Dick Francis - Dead Cert

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For millionaire jockey Alan York, winning is a bonus. For Joe Nantwich, victory means no cushy backhanders; and for Bill Davidson, front running on strongly fancied Admiral, triumph is an imposter. It means murder – his own. Turning private detective, York uses Joe's underworld connections to go on the trail of the killers – only to draw a series of blanks. But when ambushed by a gang of viscious thugs, he picks up some clues along with his cuts and bruises. Bill's murder begings to make more sense. Until York finds himself in hospital, without a memory.

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I thought back to the Bristol fence, but the shade had come down again in my memory, and now I was not even sure that any gaps in it remained. My fingers wandered of their own accord to the scar on my cheek and traced along it gently, but it was a gesture I had caught myself in once or twice before, and I attached no importance to it. Besides, the immediate future needed all my thought.

All the way to Brighton I listened to the husky voice. Its tone grew both more urgent and more violent. I found it weird at first to eavesdrop on a man-hunt of which I was myself the quarry, but after a few minutes I got used to it and paid it less and less attention, and this could have been a catastrophic mistake.

'Have you anything to report, twenty-three?' said the husky whisper. There was no reply on the radio. I was only half aware of it. More sharply the voice said, 'Twenty-three, Blake, have you anything to report?'

I came back to the present with a jerk. I picked up the microphone, clicked over the switch, and said 'No' in as bored and nasal a tone as I could muster.

'Answer more quickly next time,' said the husky voice severely. He was apparently checking that all the outlying taxis were still in position, for he went on to ask three more drivers whether they had anything to report. I thanked heaven, as I switched off the microphone, that I had not had to impersonate Blake's voice for more than one second, for any attempt at conversation would have found me out. As it was, I listened more intently than before to the exchanges on the radio.

The whispering voice began to acquire tone and characteristics as I became more familiar with it, until it formed a pattern of phrasing and emphasis which tantalized me at first because I could not remember its origin.

Then I knew. I knew for sure, at last.

You can start on a plan that you think touches the limit of what you can do; and then you have to do much, much more. Once more into the breach- only the breach had got bigger. Stiffen the sinews, summon up the blood- and bend up every spirit to his full height. There was no one like Bill Shakespeare for bounding things in a nutshell.

I drove into the outskirts of Brighton very thoughtfully indeed.

CHAPTER SIXTEEN

A taxi-driver asking the way to the main police station would be enough to arouse suspicion in a moron. I parked the taxi in a side street and hurried round the corner to ask directions in the nearest shop.

It was a tobacconist's, and busy, so I buttonholed one of the customers, an elderly man with watery eyes and a cloth cap. He told me the way quite clearly, though with frequent sniffs.

'You in trouble, mate?' he enquired inquisitively, eyeing my dirty, dishevelled appearance as I thanked him.

'Lost my dog,' I said, smiling, pulling out the most unexciting reason I could think of for wanting the police.

The watery-eyed man lost interest. I walked quickly back to the taxi and found two small boys listening open-mouthed to the radio. I got into the taxi, winked at them, and said, 'It's a thrilling story on children's hour, isn't it?' Their little faces cleared and they grinned.

I drove off. The husky voice was saying, '- at all costs. I don't care how you do it. He must not get away. If you can't catch him alive you must kill him. No bullets, though.'

'It would be more certain if you would let us shoot him sir,' said the polite voice of Fletcher.

Following the watery-eyed man's instructions I found the police station without trouble. Lights shone inside it as I drove past. The daylight was going quickly.

I circled the police station until I found a quiet side turning a hundred yards away. There I stopped, close to the kerb. I turned on the side-lights and shut the windows. The radio was still chattering, and the man with the husky voice could no longer keep his fury in control. For a last moment I listened to him conceding, now that time was running out, to Fletcher's plea that they should be allowed to shoot on sight. Then with a grimace I got out of the taxi, shut the door, and walked away from it.

The Marconicars office, I reckoned, was not more than half a mile off. I half-walked, half-ran towards it, looking, as I went, for a telephone. The street lamps were suddenly turned on, the bulbs glowing palely in the fading light.

The red telephone box outside a sub-post-office was lit up inside, too, and although my reason told me I was in no danger, instinct would have made me stay in darkness. The whispering voice had done my nerves no good.

Though I knew I was still out of sight of the Marconcar office, I went into the telephone box with a conscious effort. I asked Enquiries for the number of the Maidenhead police station, and without delay was put through to the desk sergeant. Inspector Lodge, he told me, had left an hour earlier, but after some urging he parted with Lodge's home number. I thanked him and rang off.

Fumbling with haste, I fed more coins into the machine, and gave the operator the new number. It rang and rang. My heart sank, for if I couldn't get hold of Lodge quickly I did not stand nearly so good a chance of cleaning up the Marconicars the way I wanted. But at last a voice answered. A woman's.

'Inspector Lodge? Just a minute, I'll see if I can find him.'

A pause. And, finally, Lodge's voice.

'Mr York?'

I explained briefly what had happened. I said, 'I've left the taxi in Melton Close, a hundred yards back from the main police station here. I want you to ring the Brighton police and get them to send someone responsible to fetch it in. Tell them to listen carefully to the radio in the taxi. Our friend with the husky voice is speaking on it, inciting all the drivers to kill me. That should settle the Marconicars once and for all, I should think. One of the drivers out looking for me is called Fletcher. He's the one who drove the horse-box at Maidenhead, and he also rigged that wire for me at Bristol. I've remembered about it. It's likely he did the same for Bill Davidson, don't you think?'

'Yes, I do. Where are you now?' asked Lodge.

'In a 'phone box,' I said.

'Well, go back to the taxi and wait there while I telephone the Brighton police. I don't really understand why you didn't go straight to them and explain it at first hand yourself.'

'I thought it would have more weight, coming from you. And anyway-' I broke off, realizing just in time that I could not tell Lodge what I was going to do next. I said instead, 'Don't tell the Brighton police to expect me back at the taxi. I've a few phone calls to make- er- I must tell Scilla I'll be late, and things like that. But you won't waste any time, will you? Mr Claud Thiveridge won't go on talking for ever, especially after it gets dark.'

'I'll ring at once,' promised Lodge, disconnecting. I put down the receiver and pushed out into the street.

I went on my way, totting up the time I could count on before Lodge sent the Brighton police to the Marconicar office. He had to ring them up and give them a fairly lengthy account of what was going on. Then they had to find the taxi, listen to the radio, and make a shorthand record of what they heard, to be used as proof a court would accept that the whole organization was illegal. Very shortly after that they would come chasing round to apprehend the owner of the voice. Ten minutes altogether perhaps, if they hustled; perhaps a quarter of an hour.

When the Marconicar office was in sight I stayed close to the buildings so that I should not be seen from the Marconicar window. The street was nearly empty, and across the road the Olde Oake caf‚ had closed its doors for the night. Through the glass I could see the plump waitress tiredly piling the old oak chairs on to the old oak tables.

A small black car was parked by the kerb ahead. I glanced at it cursorily, and then with sudden recognition, I stopped. I purposely had not told Lodge whose face I had attached to the husky voice, though I knew I ought to have done. The sight of his car, parked flagrantly barely twenty yards from the Marconicar door, gave me a chance to square things with my conscience. I lifted the bonnet, undipped the distributor lid, and took off the rocker arm, which I put in my pocket. Whatever happened now, there would be no quick getaway for Mr Thiveridge.

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