Carol O’Connell - Winter House

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Winter House: краткое содержание, описание и аннотация

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When a known serial killer is found with shears sticking out of his chest and an ice pick in his hand, Kathy Mallory and her NYPD Special Crimes partner Detective Sgt. Riker are called in to investigate. One of the occupants of Winter House, the scene of the crime, is 70-year-old Nedda Winter, who immediately confesses to the killing, claiming; it was self-defence.
Murder solved, case closed. It s even poetic justice.
However Nedda Winter is in fact the most famous lost child in NYPD historv, missing for almost sixty years, thought to he kidnapped following the massacre of her family… with an ice pick.
As Mallory and her official and unofficial partners, Riker and Charles Butler, delve into the familys history, a remarkable story begins to emerge – one of murderous greed and family horror, abandonment and loss, revenge and twisted love – a ghost story peopled by all-too-real flesh and blood. But Winter House doesn’t give up its dead so easily, and Mallory will have to reopen the original investigation in order to try and stop the murderer from finishing what they started.
Intricate plotting, resonant characters and incisive prose make Winter House O’Connell’s most powerful and most astonishing novel to date.

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When Charles rang the bell, it was Sheldon Smyth who responded. The older man had won a footrace to the door, beating a young woman in a maid’s costume, who rushed up behind him with a tray of hors d’oeuvres in hand.

„Not now,“ said Smyth, flicking his fingers at her to shoo her away as if she were an insect. „Hello, Charles.“ He glanced back, satisfied to see the maid in retreat. „Not the best caterers, I’m afraid. Short notice and all.“

Charles wondered why Smyth would tell such a lie. The truck parked outside the house belonged to the most exclusive caterer in Manhattan, one who was booked months in advance and not the sort to do impromptu dinner parties-unless of course, the fee had been doubled or tripled.

With the old lawyer’s hand on his back, Charles was gently but firmly propelled into the front room, and his eyes were once again drawn to the wildly impractical staircase. The architect must have hailed from a school that regarded clients as parasites in the home, only grudgingly deferring to them by allotting space for kitchens, bathrooms and the like. And now he had exhausted every sane rationale for his sudden discomfort. In a less pragmatic part of his mind, he thought the house was hostile. How ludicrous.

At the foot of the stairs was a fully stocked bar, and here introductions were made to Bitty’s uncle. While Charles was shaking hands with Lionel Winter, he felt that his host was missing something – oh, perhaps a pulse. The man was simply not present, that or his personality was in hiding. Given the snow-white hair, the face was younger than it should be, and Charles wondered if the lack of age lines was due to the absence of an emotional life. It was pathos and comedy that creased a face with personal history.

Sheldon Smyth dismissed a young man from the caterer’s staff and assumed the role of bartender. „Let me guess your poison, Charles.“ He poured a double shot of Chivas Regal into a brandy glass. „Neat, am I right?“

„Yes, thank you.“ This was indeed Charles’s usual fare, but he had not ordered Chivas at lunch today. He was given further proof that Smyth had gone to a great deal of trouble over this dinner party, for now he learned that his favorite foods were on the menu. However, the elderly lawyer had not discerned that Charles’s taste in music was strictly classical, though this extended to the vintage jazz that Nedda Winter had played on the radio during his last visit to this house. Tonight, he was forced to listen to elevator music, popular tunes played as boring instrumentals by an uninspired orchestra. Even the tonal quality had changed overnight. The sound surrounded him. He did not have to look at the antique radio to see that the dial was dark, that the music did not come from there.

Lionel Winter made his first attempt at conversation, going on at length about the elaborate sound system that played in every room of the house.

And when Charles mentioned the jazz tunes of the previous evening, his host fell silent and only stared at him.

Sheldon Smyth filled this uncomfortable void, saying, „The ladies should be joining us any minute now. Ah, women – never on time. Well, what’s the use of a grand staircase if you can’t make a stunning entrance?“

And now the ladies were coming, gliding down the stairs in long gowns. The tall woman could only be Cleo Winter-Smyth. Resplendent in a dark-blue gown the color of her eyes, she towered over her daughter.

Poor little Bitty. Her strapless dress of iridescent colors was reminiscent of a disco ball on prom night, and her gamin charm had been destroyed by a gash of lipstick, a rouge pot on each cheek, and hair lacquered into appalling spit curls. Aghast, Sheldon Smyth turned from his daughter to his ex-wife, and Charles wondered if Bitty had been transformed into a circus pony under duress. The tiny woman flinched, needing no more than her father’s expression to tell her how foolish she looked.

Cleo Winter-Smyth resembled her brother, Lionel. Both were tall and fair and absent any human aspect in their eyes. The woman tilted her head to one side, and this was the only indication that she was surprised by her ex-husband’s attitude. Turning away from him, she managed a floodlight white smile for their guest.

During the ensuing small talk of weather and dead burglars, Charles felt more and more ill at ease. Again, he tried to blame this on the staircase that was always in the act of running off to the top of the house. And all those tall mirrors – they picked up each gesture of a head half turned, repeating it in a herd of heads all giving alarm as animals will do when they turn to the sound or the scent of danger. Even the small painting over the bar had a manic quality of stroke and line and color. Between one drink and the next, he learned that Bitty Smyth had grown up in this unsettling house. And so, if there was an easily startled air about her, in her eyes and in her manner, this was to be excused.

Cleo Winter-Smyth lifted her face ever so slightly as she peered into one of the mirrors lining the walls. She spoke to the reflection of another woman on the staircase behind her. „Nedda, I didn’t know you’d be joining us tonight.“

Was there something in her tone that implied the older woman was unwelcome?

Nedda Winter drifted down the stairs in a long black satin dress that called to mind a black-and-white movie from a more elegant era. A loose-woven shawl of silver threads was draped over her shoulders, and her braided white hair served as a coiled crown. She was another paradox of the house. The lines of her gown were sylvan and classical, the lady statuesque, her posture unbowed, and, despite the wrinkles and the hair gone white, the total effect was beautiful. And what quiet authority this woman had, sufficient to reduce Sheldon Smyth to a fidgeting child on best behavior. Her pale blue eyes took in the drastic alterations to her niece. If the sight was unpleasing, she never let on, but, while Bitty was looking elsewhere, Miss Winter glanced at Cleo with mild disapproval. The younger sister would not look at her.

Upon reaching the bottom step, the elder lady inclined her head and extended one veined hand to Charles. „How nice to see you again. I’m sorry we didn’t have a chance to talk last night.“

„Well,“ said Sheldon Smyth, „we’ll make up for that this evening.“ And with those words, the occasion of a man’s violent death had been reduced to a previous social event.

Nedda placed a protective arm about Bitty’s shoulders, then guided her niece into the dining room, and the rest of the party followed them to the table.

A waiter pulled out a chair to seat Cleo Winter-Smyth beside Charles. „I met your parents years and years ago,“ she said. „Sheldon and I were enrolling Bitty at the Marshal Frampton Institute.“ Left off this long name were the words for gifted children. „They seemed to dote on you.“

The woman had more grace than to mention that Marion Butler had been a bit old for motherhood. Charles’s birth had been a shock to his parents, a pregnancy so late in life. His parents had died of old age before he was out of his teens. And, yes, they had doted upon him and sent him to schools that would cater to his freak’s IQ. He looked down at his place setting, wondering how he could have forgotten Bitty Smyth among the limited enrollment of the Frampton Institute.

„Stop racking your brain, my boy,“ said Sheldon Smyth. „The moment my back was turned, Bitty’s mother pulled her out of school. I don’t think she attended for more than two days.“

The subject came up again as the first course was being served.

„It wasn’t the right school for Bitty.“ Cleo’s tone was somewhat defensive. „I sent her to a better one where she could make all the right connections.“

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