lives and the need to blend into a certain stratum of city life. In Paris, where T-shirts got tucked over even the proudest bellies and dressing alike was the preserve of banlieue dwellers or bon chic/bon gen couples with five-button blazers and Rue St. Honoré frocks, such foreignness shouted trouble.

At least it did to the tramp in the tweed coat. And shouted it loud enough for him to push back his chair, stand up and squeeze past a German tourist, who promptly checked her pockets, then frowned, wondering if she'd just been perved.

The men caught up with him later, probably by accident, at a food stall in the Marché des Enfants Rouge, where he sat scraping chicken tagine from a pot while he watched a Sudanese boy argue with a thickset girl who looked half Arab, half something else.

Both the girl and boy knew he was watching; neither minded.

A triangle, made up of Rues St. Paul and de Turenne to the east, des Archives to the west and the river to the south defined the edges of his world, within which the tramp was known and obscurely famous.

No one talked of the heroin, the cheap brandy, the nights he never quite made it back to a derelict, fifth-floor room overlooking Passage St. Jacques. The Marais district was a very private place. So private that many of the tourists who now roamed its narrow streets barely noticed it was there.

"I'm looking for Jake Razor," one of the men said, no introduction and no politeness, just the bald statement and the expectation that this would be enough.

The man in the old tweed coat looked blank.

"Jake Razor."

" Pardonnez-moi? "

They stared at each other and there it might have ended, except that the first of the Gap-clad men signalled to the second, who pulled up a chair. " Nous cherchons pour Jake Razor. Le mathématicien et guitarist punk ..." From his jacket he retrieved a press card and a letter from some editor at Rolling Stone, dumping these beside an old photograph of a bare-chested, snarling boy in black jeans.

" Avez-vous seen him?"

"He's dead," said the tramp, checking the name on the card. "Years back. There was a fire. It was on the radio."

Bill Hagsteen sighed. "That was Marzaq," he said. "The Arab kid."

Marzaq al-Turq had been born half German and half Turkish, as his name suggested, but the tramp didn't bother to point this out. "Even if Jake's alive," said the tramp, "what makes you think he moved to Paris?"

"We have information," said Bill Hagsteen.

"There's a family trust," the other said. "It bought an apartment in Rue St. Paul, roughly fifteen years ago."

"But no one from the family uses it. In fact, none of them have been anywhere near this city in all that time." They were like an old married couple, finishing each other's sentences without even noticing.

"No problem," said the tramp. "Give me the number and I'll take you there."

"If we had that we could find it ourselves."

"We shouldn't even know about the apartment," added Bill Hagsteen. "The trust doesn't take kindly to enquiries from the press."

The man in the tweed coat thought about this and then thought about it some more. Pulling a final sliver of flesh from his chicken bone, he pushed away his empty bowl. "Maybe I can help," he said.

-=*=-

The steam bath was at the southern end of Rue St. Paul, and the tramp enjoyed seeing his new friends strip to their towels and sit sweating on tiled benches as they watched every man who entered for signs that he might once have been lead guitarist with Razor's Edge.

"Where now?" Bill Hagsteen asked, which the tramp took as an indication that he'd had enough of watching locals shift uneasily under his gaze or glare right back. They ate brunch at the Cajun place next to the Arts, less than a minute from the steam bath. And then Bill had the idea of checking if Jake had ever rented a room at the hotel. So their guide went in by himself and came out again seconds later.

"Fifty euros," he said.

"Twenty-five," said the other.

Bill Hagsteen pulled fifty from a crocodile skin wallet and handed it over without comment.

Folding the euros into his hand and pocketing them before he even reached reception, the tramp smiled at the woman behind the desk. He was smarter today. Still wearing his tweed coat, but with a pair of trousers which looked almost clean.

"Sorry about that," he said, "forgot something."

The receptionist gave him the rate card he asked for, explained about weekend deals and then looked at him more closely.

"I'm babysitting Americans," he explained. They'd nodded to each other in Le Celtic a few times though never spoken.

"You're American." She said this as a fact.

"I've been many things."

Outside, on the pavement, the tramp regretted that no one resembling Jake now rented a room at the Arts Hotel, although a New York poet had lived there for years. Unfortunately he'd died.

"Did you get a description?"

The tramp shook his head. "Before her time."

They stopped to look at the opium pipes in the window of the Buddha shop, crossed the road to cut down Rue Charlemagne, with its blue plaque naming Charles as "Emperor of the West" and rejoined Rue St. Paul via a passage, old buildings rising six storeys on either side of the narrow walk-through.

A black woman at the only free till in Monoprix looked briefly at Bill Hagsteen's old photograph and shook her head, her attention already on a man waiting impatiently behind them. Visits to the tabac and the English bookshop produced much the same result.

"Tell me," said their guide, "how good is your information?"

"Sixty per cent," said Bill Hagsteen. "Maybe less."

"I hope it didn't cost you too much."

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