Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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"Not home yet," Lucinda said after a moment, only slowly realizing it was Joe Grey. "We're worn out." She sounded sad, flat, both discouraged and angry. "The middle of the night, alone in places she shouldn't be. We've walked the streets everywhere, called and called her. Pedric's so hoarse he can hardly talk. We've been into every alley and yard. Where is she, Joe? Why is it that she's always, always into trouble!"

Joe's heart sank at her desolation. But he had to smile, too, at Lucinda's temper. Even if it was only anger to hide her fear and worry. And the old lady was right, Kit did gravitate toward trouble. A brand of trouble that made everyone despair-yet made them love her all the more.

"So headstrong," Lucinda said. "Look for her, Joe. We'll be out again as soon as it's light."

Pushing the headset back onto Harper's phone, Joe thought how simple life had been before the kit arrived in Molena Point with her insatiable curiosity and all four paws taking her where she shouldn't be.

He didn't remind himself that Kit had been a great help to the law in a number of cases. He only remembered that several times she'd nearly gotten herself hurt or killed. Now he told himself she was all right, that she was out there somewhere in the night having a ball while all her friends were sick with distress over her. Damn cat, Joe thought, just as on other occasions Clyde or Wilma had thought the same of him and Dulcie.

He left Harper's office and the department stubbornly determined to hit the sidewalks and roofs again to search for Kit-yet certain that if he didn't get another hour's sleep, he'd drop on the spot like a limp cat skin. That short nap on the dispatcher's desk had only left him yawning. Heavy with worry and exhaustion, Joe headed home, dragging his poor, tired paws.

16

Cat Cross Their Graves - изображение 17

By one in the morning the wind had scoured the village streets clean, scuttling odd bits of paper and debris against cottage steps and bushes; wind battered the gardens, sucking away dead leaves and bright flowers indiscriminately to pile them against fences and shops and in recessed doorways. Lori, in her concrete lair, listened to the wind slapping against the building and didn't much want to go out, wanted to stay huddled in her cold bed. Even through the thick concrete walls, the wind moaned and cried. She thought about the times she had gone to the shore in the predawn dark, when the wind had swept the sand clean of footprints, the prints of humans and dogs, and the little forked prints of birds. All swept away, leaving the sand as smooth as if no living creature had ever passed there. As if she were the only one remaining in an empty world.

When she reached out beneath the blanket to silence her alarm, the damp cold pushed right into her, its icy fingers reaching to her bones. During the night she had thought about going up into the dark library to see if someone might have left a sweater or coat, but it was too cold even to do that. Mama used to say she could feel the cold right to her bones. That was after she got the cancer. She would huddle under the blankets shivering with cold that, she said, was not like any cold she'd ever known.

Lori thought about before Mama got sick, Mama tucking her in under their warm, thick quilts and snuggling close when it was snowing outside. She thought about Mama so hard that she thought she could smell Mama's lavender soap and the scent of her tomato plants on Mama's hands, and the sleepy scent of her nightie. She would never smell those smells again.

But she would never go back to Pa. So angry and silent and then shouting and swearing at her and smelling of whiskey. And if he didn't smell of whiskey, he was just real quiet. She never knew if he was mad at her or so mad at someone else that he just had to shout. Maybe mad at the whole world. That's what Mama said, that Pa hated the whole world and Mama didn't know why. After Mama died, when child welfare brought her back to Pa, she thought it had to be better than those foster homes in Greenville but it wasn't. When he got up in the mornings he didn't talk to her; he drank coffee and locked her in the house and told her to eat peanut butter for lunch and not dare to go outside. She'd started school, but Pa made her stop. And their house was hot all the time. No way to open a window, he'd nailed them all shut.

He thought she couldn't open the heavy bolts on the doors but she found a hammer and hid it under her mattress. She could open the back door bolt with that but she was scared he'd catch her, scared to run away. She only went in the backyard in the sunshine. When he got home after work he just sat in his chair, didn't talk to her, and he never read books or the newspaper like when she was little. If he turned on the TV she didn't think he saw or heard it, he just sat there and never moved except to drink whiskey. Except if she did anything he didn't like. Then he yelled at her. He always heated a can of soup for their supper and made her sit at the table with him but he never said a word. If she went near the front or back door, he'd shout. And then one day he came home from work and she was in the backyard playing jacks. She'd forgot how late it was. He was real mad, and that night he found her hammer and he took it and nailed the back door shut. But he didn't find the pliers she'd taken from the garage. The next day he put padlocks on both doors and that night she lay in her bed thinking about what Mama would do.

She had that social worker's phone number. That lady that met her at the airport. Had it in her school notebook but she didn't want to call that woman, she didn't want to go to another foster home. When she knew he was asleep, when she could hear him snoring, she stuffed her clothes and toothbrush in her backpack, crammed in some cans of beans and plums from the kitchen, and a jar of jam and one of peanut butter. She used the pliers to open the kitchen door to the garage, where there were boxes of old, musty clothes from when she and Mama lived there.

She'd dug around real careful because there were spiders. She found the old plaid blanket and a rolled-up sun pad with a cord around it from when Mama used to lie in the sun. Both of them smelled like the boxes of clothes did. And when she was rooting around in the boxes, that was when she found the billfold-that was when everything changed.

That was when she really, really knew she couldn't stay with Pa any longer.

She didn't remember Uncle Hal very well except she didn't like him much. He was always too nice to her. Always asking so many questions about school. "You're finishing the first grade? Most girls your age are just going into kindergarten. Are you doing numbers yet? Do you like that? Do some sums for me, Lori. Or why don't you read to me? Your mama says you can already read real well. Read to me from your little book." She hated that. Pa scolded her for being rude to Uncle Hal but she couldn't help it. She was glad when he went away to British Columbia. To spend his days fishing, that's what Pa said.

The morning she found the billfold, she was surprised Uncle Hal would go away without his driver's license and credit cards. British Columbia was in Canada, but was that place so different that he didn't need a license or credit cards? Not likely. His snakeskin belt, that Uncle Hal wore all the time, was with the billfold, and his gold ring shaped like a dragon; she'd never seen him without that ring on his middle finger. She didn't know what made her take them when she found them, but she stuffed them in her backpack. She broke the garage window to get out. Hit it with a shovel then climbed on Pa's work bench and jumped out.

It was after she ran away that she thought about the terrible argument Pa and Uncle Hal had the night before Uncle Hal left. The two of them shouting and swearing so bad that Mama took her out for a walk to get away from the house and they ended up at a late movie. When they got home real late Uncle Hal was gone fishing. And after that, he didn't come over anymore. That was when Pa started being so cross all the time.

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