Carol O’Connell - Winter House

Or not.

Kathy Mallory was asleep in his chair.

Well, this put a lie to Detective Riker’s theory that she slept hanging by her heels like a bat. While her uncivilized eyes were closed, she looked rather like a child napping after a busy tour of duty on a homicide squad – and a bit of illegal trespass. A velvet pouch, holding bright bits of metal, lay open upon his desk blotter.

Poor baby.

Apparently, sleep had overtaken her before she could put her lock picks away.

Oh, surprise number two.

Her eyes snapped open in the mechanical fashion of a doll – or a robot. There was no middle gear of rousing from sleep and dreams. She was simply awake, and this lent credence to his own theory that she had an on-off switch.

„Good morning, Kathy.“

„Mallory,“ she said, reminding him of the rules. She liked the chilly distance of formality.

Well, isn ‘t that just too bad.

He had known her as Kathy since she was ten years old, though she had insisted at the time that she was twelve. His oldest friend, Louis Markowitz, had bargained her down to the more realistic age of eleven so that he could complete the paperwork for her foster care.

Eleven, in a pig’s eye.

But who could discern the true age of a homeless child who was also a gifted liar – and worse. She was the fault in the doctor’s personal myth of himself as an intractable man. Upon the death of her foster father, killed in the line of duty, Edward Slope had tried to fill that void, loving her enough for two, but he was no pushover. And this business of breaking into his office – well, he was not about to let that slide. He reached across the desk to grab her lock picks, planning to use them as a show-and-tell exhibit while he lectured her on -

The lock picks were gone.

She had pocketed them in a sleight of hand, and the doctor knew this drill all too well: if he had no evidence of her illegal entry, then there had been no crime that she would own up to.

Kathy Mallory laid her hands flat on the desk, her desk now. How she loved these little hieratic strategies of furniture and psychological leverage. „I need an autopsy, all the trimmings.“

„Get in line.“ Slope settled into one of the visitors’ chairs. „It might take a few days.“ He opened his newspaper, her cue to leave, as if that ever worked. „I’ll have Dr. Morgan determine the – “

„No. It has to be you.“ She was almost petulant. „It has to be now.“

„You don’t have the rank to make that kind of a request,“ he said, tacking on, „Kathy,“ just for fun.

„Mallory,“ she said, insistent.

She held up a stack of photographs, then fanned them like a deck of cards and dealt them out, one by one – just like her old man. Louis Markowitz had been a portly soul with hound-dog jowls and a charming way about him. Charm had never been an option for Kathy, and yet, every now and then, the doctor fancied that he found traces of Lou lingering on in his foster child, sometimes a gesture or a phrase.

Briefly put, Lou’s daughter knew how to manipulate him.

Even though he was fully aware of her calculation, this deliberate and casual way she had of breaking his heart, he played along every time. The doctor leaned forward to examine the crime-scene photographs, torso shots all of them, and every camera angle showed a pair of scissors driven into the victim’s chest.

„Good aim,“ he said, „no hesitation marks. Hardly any blood loss, so it was a quick death – but you already knew that.“ Truly, he was intrigued by the request for a full autopsy, but he could not simply ask her a direct question. Their relationship had the strict parameters of a duel. And now, as he leaned back in his chair, he was even more generous with his sarcasm. „So… you had some doubt about what killed this man?“

„No, but it wasn’t the scissors.“ She wore the only smile in her limited store of expression that was not forced. It was the smile that said, Gotcha.

In the early gray light of her bedroom, Nedda Winter lay very still, not even drawing a breath – waiting for the panic to subside. It was always alarming to open her eyes and find herself alone. And how quiet it was. She had lived too many years with constant companions, never awakening in any normal sense, but ripped from sleep with the early morning orchestra of a one-note moaner in the next bed, and beyond that one, the screamer’s bed and a chorus of harpies singing an angry song of Shut up! Shut the hell up! or Nursey, Nursey, I’m cold, I’m wet. Nedda had played the audience for them, staring vacantly in the direction of their noise and wondering how she would get through another day. Her nights had been whiled away with plans for her own slow death. But that was over now. She had a new plan and something to live for.

Her heart settled into a normal rhythm, and her gaze calmly roved over the daisy pattern on the century-old wallpaper. The flowers had been yellowed with age generations before she was born. All the other bedrooms of the house had been repapered in her absence. Here, nothing had changed. The furniture was the same, just as she had left it when she was twelve years old, except for the trunk that once sat at the foot of her bed. All of the Winter children had had such trunks. By custom of the house, hers had probably been consigned to the attic when she was assumed to be dead. Otherwise, this might be like any morning from her childhood.

Only the music was missing.

She reached out to her bedside table and turned on the old radio. It was tuned to a station that played only jazz, her father’s favorite music for as far back as memory would take her. When Quentin Winter was alive, trumpets and piano riffs had filled this house, day and night, loudest in the party hours. Mellow saxophones had dominated at the break of a new day, and, toward midmorning, Daddy had played the blues as background music for his hangovers.

Nedda pulled on her robe and entered the bathroom, where her eyes bypassed that strange old woman in the mirror. She looked down at the wide array of pharmacy bottles lined up on the sink. One by one, she flushed her morning doses down the toilet. The medication had been prescribed for an illness that she had never had, and now she watched the tablets swirling around the toilet bowl. What luxury this was after all the years of picking up the pills that other patients had spit out, then ingesting them, tasting other people’s bile and inheriting their diseases and sundry germs. How difficult it would be to make anyone understand that this slow attempt at suicide had been the act of a sane woman. Now, in the absence of any medication, she was getting stronger every day, disappointing her brother and sister.

Barefoot, she left her room. On the other side of the door, she met her dead stepmother on the day of the massacre. In the manner of a puppeteer, memory worked Alice Winter’s limbs, and the pretty woman crossed the threshold of the bedroom to rouse another version of Nedda – -young Nedda with the long red hair. The house itself had been drowsing, running off the low batteries of nine sleepy children on a Sunday morning.

As Nedda started down the staircase, her father, with only a few more hours to live, was climbing toward her. Fifty-eight years ago, she had stood on tiptoe to kiss him in passing. Now she simply watched him go by in his silk pajamas and dressing gown. What a beautiful man he was, long fair hair like a prince from another age. He was holding a glass with the foul-smelling ingredients of his hangover cure. The disembodied voice of Billie Holiday wafted up the stairs behind him, dogging him from the phonograph below and moaning the blues to Daddy.

In the next century, Nedda completed her descent to the parlor floor, where Bitty was a child-size lump beneath the afghan on the sofa. She sat down in a chair beside her sleeping niece and waited. A few minutes passed before the younger woman sensed another presence in the room. Small hands gripped the afghan, and her eyes opened, cagey at first, only looking through slits for signs of danger. „Aunt Nedda?“