Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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He was thinking where to start, how to start, when the cat appeared again pressing against the bars peering in. Gave him a shiver down his spine, that cat, so he found it hard to talk.

Reed doesn't want to talk in front of me, Joe thought. Was I staring? Made him nervous? Dulcie says I stare at people so hard they get shaky. Oh, right, one little cat can make a grown man shaky. Well, he's not going to talk with me watching him. Whatever the reason, the guy's tongue-tied. Backing away out of sight again, Joe lay down on the cold tile floor. He could hear, behind him up the hall, Mabel Farthy dispatching a patrol car to a drunk fight. No one needed a drunk fight in the middle of the day, in this village. It wasn't like they had any real bars, just restaurants that served drinks. He thought Mabel probably had Fenner and Harper on her monitor, maybe with the sound turned down.

In the other direction, on down the hall past the interrogation room in Dallas Garza's office, he could hear the faint echo of Harper's voice where Garza and Detective Davis were watching on the closed-circuit TV. Clyde would give a nickel to be here, Joe thought, would be as anxious to hear Reed's story as Joe himself.

It was only after Clyde was convinced there wouldn't be any shooting at Reed's place that he'd loosed his grip on Joe and let him out of the car-with the usual sigh of resignation. Clyde had had no way, though, to gracefully hang around, with cops all over the place; Joe guessed he'd gone on back to the shop to work on one of his vintage cars.

Well, Clyde could hear the story tonight when Max and Charlie came over for dinner. That was why Clyde had shown up at the station in the first place, when he'd snatched Joe up from outside the front door-to invite Max and Charlie to dinner because Charlie's new car had arrived.

Everyone but Charlie knew that Max was shopping for a new vehicle for her, one she could use for her cleaning business, for ranch work, or for hauling paintings to exhibits. Max was as anxious as a kid, wanting to surprise her. The small red SUV had been delivered yesterday to Clyde's shop, and would be sitting in Clyde's driveway when they got there for dinner.

Slipping to the bars of the interrogation room again, Joe peered in. Immediately Reed stopped talking and stared at him. Joe, even before Harper swung around to look, bolted away down the hall toward Garza's office and inside beneath the detective's printer stand, where he made himself comfortable on a small rug that Garza had brought from home and that smelled like dog. Both Garza and Davis had their backs to him, watching the monitor that was mounted high in the far corner.

Davis, curled up in the tweed easy chair, had her shoes off and her feet tucked under her. The chair had also come from Garza's house-the city of Molena Point didn't pay for luxuries; the chair, too, smelled like dog, the smell so immediate that it was as if the framed photographs of Garza's English pointers that hung on the walls had acquired an additional dimension. On the screen, Jack Reed was saying, "… almost from the time Fenner began that group in L.A. Don't know what it was about those people that drew Hal to their ideas. He was never strange, as a kid. Shy, maybe. A sort of misfit in school, a follower-"

"And that's why you killed Fenner, because he'd influenced Hal, involved Hal in the killings. And Hal…?"

"I killed Fenner to keep him away from Lori, keep him from killing Lori like he did the others. And Hal… that was rage. I saw that dead child, Hal standing over her… a black rage. I purely lost it.

"But I wasn't sorry afterward. I knew… felt like… there was more than one body down under that garden. I thought back about Hal's fishing trips, and was sure of it." Jack looked at Harper. "Fenner… I don't know if he was ever sane. I don't know why that L.A. judge didn't give him life. Lock him up or fry him, keep him off the street. Just because those others wouldn't testify against him, would never say he was involved… The cops knew he was."

Davis mumbled something to Garza, and shook her head. As if she agreed, as if LAPD or the DA should have tried harder. Maybe Fenner was free to kill Patty Rose because some squirming L.A. judge didn't have the balls to make the DA dig farther, and to lock Fenner up for life. Joe wondered how many more kidnapped children and young women were murdered because of an unrealistic attitude on the part of a few state and federal judges or inept juries.

Certainly neither detective looked like they were sorry that Jack Reed had done Fenner. Garza rose and poured two mugs of coffee, handed one to Juana, and sat down again. On the screen, Reed was describing, as best he knew, Irving Fenner's history, and Reed's view of Fenner's twisted motives. For over an hour, Joe lay beneath the printer table fitting Reed's story together with the facts he already knew.

To believe that extra-bright children would grow up to force the world into some kind of slavery dictated by geniuses was so twisted that it made Joe want to claw everything in sight. To believe those children should be eliminated or forcefully diverted from their intense interests made him wish he'd done Fenner himself. No one ever said Joe Grey was an altruistic do-gooder. In his view, the very children Fenner had killed might have accomplished great and wonderful things in the world.

He knew from his own metamorphosis, from ordinary cat to a speaking, sentient being, the value and wonder of clear and perceptive thought. To kill a child who had a sharper, clearer view of the world was to kill what life was all about. When the interrogation was finished, when Jack Reed was led away to be locked in a cell, Joe left the station still out of sorts. So grouchy that even that night as Clyde prepared dinner, he felt snappish and bad tempered.

"What's with you? What happened after I left Reed's?" Clyde said, tearing up greens for a salad.

"They arrested Reed. What else?"

Clyde turned to look at him. "I provide you with taxi service direct to an in-progress police raid. Chauffeur you right to the scene. Don't tell me, 'They arrested Reed'! What happened?"

"I hardly saw any action. Place was swarming with cops. Medics. The coroner."

"Medics, Joe? The coroner?" Clyde waited, his hand raised as if he'd swat Joe.

Joe grinned. "Reed killed the little bastard, killed Fenner dead. I only got a glimpse of Fenner as they carried him out, limp as a dead rat, blood all over, before they pulled the sheet over him."

Clyde smiled, lowered his threatening hand, and opened the oven to test the corn bread. "And they took Reed in?" Joe nodded. Clyde pulled out the oven rack, slipped a knife down into the middle of one golden mound, and held the knife up to the light. "And I suppose you hightailed it right on back to the department, heard the whole interrogation." Joe glanced at Dulcie, crouched beside him on the deep windowsill. She smiled, and kept her silence.

Clyde turned around to look at Joe. "Well? What did Reed say?" He checked the other loaf, then removed them, setting them on a rack to cool.

Joe shrugged. "Jack talked about Fenner, his sick mind, why he killed those kids. It's too bad Fenner won't stand trial-for Patty, for those dead children." He turned to wash a hind paw. "His death will save the state a lot of money. But a lot more information would come forth if he stood trial. Make people think a little. Where's the kit? She's the one who found Fenner, she ought to be in on this."

"She's with Lucinda and Pedric," Dulcie said. "They'll be along. They brought us down from Harper's earlier. No one wants to miss the fun; Charlie doesn't get a new car every day." Charlie had needed reliable wheels for a long time. When her crew used her cleaning van, which was fitted out with every possible cleaning apparatus and with tools for household repairs, Charlie had to drive an ancient car of Max's that was less than dependable.

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