Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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Suicide by the cop, they called it. He stood at the bottom of the three steps looking up at Harper and Garza; then he moved on up, his keys in plain sight in his hand, stepped past them to unlock the door. He'd known Max Harper ever since he moved to the village. He'd thought sometimes of going to Max, telling him the whole thing. But he didn't have the guts. It was when Natalie left and took Lori that he shut down.

Before that he'd done the only thing he knew to do. Shut the kid in. Natalie hated him for that. When he heard that Fenner was out on good time, he'd locked her in, locked Lori in the house. But then he had to look at the two of them, Lori and Natalie, their dark eyes hating him. He'd run the business, done his work, come home at night to that. But he'd had no choice, the law couldn't protect Lori even if they knew, even if they tried. Natalie thought he could do something different. But what? There was nowhere to send Lori where Fenner wouldn't find her if he wanted. What could either of them do? And then Natalie took Lori and left him, the two of them, and he thought maybe they'd get away all right. It was best that Natalie did that. Wasn't his burden no more.

But after they ran away he shut down for good. And then Natalie died and Lori was back and it started all over again. What could he do but keep the kid in? Live with her hate. Because Fenner knew about her, Hal'd told Fenner she was smart, the letters Hal got while Fenner was in prison, Fenner knew. Didn't they censor that stuff? Then Fenner got out the second time; he saw Fenner in the village and then Patty Rose was shot…

Unlocking the door, he pushed it back and stepped inside, moved back against the open door so the law could enter. He'd thought, when Patty was killed, of going to Harper. But he'd kept looking for Lori, real worried, didn't want to put Lori in more danger, with Fenner out there somewhere. Then that morning early he saw her go in through the library window, and he knew she was all right, knew where she was hiding. And then he saw Fenner watching the library, and that put the fear in him.

Harper and Garza had moved on into the room, stood facing the couch where Fenner sprawled facedown in splattered blood. Spinning around, Harper drew on Jack and backed him away from the open door, backed him against the wall.

Garza checked Fenner for dead, but they all knew he was. Jack stood cold and silent while Harper cuffed him and then called the coroner. He wondered if he'd get life. Didn't want that, he'd rather die. He prayed for Lori, though, couldn't remember praying since he was a kid.

Little Lori, she'd been hiding in the library all that time. Bright. Maybe she'd do all right, in spite of the mess he'd made.

Likely hid there in that walled-up place that went under the alley. When he and Hal first started the business they'd worked in the other building rewiring the two apartments and the store. Pulled old dead wires out, had to go in the library basement to make sure they were already cut loose.

Four more cops came in, men he knew. Stood around him while Harper snapped a leg chain on him. What did they think? He wasn't fighting no cops. He watched Garza and a uniform move away to clear the house. Clear the house of who? They know it was me. He guessed cops had to follow procedure. Harper stood looking at him like he expected him to say something. He looked at Harper and felt nothing. What was the point of anything? You were born, stuff happened to you, and you died. What was it all for? Natalie had said, You don't care about anything! You don't care about your own child.

He cared about Lori, but she wouldn't believe that. And what difference had it made? Except, Lori was still alive. He never knew why Fenner wanted Lori or those other kids. He knew what Fenner said, what Hal'd said. But he never could figure the rage that filled Fenner.

Coroner's car was pulling up. Harper had left the front door open. Jack stood with his back to it, his cuffed hands behind him rubbing against the rough wood. In a minute they'd put him in a squad car, take him over to the jail. Maybe he'd get a private cell, not have to talk to anyone.

He didn't feel Fenner's kind of rage when he beat Fenner, he just wanted Fenner to end. And he didn't want no farting around with some sharp public defender, either, trial strung out forever trying to get him off with a couple of years. He'd never been cuffed before, never been in jail, let alone prison. He didn't look forward to that, to the gangs, the harassment. He moved aside as two medics came in, and the coroner behind them. As they knelt over Fenner, Harper nodded toward the door.

Jack moved outside ahead of the chief and down the walk and slid into the squad car ducking his head under Harper's firm push. Cops didn't want you to hit your head, didn't want a charge of brutality. He waited unmoving as Harper snapped his leg chain to the floor. Wanted to make some remark about all this security, but he remembered about the guy in Sacramento, slipped over the seat back of a CHP unit while he was handcuffed, cop left the key in the ignition. Guy took off with the black-and-white, and that left the CHP boys red faced, and that made him start to smile. Not much made him smile anymore.

Driving him to the station, Harper didn't say a word. Marched him inside, took him right on into an interrogation room-room the size of a walk-in closet, no windows, and a barred door. Small table where you could lean your elbows, and two folding chairs. Surveillance camera mounted high in one corner. Whoop-de-do, he was on TV He didn't think they could use a recorded interview in court. But what difference? Didn't make no difference. Harper sat down across from him.

He studied Harper's quiet brown eyes. Wished he could face the man not as he now was, but as the old Jack Reed. He and Harper'd played poker together once in a while, killed a few beers when he, Jack, did some wiring up at Harper's place. Wired his little barn, four stalls facing each other across a covered alleyway. Put in lights in the alleyway and the one stall Harper used for a tack room, and floods outside.

That was the old Jack Reed, drinking beer with the police chief. Jack Reed with a beautiful wife and a beautiful little girl. Harper sat waiting. Jack looked back at him feeling nothing until Harper began with the questions. Started off talking soft and easy, then when Jack didn't say much, Harper shot the questions at him. Jack was answering as best he could, trying not to get mad, when a big gray cat came down the hall, stood looking in through the barred door. Big gray cat with white markings. When Harper turned to see what he was looking at, the cat slipped away, was gone like it had never been there.

Harper turned back, looking steadily at Jack. Jack couldn't tell if Harper knew Lori'd run off, but he started asking about Lori.

"It's the weekend, Jack. There's no school. She playing with friends? You want to tell me where?"

"They're out somewhere, a bunch of kids. I don't know where. They came by for her."

"Kids from school? You just let her run around in the village without telling you where she's going? Does she go to school every day?" Harper must know she didn't.

"What is this, Max? If you brought me down here to book me for Fenner, then get on with it." Though of course Harper would ask questions, seeing the windows all boarded up. As little as Jack cared anymore, he could see the tangle he was making. Maybe better just to lay it out for Harper, why the plywood over the windows, why he'd killed Fenner. He was going to burn anyway, if not for Hal, then, sure, for Fenner.

And then Lori would be alone and she'd have to go to child welfare, she'd have no choice. Well, they'd take care of her, state paid them to do that.

"Why the plywood, Jack? What's that all about?"

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