Лилиан Браун - The Cat Who Knew A Cardinal

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All the world's a stage--and now
Jim Qwilleran's apple orchard
has become the stage for a real-
life murder scene. The much-
disliked director of the Pickax
Theatre Club's Shakespeare production, Hilary VanBrook,
has been found dead after the
closing-night cast party. With
the help of his super-smart
Siamese, Qwill must cast a
suspicious eye on all the players--especially the ones
pussyfooting around behind the
scenes...

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Qwilleran thought, Wait a minute, bub! I'm still living in the garage!

"As for the final scene," VanBrook said, "this purely political indulgence was tacked on to Hatter the monarchy, and let me assure you that it will be omitted. Henry VIII will end with Katharine's death scene, which has been called the glory of the play."

Everyone was silent until Carol said, "Thank you, Mr. VanBrook, for your enlightening explanation... Shall we make a decision now?" she asked the board. "Or do we need time to mull it over?"

Larry spoke up for the first time. "I move that we mount Henry VIII as our first fall show."

Fran Brodie seconded the motion. "Let's take a gamble on it," she said, and Qwilleran could imagine visions of Queen Katharine dancing in her steely gray eyes.

"Okay, I'll go along," said Gippel, "and hope to God we sell some tickets. There'll be more flesh on the stage than in the audience - that's my guess."

Hixie Rice said, "It has great publicity possibilities, with all those high school kids carrying spears."

Junior Goodwinter capitulated. "Count me in, so long as you lop off the last scene."

And so The Famous History of the Life of King Henry the Eighth went into production. Qwilleran was not further involved, although he knew that Carol and Fran were auditioning for Queen Katharine, and Larry and Dennis wanted to read for Cardinal Wolsey. Everyone assumed that Larry would get the choice role.

On the evening following the last audition, Qwilleran was going to a late dinner at the Old Stone Mill as the Lanspeaks were leaving. He intercepted them in the restaurant parking lot, saying to Larry, "I suppose I'm expected to kiss your ring."

"Oh, hell! I missed out on Wolsey," the actor said with a disappointed smirk. "Hilary wants me to play King Henry. Isn't that a bummer? I'll have to grow a beard if I don't want to use spirit gum. Scott should be doing Henry; he wouldn't need any padding."

Carol said, "Scott could never learn the lines. The only line he ever remembers is at the bottom of the page."

"So I suppose Dennis is doing Wolsey?" Qwilleran asked.

"NO!" Larry thundered in disgust. "Hilary's doing it himself! Of course, it's expedient, because he's done it before. He's also bringing a woman from Lockmaster to play Katharine. He directed her in the production down there a few years ago."

"When do rehearsals start? I might drop in some evening."

"Next Monday," Carol said. "Five nights a week, starting at six-thirty. We've always started at seven to give working people time to eat a decent meal, but Horseface has decreed six-thirty. He wants me as assistant director and understudy for Katharine. Since she lives sixty miles away, she'll come up only two nights a week, so I'll have to read her lines the rest of the time." She raised her eyebrows in a gesture of resignation. "I don't expect to enjoy it, but if I learn something, it won't be a total loss."

Qwilleran said, "I wanted to do a profile on VanBrook for my column, but he refused flatly. Wouldn't give a reason."

"Typical," said Larry with a shrug. "Where's Polly tonight?"

"Hosting a dinner meeting of the library board. What did you have to eat?"

"Red snapper - very good! And try the blue plum buckle - if they have any left. It's going fast."

The Lanspeaks went to their car, and Qwilleran entered the restaurant that had been converted from an old stone grist mill. The hostess seated him at his favorite table, and Derek Cuttlebrink filled his water glass and delivered the bread basket with a flourish. Although Derek was the busboy, his six-foot-seven stature and sociable manner caused new customers to mistake him for the owner.

"I'm playing five parts," he announced. "I get my name in the program five times - for Wolsey's servant, the court crier, the executioner, the mayor of London, and a messenger. I like the executioner best; I get to carry the axe and wear a hood."

"You're going to be a busy boy with all those costume changes," Qwilleran said.

"I figure I can wear the same pants and just change the coat and hat."

"In Shakespeare they're called breeches, Derek."

"I've been thinking it over," said the busboy. "I've decided I'd like to be an actor instead of a cop. It would be more fun. You stay up all night and sleep late."

The waitress appeared, and Derek drifted away to clear some tables. Qwilleran ordered the red snapper. "And save me a piece of plum buckle if you have any left."

During the following week the number of cars in the theatre parking lot every evening indicated that rehearsals were in full swing, and one evening Qwilleran slipped into the auditorium to observe, thinking he might pick up some material for a "Qwill Pen" column. It was six- thirty when he took an aisle seat at the rear. The entire cast was on hand, except for the woman from Lockmaster; it was her off-night. The director had not yet made an appearance.

At six forty-five Carol said, "No point in wasting valuable time. Let's go over the scenes that Hilary blocked last night. We'll skip the prologue and start with the first scene as far as the dirty- look episode. Let's have the Duke of Buckingham, the Duke of Norfolk, and Lord Abergavenny on stage. Norfolk enters first, stage left. The others, stage right."

Three actors, carrying scripts and looking far from aristocratic in their rehearsal clothes, made their entrance.

Carol called out from the third row, "Norfolk, take a longer, more deliberate stride. You're a duke!... That's better! And Abergav'ny, show respect for your father-in-law but don't hide behind him. Let's do that entrance again and take it from Good morrow and well met." As the scene progressed, Carol made notes and occasionally interrupted. "Norfolk, don't just look at the speaker, listen to what he's saying. It'll show in your face... And Abergavenny, keep your chin up... Buckingham, take a couple of steps downstage when you say O you go far."

When Dennis reached Buckingham's clever line - No man's pie is freed from his ambitious finger - he stopped, and laughed. "That's my favorite line."

" There was a ripple of amusement as the actors in the front rows looked at each other with understanding.

Carol said, "Okay, take it again. And Norfolk, use your upstage hand so you don't hide your face."

When they reached the dirty-look episode and VanBrook had not yet arrived, Carol read Cardinal Wolsey's lines and walked through the scene with the others. Suddenly the doors at the rear of the auditorium burst open."

"What's going on here?" came the director's stentorian demand. Starting down the aisle in his green turtleneck jersey, he caught sight of Qwilleran. "What are you doing here?"

"Waiting for the six-thirty rehearsal to begin," said Qwilleran with a pointed look at his wristwatch.

"Out! Out!" VanBrook pointed to the door. Dennis Hough walked to the stage apron and boomed, "He can stay, for God's sake! He owns the damned theatre!"

"Out! Out!" Qwilleran obligingly left the auditorium, walked upstairs, and slipped into the dark balcony, while VanBrook proceeded without apology or explanation. Whatever had delayed him had also annoyed him, and he was impatient with everyone.

Brusquely he said, "Archbishop, stop looking at your wristwatch! This is the sixteenth century... You - he Old Lady - we're doing Henry VIII, not Uncle Wiggley! You're carrying your hands like a rabbit... Who's giggling backstage? Keep quiet or go home!... Suffolk, there are four syllables in 'coronation.' It's the crowning of a monarch, not something from the florist." None of this was said in good-natured jest; it was pure acrimony. "Campeius, can you act more like a Roman cardinal and less like a mouse?"

The actors waiting for their scenes glanced at each other uneasily. Eddington Smith, playing Cardinal Campeius, was a shy little old fellow who was always treated gently by members of the club, no matter how inadequate his performance.

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