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Shirley Murphy: Cat Cross Their Graves

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Shirley Murphy Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town. The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired. Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie. Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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In the village library, which should have been empty at two in the morning, the racket jerked a little girl sharply from her troubled sleep. She sat up flinging herself off her thin mattress and against the cement wall, scrambling like a terrified animal. The sirens screamed overhead nearly above her, heavy vehicles thundering down the street as if they were right on top the basement. Sounded like the rumbling engines were coming down at her. In the tiny, hidden basement, she wondered if she would die crushed by trucks and by fallen concrete.

She didn't flick on her little flashlight, she was afraid to.

There was no window into her hiding place, no one could see her, but still she was afraid. Was there a fire somewhere near? She pulled the thin blanket tighter around her. The basement was always cold. A damp cold, Mama would say. She missed Mama terrible bad.

She hadn't run away until Pa boarded up the kitchen window, long after he'd nailed plywood over the other windows and locked the doors with key bolts that she couldn't open. When he covered the kitchen window, too, she knew she couldn't stay there anymore. He'd nailed that plywood on after the neighbor saw her looking out, a big, bony, nosy woman, saw her at the window and came over to ask him if she was sick and why wasn't she in school. That's when Pa found her footprint on the tile counter where she'd climbed up to see if she could unlock the window, where she forgot to wipe away the waffle mark of her jogging shoes. He told the neighbor she was home with the flu but afterward when the neighbor was gone, he was white and silent, and he locked her in the bathroom all night. She didn't know what was wrong with Pa except he didn't love her anymore and wasn't like that when she was little.

She was six when he'd started yelling at her and locking her in the house and wouldn't listen to Mama, and that was when Mama packed a suitcase and the two of them slipped away after he went to work and drove clear across the country to North Carolina to live. Where Pa wouldn't never think to look. They'd lived in Greenville for five years.

After Mama died and the social workers put her in foster homes one after another and she kept running away, that was when she told them she had a father in California, and they sent her back.

She'd thought he'd be different, anyway better than foster homes. But then she was sorry. Pa didn't hurt her like some of the kids had told her about, but he kept her like an animal in a cage, and the cage seemed smaller every day. She was afraid to call the social worker, though, call the number they gave her, she didn't like social workers.

The rumbling had stopped, the sirens were fainter. Lying in the dark listening to them move away, she hugged herself. She wished she had another blanket. She imagined growing old in this basement, living her whole life here and no one knowing. She thought that over the years everyone must have forgotten this small space behind the library's basement workroom, the way it had been walled off to itself. It was just a cubbyhole with rough concrete calls, not smooth walls like the workroom, and it wasn't as big as their little bathroom at home. She'd known about it since she was six, though. She'd found it when Mama worked in the library; she'd used to come in here to play, slip in behind the bookcase and no one knew.

Now it wasn't play anymore.

She only had enough food for another week. The welfare woman took her money, that Mama gave her. The welfare woman in Greenville, with the big nose, said she'd keep it for her but she never gave it back. Twenty dollars Mama gave her, and Pa never gave her even a nickel.

Now when she ran out of cans to open she'd have to go out in the dark and steal food from the back of restaurants like the homeless did.

Well, she guessed she was homeless now, too.

Or in a kind of prison.

Except, Mama would say, This isn't a prison, you're here by your own choosing, Lori. You can leave when you want, no one is making you stay here.

But where would she go?

Mama wouldn't tell her to go back to Pa; Mama hadn't stayed, had she? But Mama wasn't here to tell her where to go, where to hide.

Well, she was done with the welfare people and the foster homes. The other kids said the homes were out for blood, took in kids just to make money. The more kids the foster homes got, the more money they made. Didn't matter to them if you had to sleep on the floor, ten to a room, what did they care? She'd heard plenty from the older kids. She wondered where those sirens were going, wondered what those cops were like, out in the night with their sticks and guns, wondered what they'd do with a runaway child.

Call child welfare? Call Pa? No, she wasn't going to the cops. She curled up shivering on the thin mat, pulled the blanket tighter, and snuggled into the old, stained pillow. As hard as she hugged herself she couldn't get warm and she couldn't go back to sleep.

Joe Grey and Dulcie crouched out of the way among a tangle of ferns as officers' feet raced past them, the cops' hard black shoes thundering on the brick walk. Within the lacy foliage, Dulcie's dark tabby stripes rendered her nearly invisible. Joe Grey's pewter coat was the color of the shadows; his white markings among the lacy fronds might be mistaken for bits of blown paper. Both cats' eyes burned with interest-though there was an unusual unease between them. They were not snuggled close. They sat apart, and they had not, as was usual, raced onto the patio together. Joe had been hunting. Dulcie had been home in bed with Wilma as her housemate read aloud. Neither cat was in the best mood. As the officers crowded around the stairs to the garage, Joe glanced at Dulcie, stiff and wary.

For nearly two weeks, they had hardly spoken. Joe didn't know what was wrong with Dulcie, and he certainly wasn't asking. If she didn't want to talk, that was her problem. When, among the village rooftops or gardens, he happened on her by accident, he remained as aloof as she. Tonight, racing onto the inn's patio from different directions, they had eyed each other like strangers, Dulcie's stance defensive, Joe swallowing back a hiss.

Yet now as officers moved down the stairwell toward an objective the cats couldn't see, both slipped quickly through the garden to look, glancing shyly at each other. Beyond them across the patio two uniforms guarded the inn's front gate, and two more strung the traditional yellow tape against the gawking crowd that had gathered even on this rainy night. Dulcie glanced at Joe. Padding closer, she gently touched her nose to his. "Where's Kit?" she said softly. "Is she down here in the middle already?"

Joe glanced, scowling, up at Kit's third-floor window. The lights were on but Kit was not in sight. The side window was open and he could see a rip in the screen. He turned to study the shadows around the stairwell, but he saw no gleam of yellow eyes. Dulcie, rearing up, scanned the windows, too. "The screen's torn. Maybe Lucinda tried to keep her in."

Fat chance, Joe thought.

When Dulcie nuzzled him, he didn't respond. She gave him a sideways look. She could imagine Kit leaping down the roof to the balcony, down again-at the sirens' call, she thought, amused. She slipped closer to Joe, who had shifted away, and this time he didn't move. He was watching Ryan and Clyde, who had come in before the tape was strung, and watching Lucinda and Pedric hurrying down the stairs from their penthouse, the tall elderly couple pulling on their jackets. Softly, Lucinda was calling the kit. Both she and Pedric looked worried.

The stairwell was mobbed now with uniforms, the flash of police torches reflecting up from below projecting gigantic shadows up along the stucco walls. The lights beside the descending steps, which marched down to the garage, and the garage lights below, had been extinguished. Joe wondered if the killer had disconnected them, or if perhaps a gunshot had shorted them out.

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