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Tana French: The Secret Place

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Tana French The Secret Place

The Secret Place: краткое содержание, описание и аннотация

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The sensational new novel from "one of the most talented crime writers alive" ("The Washington Post") The photo on the card shows a boy who was found murdered, a year ago, on the grounds of a girls' boarding school in the leafy suburbs of Dublin. The caption saysI KNOW WHO KILLED HIM. Detective Stephen Moran has been waiting for his chance to get a foot in the door of Dublin's Murder Squad-and one morning, sixteen-year-old Holly Mackey brings him this photo. "The Secret Place," a board where the girls at St. Kilda's School can pin up their secrets anonymously, is normally a mishmash of gossip and covert cruelty, but today someone has used it to reignite the stalled investigation into the murder of handsome, popular Chris Harper. Stephen joins forces with the abrasive Detective Antoinette Conway to find out who and why. But everything they discover leads them back to Holly's close-knit group of friends and their fierce enemies, a rival clique-and to the tangled web of relationships that bound all the girls to Chris Harper. Every step in their direction turns up the pressure. Antoinette Conway is already suspicious of Stephen's links to the Mackey family. St. Kilda's will go a long way to keep murder outside their walls. Holly's father, Detective Frank Mackey, is circling, ready to pounce if any of the new evidence points toward his daughter. And the private underworld of teenage girls can be more mysterious and more dangerous than either of the detectives imagined. "The Secret Place" is a powerful, haunting exploration of friendship and loyalty, and a gripping addition to the Dublin Murder Squad series.

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‘We will exfoliate,’ Julia drones, and then instantly in her own voice: ‘Yeah, Hol, I meant to ask, did your mum find those net bags?’ They’re all fighting giggles.

Joanne snaps, ‘Excuse me, did you say something to me?’

‘In my suitcase,’ Holly tells Julia. ‘When I unpack, I’ll- Who, me, you mean?’

‘Whoever. Is there a problem ?’

Julia and Holly and Selena look blank. Becca stuffs potato into her mouth, to keep the ball of fear and thrill from exploding out in a laugh.

‘The meatballs suck?’ Julia offers. And laughs, a second late.

Joanne laughs back, and so do the rest of the Daleks, but her eyes stay cold. ‘You’re funny,’ she says.

Julia crinkles up her nose. ‘Awww, thanks. I aim to please.’

‘That’s a good idea,’ Joanne says. ‘You keep aiming,’ and goes back to her dinner.

‘We will exfoli-’

This time Joanne almost catches her. Selena comes in just in time – ‘I’ve got extra net bags, if you guys need them’; her whole face is knotted with giggles, but she’s got her back to Joanne and her voice is peaceful and sure, no hint of a laugh. Joanne’s laser stare sweeps over them and around the tables, searching for someone who would have the nerve.

Becca has shovelled her food down too fast: an enormous burp explodes out of her. She turns bright red, but it gives the other three the excuse they’re desperate for: they’re howling with laughter, clutching at each other, faces practically down on the table. ‘My God, you’re totally disgusting,’ Joanne says, lofty lip curling, as she turns away – her gang, well trained, promptly match the turn and the lip-curl. They just make the laughing fit worse. Julia gets meatball down her nose and turns bright red and has to try and blow it noisily into a paper napkin, and the others almost fall out of their seats.

When the laughter finally fades, their own daring sinks in. They’ve always got on fine with Joanne and her gang. Which is a very smart thing to do.

‘What was that about?’ Holly asks Julia, low.

‘What? If she didn’t quit yowling about her stupid skin thing, my eardrums were going to melt. And hello: it worked.’ The Daleks are huddled over their trays, shooting suspicious glances around and keeping their voices ostentatiously low.

‘But you’re going to piss her off,’ Becca whispers, big-eyed.

Julia shrugs. ‘So? What’s she going to do, execute me? Did I miss where someone made me her bitch?’

‘Just take it easy, is all,’ Selena says. ‘If you want a fight with Joanne, you’ve got all year. It doesn’t have to be tonight.’

‘What’s the big deal? We’ve never been best buddies.’

‘We’ve never been enemies . And now you have to live with her.’

‘Exactly,’ Julia says, spinning her tray around so she can reach her fruit salad. ‘I think I’m going to enjoy this year.’

A high wall and a stretch of leafy street and another high wall away, the Colm’s boarders are back too. Chris Harper has thrown his red duvet onto his bed, his clothes into his strip of wardrobe, singing the dirty version of the school song in his new rough-edged deep voice, grinning when his roommates join in and add the gestures. He’s stuck a couple of posters over his bed, put the new framed family photo on his bedside table; he’s wrapped that packed-with-promise plastic bag in a ratty old towel and tucked it deep in his suitcase, shoved the case far back on top of the wardrobe. He’s checked the swoop of his fringe in their mirror and he’s galloping down to dinner with Finn Carroll and Harry Bailey, the three of them all shouts and extra-loud laughs and taking up the whole corridor, dead-arming and wrestling experimentally to find out who’s got strongest over the summer. Chris Harper is all ready for this year, he can’t wait; he’s got plans.

He has eight months and two weeks left to live.

‘Now what?’ Julia asks, when they’ve finished their fruit salad and put their trays on the rack. From the mysterious inner kitchen comes the clatter of washing up, and an argument in some language that might be Polish.

‘Whatever we want,’ Selena says, ‘till study time. Sometimes the shopping centre, or if the Colm’s guys have a rugby match we can go watch that, but we can’t leave the grounds till next weekend. So we can go to the common room, or…’

She’s already drifting towards the outside door, with Becca beside her. Holly and Julia follow them.

It’s still bright out. The grounds are layers of green, unrolling on and on. Up until now they’ve been a zone Holly and Julia aren’t really supposed to enter; not off limits, not exactly, but the only chance day-girls get is during lunch hour and there’s never time. Now it feels like a sheet of foggy glass has fallen away from in front of them: every colour is leaping, every birdcall is separate and vivid on Holly’s ear, the furls of shadow between branches look deep and cool as wells. ‘Come on,’ Selena says, and takes off running down the back lawn like she owns it. Becca is already after her. Julia and Holly run, throwing themselves into the whirl of green and whistle, to catch up.

Past the curly iron gate and into the trees, and all of a sudden the grounds are a swirl of little paths that Holly never knew about, paths that don’t belong just a corner away from a main road: sunspots, flutters, crisscrossing branches overhead and splashes of purple flowers catching in the corners of your eyes. Up and off the path, Becca’s dark plait and Selena’s stream of gold swinging in unison as they turn, up a tiny hillside past bushes that look like they’ve been clipped into neat balls by elf gardeners, and then: out of the light-and-dark dapple, into clean sun. For a second Holly has to put her hands around her eyes.

The clearing is small, just a circle of short grass ringed by tall cypresses. The air is instantly and utterly different, still and cool, with tiny eddies moving here and there. Sounds drop into it – a wood-dove’s lazy coo, the fizz of insects about their business somewhere – and disappear without leaving a ripple.

Selena says, only a little out of breath, ‘We come here.’

‘You never showed us this place before,’ Holly says. Selena and Becca glance at each other and shrug. For a second, Holly feels almost betrayed – Selena and Becca have been boarding for two years, but it never occurred to her that they would have separate stuff together – until she realises that now she’s part of it too.

‘Sometimes you feel like you’re going to go crazy if you don’t go somewhere private,’ Becca says. ‘We come here.’ She drops down on the grass in a spider-tangle of skinny legs and looks up anxiously at Holly and Julia. Her hands are cupped together tight, like she’s offering them the glade for their welcome present and isn’t sure it’s going to be good enough.

‘It’s great,’ Holly says. She smells cut grass, the rich earth in the shadows; a trace of something wild, like animals trot silently through here on their road from one nighttime place to another. ‘And nobody else ever comes?’

‘They’ve got their own places,’ Selena says. ‘We don’t go there.’

Julia turns, head tilted back to watch birds wheeling in the circle of blue, in and out of their V. ‘I like it,’ she says. ‘I like it a lot,’ and she drops down on the grass next to Becca. Becca grins and lets her breath out, and her hands loosen.

They stretch out, shift till the slipping sun is out of their eyes. The grass is dense and glossy, like some animal’s pelt, good to lie on. ‘God, McKenna’s speech ,’ Julia says. ‘“Your daughters already have such a wonderful head start in life because you’re all so literate and health-conscious and cultured and just super-awesome all over, and we’re so totally thrilled to have the chance to continue your good work,” and pass the puke bag.’

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