Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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Joe didn't have the answer. That was the way he was made. His curiosity, his fierce predatory skills, and his natural ability to outsmart humans had combined in a new way. His enraged, often amused drive to set straight the flawed rejects of the human world seemed to Joe himself insatiable. Feline undercover work was a huge and fascinating chess game, with the highest possible stakes.

Leaping onto Mabel's counter, Joe looked up into her round, motherly smile wondering what she'd brought for supper. Mabel Farthy was always pleased to see him. Mabel's brown, laughing eyes and happy expression inspired total confidence from beast or child-just as her acumen with a.38 police special, when needed, could inspire respect from an assortment of miscreants who might misjudge her motherly appearance. A matronly lady with a little extra fat on the hips did not necessarily add up to ineptitude in the arts of law enforcement.

"So, you little bum." Mabel scratched behind Joe's ears in just the way he liked. "You hungry? When were you ever not hungry?" Reaching under the counter of her busy electronic cubicle, she drew forth the paper bag containing her lunch, which she'd stashed on a lower shelf. Mabel, in packing her lunches, seemed always to allow generous portions for any visiting felines.

Joe purred extravagantly as she unwrapped a piece of fried chicken. Mabel made the best fried chicken; Joe didn't know what she did to it, but it smelled like the kind of chicken he imagined would be served in cat heaven. And Mabel Farthy well understood that a helpless little cat, wandering many blocks from home, would be hungry on these cold winter nights.

Removing the chicken from the bone, she tore it into small pieces, which she laid on one of a supply of paper plates that she kept beneath the counter for just this purpose. Next to Mr. Jolly, who owned the deli, Mabel had turned into the second-finest provider in the village in matters feline.

The chicken didn't last long; Joe tore into Mabel's offering as if he hadn't eaten in months. When he'd finished, holding the plate down with his paw, he licked it as clean as would a ravenous dog. Mabel, tossing the empty plate in the wastebasket, wiped her hands on one of those damp paper squares that she pulled from a little cylinder, then stood stroking him for a few minutes.

When she returned to the fax machine, sorting through the pages it had spewed forth, Joe wandered along the counter to Harper's report box. Still purring, he studied the fresh copy, smelling the faint aroma of the laser-jet toner. Reading the top sheet, he smiled.

He must be on a roll. He'd lucked out not only with fried chicken, but apparently with a full printout of the witness interviews from the murder of Patty Rose. Pretending to wash his shoulder, he sat reading, wanting badly to lift a paw and flip the top sheet away, restraining himself with difficulty.

But the top summary sheet said all that was really necessary. Max Harper's and the two detectives' interviews of the witnesses was one big ho-hum. One gigantic blank. Not one of those present in the bar or restaurant or in their rooms saw anything out of the ordinary. Half a dozen people heard shots, or what sounded like shots, but no one saw anything. Garza's summary described interviews so negative that one had to wonder if these folks were hiding something.

But that was a paranoid thought. Now who was imagining things? Turning away with disgust, he pushed close to Mabel to have a look at the growing pile of faxes that she was sorting into neat stacks. Rubbing lovingly against her arm, Joe scanned the reports beneath her fast-moving hands.

Nice. Very nice. These were the missing-child cases; and more were coming in, in a steady production from the fax machine.

All were old cases, five years, ten, fifteen years. Unsolved cases that might have been brought out now and then, at infrequent intervals, when an officer had some new line on child abductions, some new hint at a solution. But cases that were filed away again, unsolved. One case in Portland was over twenty years old.

Picking up the stack, Mabel thumped it on the counter to align the edges, put the stack in the copier, and ran two more sets. So many children lost, no closure to their disappearance, no answers for their families. What was the background on these kids? Did they have something in common? Joe burned for a long look, undisturbed. What kind of kids were they, what kind of families? Did these kids come from stable households, or live with drunks or in broken homes? Where did they go to school? Were they problem students? Runaways who'd been picked up by some lowlife-disaster waiting to happen?

Which child was this, buried in the seniors' garden? Was his or her background included among these cases? And would the forensics team, tonight or tomorrow, find more bodies? There was only one word for the murder of innocent children. Evil. Complete evil.

Licking his paw, he watched Mabel set up a cross-referencing chart on her computer, listing the cases by date and location, and by age of child. None seemed to have occurred any closer to Molena Point than Seattle to the north, and Orange County to the south. Dr. Hyden had said it would take some time to determine the age of the corpse but that, given the Molena Point climate, and if the body had been buried soon after death, it might date from four to ten years ago. When Mabel finished sorting, and no more faxes had come through, Joe curled up in her out box to await further electronically generated intelligence.

Yawning, he felt his eyes droop. It had been a long night. A long day and previous night; he had not had his cat's share of sleep. Tucking his nose under his paw, shielding his eyes from the harsh overhead lights, he felt himself drop into a doze. Just a few minutes, he thought, to renew his energy, to prepare for future action. Yawning again, Joe slept.

15

Cat Cross Their Graves - изображение 16

Stretched across the dispatcher's out box, his hind legs sticking out, Joe woke blearily. Beyond the glass doors, the big front parking lot was alive with headlights. Cars were pulling in, officers coming on for last watch. Private vehicles, and half a dozen police units, as well, returning from late watch. He yawned heavily. He could hear, out behind the building, several units leaving the smaller, fenced-in parking area that was reserved for official cars. Cold blasts of air ruffled his fur as officers trooped in by twos and threes. Retracting his hind paws and licking one pad, he sat up in the box yawning. But when Max Harper swung in, Joe leaped down to a shelf beneath Mabel's counter. Mabel glanced at him sharply. Looking up, he yawned in her face and curled up for another nap as if the commotion had disturbed him.

But, listening to officers joking with Harper as they moved down the hall, Joe dropped to the floor and followed, pausing outside the squad room. Harper was saying, "… Brown and Wrigley will be posted. You have a be-on-the-lookout for a man Lucinda Greenlaw saw hanging around the inn." Harper described the small man, the same description that would appear in the be-on-the-lookout notice. He gave them some particulars on the murder, and on the bullets that had killed Patty. "Likely a small caliber," he said. "Could be a twenty-two." He filled the officers in on the child's grave. "Hyden and Anderson are down from Sacramento, may still be working. About an hour ago, they uncovered a second body…" In the hall, Joe's ears pricked up sharply and he edged nearer the door. "… child about the same age," Harper said.

A young rookie asked about the gender of the children, and how they'd died.

"Hard to tell what sex," Harper said. "May never know. First child died, apparently, from a blow to the head. Second body, they've only uncovered a leg and part of the torso so far."

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