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Tana French: The Secret Place

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Tana French The Secret Place

The Secret Place: краткое содержание, описание и аннотация

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The sensational new novel from "one of the most talented crime writers alive" ("The Washington Post") The photo on the card shows a boy who was found murdered, a year ago, on the grounds of a girls' boarding school in the leafy suburbs of Dublin. The caption saysI KNOW WHO KILLED HIM. Detective Stephen Moran has been waiting for his chance to get a foot in the door of Dublin's Murder Squad-and one morning, sixteen-year-old Holly Mackey brings him this photo. "The Secret Place," a board where the girls at St. Kilda's School can pin up their secrets anonymously, is normally a mishmash of gossip and covert cruelty, but today someone has used it to reignite the stalled investigation into the murder of handsome, popular Chris Harper. Stephen joins forces with the abrasive Detective Antoinette Conway to find out who and why. But everything they discover leads them back to Holly's close-knit group of friends and their fierce enemies, a rival clique-and to the tangled web of relationships that bound all the girls to Chris Harper. Every step in their direction turns up the pressure. Antoinette Conway is already suspicious of Stephen's links to the Mackey family. St. Kilda's will go a long way to keep murder outside their walls. Holly's father, Detective Frank Mackey, is circling, ready to pounce if any of the new evidence points toward his daughter. And the private underworld of teenage girls can be more mysterious and more dangerous than either of the detectives imagined. "The Secret Place" is a powerful, haunting exploration of friendship and loyalty, and a gripping addition to the Dublin Murder Squad series.

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‘It’s the same speech every year,’ Becca says. ‘Every single word.’

‘In first year my dad almost took me straight home because of that speech,’ Selena says. ‘He says it’s elitist.’ Selena’s dad lives on some commune place in Kilkenny and wears handwoven ponchos. Her mum picked Kilda’s.

‘My dad was thinking the same thing,’ Holly says. ‘I could see it. I was terrified he was going to say something smart-arsed when McKenna finished, but Mum stood on his foot.’

‘It totally was elitist,’ Julia says. ‘So? There’s nothing wrong with elitist. Some stuff is better than other stuff; pretending it’s not doesn’t make you open-minded, it just makes you a dick. What made me want to puke was the fawning. Like we’re these products our parents shat out, and McKenna’s patting all their heads and telling them what a goodjob they did, and they’re wagging their tails and licking her hand and just about peeing on the floor. How does she even know? What if my parents never read a book in their lives, and they feed me deep-fried Mars bars for every meal?’

‘She doesn’t care,’ Becca says. ‘She just wants to make them feel good about spending a load of money to get rid of us.’

There’s a snip of silence. Becca’s parents work in Dubai most of the time. They didn’t make it back for today; the housekeeper brought Becca in.

‘This is good,’ Selena says. ‘You being here.’

‘It doesn’t feel real yet,’ Holly says, which is only sort of true but is the best she can do. It feels real in flashes, between long grainy stretches of dizzy static, but those flashes are vivid enough that they throw every other kind of real out of her head and it feels like she’s never been anywhere else but here. Then they’re gone.

‘Does to me,’ Becca says. She’s smiling up at the sky. The bruise has faded out of her voice.

‘It will,’ says Selena. ‘It takes a while.’

They lie there, feeling their bodies sink deeper into the glade and change rhythm to blend with the things around them: the tink tink tink of a bird somewhere, the slow slide and blink of sunbeams through the thick cypresses. Holly realises she’s flipping through the day, the way she does every afternoon on the bus home, picking out bits for telling: a funny story with a bit of boldness in it for Dad, something to impress Mum or – if Holly’s pissed off with her, which it seems like she mostly is these days – something to shock her into letting a reaction slip out: Sweet Lord, Holly, why would anyone want to say such a… while Holly rolls her eyes to heaven. It hits her that there’s no point in doing that now. The picture each day leaves behind isn’t going to be given its shape by Dad’s grin and Mum’s lifting eyebrows, not any more.

Instead it’ll be shaped by the others. Holly looks at them and feels today shifting, fitting itself into the outlines she’ll remember in twenty years’ time, fifty: the day Julia came up with the Daleks, the day Selena and Becca brought her and Julia to the cypress glade.

‘We better go in soon,’ Becca says, without moving.

‘It’s early,’ Julia says. ‘You said we’re allowed to do whatever we want.’

‘We can, mostly. When you’re new, though, they get hyper about being able to see you all the time. Like you might run away otherwise.’

They laugh, softly, into the circle of still air. That flash hits Holly again – thread of wild-goose calls strung high across the sky, her fingers woven deep into the cool pelt of grass, flutter of Selena’s lashes against the sun and this has been forever, everything else is a daydream falling away over the horizon. This time it lasts.

A few minutes later Selena says, ‘Becs is right, though. We should go. If they come looking for us…’

If a teacher came into the glade: the thought squirms in their spines, pokes them up off the grass. They brush themselves off; Becca picks fragments of green out of Selena’s hair and finger-combs it into place. ‘I need to finish unpacking anyway,’ Julia says.

‘Me too,’ Holly says. She thinks of the boarders’ wing, the high ceilings that feel ready to fill up with cold airy nun-voice harmonies. It seems like there’s someone new hovering by the yellow-striped bed, waiting for her moment: a new her; a new all of them. She feels the change seeping through her skin, whirling in the vast spaces between her atoms. Suddenly she understands what Julia was doing at dinner, poking Joanne. This flood was rocking her on her feet, too; she was kicking into its current, proving that she had a say in where it took her, before it could close over her head and bowl her away.

You know you can come home any time you want, Dad said, like eighty thousand times. Day or night: one phone call, and I’ll be there inside the hour. Got it?

Yeah I know I get it thanks, Holly said eighty thousand times, if I change my mind I’ll call you and come straight back home . It didn’t occur to her, up until now, that it might not work like that.

Chapter 3

She liked her cars, Conway. Knew them, too. In the pool, she went straight for a vintage black MG, stunner. A retired detective left it to the force in his will, his pride and joy. The fella who runs the pool wouldn’t have let Conway touch it if she hadn’t known her stuff – transmission’s playing up, Detective, sorry ’bout that, lovely VW Golf just over here… She waved, he tossed her the keys.

She handled the MG like it was her pet horse. We headed southside, where the posh people live, Conway nipping fast around corners in the whirl of laneways, laying into the horn when someone didn’t scarper fast enough.

‘Get one thing straight,’ she said. ‘This is my show. You got problems taking orders from a woman?’

‘No.’

‘They all say that.’

‘I mean it.’

‘Good.’ She braked hard, in front of a wheatbran-looking café where the windows needed washing. ‘Get me coffee. Black, no sugar.’

My ego’s not that weak; it won’t collapse without a daily workout. Out of the car, two coffees to go, even got a smile out of the depressed waitress. ‘There you go,’ I said, sliding into the passenger seat.

Conway took a swig. ‘Tastes like shit.’

‘You picked the place. Lucky they didn’t make it out of beansprouts.’

She almost smiled, clamped it back. ‘They did. Bin it. Both of them; I don’t want that stink in my car.’

The bin was across the road. Out, dodge traffic, bin, dodge traffic, back into the car, starting to see why Conway was still flying solo. She hit the pedal before I had my leg in the door.

‘So,’ she said. A little thawed out, but only a little. ‘You know the case, yeah? The basics?’

‘Yeah.’ Dogs on the street knew the basics.

‘You know we got no one. Grapevine say anything about why?’

The grapevine said plenty. Me, I said, ‘Some cases go that way.’

‘We hit a wall, is why. You know how it works: you’ve got the scene, you’ve got whatever witnesses you can pick up, and you’ve got the victim’s life, and one of those better give you something. They gave us a fuckton of nothing.’ Conway spotted a bike-sized gap in the lane she wanted, manoeuvred us in with a spin of the wheel. ‘Basically, there was no reason anyone would want to kill Chris Harper. He was a good kid, by all accounts. People say that anyway, but this time they might’ve actually meant it. Sixteen, in fourth year at St Colm’s, boarder – he’s from down the road, practically, but his da figured he wouldn’t get the full benefit of the Colm’s experience unless he boarded. Places like that, they’re all about the contacts; make the right friends at Colm’s, and you’ll never have to work for less than a hundred K a year.’ The twist to Conway’s mouth said what she thought about that.

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