Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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Was Kit down there in the stairwell, below the crowd of officers? Or maybe above them, peering over from the deep shadows of the balcony that ran above the stairs? Looking along the balcony, Joe searched for her but saw no gleam of yellow eyes. He glanced at Dulcie, and his look softened. For a moment the two cats were close again, of one mind, their noses filled with the smell of death. Sliding into the bushes at the top of the steps, staring down among the flashing torch lights, both cats froze.

Patty Rose lay below them, her white satin robe bloodstained, her face brutally torn. Dulcie was so shocked she felt her supper come up, her mouth fill with bile. Joe's ears were back flat to his head, his whiskers laid flat, his eyes burning like yellow fire.

Detective Garza knelt beside Patty, feeling for a pulse. The cats knew there could be no pulse. When at last Garza rose and backed off, the medics knelt over her trying for a pulse, too, trying to stop the bleeding, trying to start her heart beating again. They worked for a long time before they rose and turned away. Beside Dulcie, Joe's face seemed suddenly thinner, his whole body smaller and limp. Shivering, the tomcat nosed at her. She looked at him helplessly, read in his eyes exactly what he felt- as if all that was good in life had vanished, as if the negative forces of the world had suddenly won. Never had either cat imagined Patty Rose murdered. Such wanton violence to someone so good, so innocent of malice, filled them with defeat. Crouching with Joe above the stairs, Dulcie watched Detective Garza unpack his cameras.

Peering from behind several uniforms' dark trouser legs, shuttering their eyes against the bright strobe lights, the two cats watched Dallas Garza begin to shoot the scene. The big, square-faced Latino was dressed in soft jeans and a wrinkled blue T-shirt, as if he had grabbed the first clothes at hand. He wore scuffed tennis shoes but no socks. His short, dark hair was uncombed. His tanned jaw was darkened by a day's growth of shadowy whiskers, and set with a cop's controlled anger at this death of a good friend. As he stood above the body, Garza's dark, solemn eyes searched every inch of the stairwell as he decided where to shoot, making sure he missed nothing. Some of his close-ups were made more difficult by the steep flight of steps, some were assisted by the dropping angles. When he had shot a roll of film, he began to set up additional lights to eliminate shadows, to do it all again. The two cats fled to the concrete walkway above the stairwell.

Crouching there on the cold cement, tasting the smell of death, they tried not to look down directly at Patty, but the lights brutally illuminated her. Sickened, Dulcie couldn't help but imagine a grisly film shoot, macabre and shocking. A horrifying farewell for a great star, a surreal and disgusting final drama too much like the sickest of human culture.

She watched Captain Harper and the coroner approach the stairs through the crowd of officers. At the top of the steps, the two men paused, waiting for Garza to finish so Dr. Bern could examine the body before taking it to the morgue. There, the final bits of fiber and debris would be removed from Patty's clothes and body. She would be examined for all manner of trauma and of course for bullets. Samples would be taken before her body was tagged and locked away in a cold metal drawer. The cats knew the drill. They had attended more murder scenes than some of the rookies present. But that didn't make this death easier.

Certainly Captain Harper looked sick, so stricken that Joe wanted to put out a paw to him. The tall, thin chief watched the procedures in silence, his lined face pale and grim. Watched Garza finish photographing the body and surroundings and wind back the film of the old, reliable Rolleiflex camera, then shoot a few minutes of video, moving up and down the stairs. When he started toward the walkway above, the cats melted into the deepest shadows, Joe hiding his face and chest and paws by curling into a furry ball.

When Garza seemed sure he'd missed no shot, he tucked the cameras into his black leather bag, then knelt and began lifting samples, picking up small bits of debris with tweezers, and using a small soft brush to sweep the tiniest flecks into evidence bags. Garza had been with Molena Point for just a year, since Max Harper hired him away from San Francisco PD, a change that Garza had been more than happy to make. Leaving behind him too many years of big-city crime, he had moved into his family's vacation cottage at the north side of the village, a small old hillside cottage they jokingly called the Garza/Flannery estate. At about the same time Dallas left San Francisco, his niece, Ryan, after a painful divorce had also relocated from the city, to start her new construction company in Molena Point.

As the cats crouched among the flowers watching Garza, they heard a woman start across the patio behind them, coming from the front gate, her hard-soled walk quick and decisive. They didn't need to look, they knew Detective Davis's step. Juana Davis crossed and stood at the top of the stairs beside Dr. Bern, studying the body, watching Detective Garza collect evidence on the steps below. The case seemed to be Garza's call, but maybe both detectives would work this one, as they sometimes did. The cats could imagine the hours of interrogation as Harper and his two detectives questioned all the many hotel employees and guests. At last a stretcher was carried down the steps, Dr. Bern supervising the lifting and securing of the body, and Patty Rose was taken away.

Garza studied the crime scene and photographed the area beneath where she had lain, then lifted some samples. When at long last he turned off the strobe lights, when the stairwell was once more in darkness, the cats dropped down onto the concrete steps, well below where the two detectives stood talking.

"Was she alone?" Davis asked, puzzled. "Alone on the back stairs in the middle of the night? In her nightie?"

Garza shrugged. "You know she was famous for that, getting a snack in the middle of the night, raiding the tearoom pantry."

Davis nodded. "Never could understand how she kept her figure. Patty's… she's slim as a girl." Davis had a problem with weight; she was squarely built and, despite lengthy workout routines, the burgers and fries all went to fat.

"Harper's photographing and printing the pantry The door was open, the light on."

Davis glanced toward the tearoom. "He need help?"

"He took a rookie to lift prints. Cameron, she's good with that." Jane Cameron had been on the force just a month, having come straight from San Jose PD, where she'd served her apprenticeship after graduating from San Jose State.

"Where's Dorothy?" Davis said, looking back to where a small group of employees had gathered, kept in check by Officer Brennan. Dorothy Street was Patty's personal secretary. Davis glanced up to the narrow balcony that ran above the stairs. The dim, chill walkway, even in the daytime, gave no hint of the sunny apartments to which it led. At intervals beneath the concrete roof, the five doors were closed. No one had come out or gone in while the cats were there. Yellow crime-scene tape closed the doors now. Each door opened to a large and comfortable room reserved for members of the hotel staff. The cats, when they prowled the garden behind that wing, always peered in through the wide glass doors at the spacious residences. Dorothy Street had a two-room apartment down at the end. "She should have heard the shots," Davis said, studying the closed doors.

Garza shook his head. "She's in L.A. Flew down last week; her daughter's having her first baby. Max called the number she gave the staff." He handed Davis a slip of paper. "First one is the daughter's home number. No answer. You want to try the hospital?"

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