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James Cain: Love's Lovely Counterfeit

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James Cain Love's Lovely Counterfeit

Love's Lovely Counterfeit: краткое содержание, описание и аннотация

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It’s the story of Ben Grace, a small-time chiseler in the rackets – not crooked, not straight, just in between – who, full of grievances, makes the most of his inside information as Sol Caspar’s chauffeur to aid and abet the opposing party’s upcoming mayoral election campaign. His ally (and soon-to-be lover) in the enemy camp is a very good-looking girl named June Lyons, who is also very dedicated to justice. It sounds predictable, but it Cain’s hands, it’s anything but. It may seem strange to say, but works of fiction are usually less complicated than the real world, as who would believe the twists and turns that real life can have? But when you think the story’s going one way, Cain heads it off in another. Or, perhaps, he lets it go off in another, on its own, as if he set the characters up, and then he let them find their own destiny, their own fate. Which, of course, they do.

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"Does what, Lefty?"

"Settles Jansen's hash."

"Why?"

"When you come right down to it, Arch Rossi was all that really meant trouble. With him out of the way, they can't do much to Sol, or Maddux, or any of them. Well, he's out of the way, boy. A fat chance they'll find him now. And Maddux knows what that means, and so does Sol. He wrote that part of the speech, as a matter of fact. He copied it out this morning and phoned Maddux this afternoon. Oh, yeah-those three in Castleton can talk all they please, but the crime was committed in Castleton, you can't laugh that off. Rossi, of course, he would have been different."

"Looks like we're in."

"Looks like it. Four more years."

Again it was daybreak when Ben got home to his hotel, and he undressed slowly, with pauses while he scratched his head and frowned. Then, when the light was off, he lay there in the gray murk, staring at the ceiling, thinking, concentrating. Then his hand went up in the air, a thick middle finger met thick thumb and hesitated a fraction of a second. Then came the snap, like a pistol shot, and he reached for the phone.

"We're early birds this time, Mr. Grace."

"What time is it, by the way?"

"I have five-thirty."

"O.K., we got the road to ourselves."

"And what is the big idea?"

"Why would they put him in a barrel?"

"Now that, I can't even imagine."

"I couldn't either, till a half hour ago. I heard about this concrete overcoat, as they call it. But then, when I got to thinking about it, the more I thought the dumber it seemed. I mean, it looked like going out of your way to be crazy, putting yourself to a whole lot of trouble and not getting any advantage out of it. But that's one thing about friend Sol; he never does anything without a reason-unless he gets sore at you or something, and flies off the handle, but even then there's generally something in it for Solly. So I thought and I thought. And the only case I could remember, I don't know if I saw it in movies or read about it in the papers, was a bunch in New York that knocked off a guy and put him in concrete and dropped him in the East River. Does that mean something to you?"

"Not a thing."

"They put him in concrete to sink him!"

In the early morning light every grain of powder stood out on her face, and what seemed passably girlish at other times was now woman, squinting at him, trying to guess his meaning. Talking as he drove, he went on: "If it would stay down, there's no place for a body like deep water, is there? But it won't. Pretty soon it's coming up, and ain't that nice? But-imbedded in concrete it'll stay down. Then it's really out of sight, and I guess that's why Lefty was bragging to me, how fine this guy was put away."

"…you mean the lake?"

"It's the only deep water around here."

He spoke with the exultant tone of one who has already solved his problem, but when they arrived at Lake Koquabit they both fell silent, their spirits somewhat dampened. It looked, indeed, quite big; certainly its five miles of length and two of width were sufficiently appalling if Ben had had some idea of dragging the bottom for one barrel of concrete. Slowly they began running past the cat tail marshes on the south shore. Then presently she asked, "How did they get it into the East River?"

"Boat, I think."

"That would be pretty hard here."

"Why?"

"Well-what boat?"

"Sol has a boat."

"Is it big? Concrete is heavy."

"Big enough. It's a cruiser."

"Where does he keep it?"

"In front of his shack. Moored to a buoy."

"Then they didn't use that…To get it out to the cruiser they'd have had to put it in the rowboat, and that would have been impossible. Or else they would have had to run their car, with the barrel aboard, out on a dock, and run the cruiser around to meet it, and the only dock they could have used would have been the Lakeside Country Club dock, and they'd have run the risk of meeting late poker players, or the watchman, or yacht parties-they simply couldn't have risked it. And besides, they were caught by surprise, from the way you said Lefty acted the other night. They had to get rid of this body in a hurry, and they had no time for a complicated maneuver with a car, a cruiser, and wharf, and I don't know what all."

"So?"

"Maybe they rolled it into the lake direct."

"How?"

"Just push it to the top of a bank and let it go plopping down over the sand. Unless it hit rocks or something it would keep on rolling, even under water, for quite a way. Anyway, until it was out of sight."

"We'll look for marks."

They rode along more purposefully now, their eyes staring at the shore. Once or twice, where the road ran out of sight of the water, she got out and looked, from the top of the bank. But at the end of a mile they had seen nothing, and hadn't even come to a place where a barrel could have been rolled in, considering the problem of the marsh. Then they came to the bridge, and he instinctively pressed the brake, and they looked at each other.

"This is it, Ben. This is where they got rid of it. It was right on their way out from town, and there was no other place. Especially not at night."

To him at least, her confidence didn't seem at all farfetched. Koquabit, local philologists agreed, came from the Navajo "K'kabe-bik-eeshachi," meaning silver arrow, and this is a fair description of the lake's geography. The lake proper was shaped like an arrow's point, with barbs and all. Making into it was a small lagoon, known as the Inlet, and shaped like the wedge to which the shaft is attached. And Lowry Run, emptying into the inlet, would make a sort of shaft. Connecting inlet and lake was a deep narrows, perhaps two hundred yards across, and it was over this that the bridge ran that they had now come to. It was, as she said, about the only place where a barrel of concrete could be conveniently disposed of, at least by a panicky crew of thugs anxious only to do their work and run.

Ben started over the bridge in low gear, and they both saw the mark at the same time: a white, zig-zagging scratch that would be just about the trail left by a heavy barrel if it were rolled over the concrete parapet. They stopped, counted spans, and then he raced for the end of the bridge, and presently for a side road that forked off the main highway, and made off through the trees.

"You know where you are, June?"

"Haven't the slightest idea."

They had nosed up behind a pleasant shingled house, and stopped, and got out. "This is Solly's shack."

"Oh, my-are we safe?"

"I wouldn't bet on it."

"What are you doing?"

"Throwing off the burglar alarm. That'll help."

He peered under the eaves of a garage, found a switch, and threw it off. Then he led the way, by a narrow board walk, around front, and then down to a boathouse at the water's edge. "What in the world are you up to?"

"You'll see. We got to find that barrel."

Under the rubber mat he found a key, unlocked the little building, and they went inside. At the warm, stuffy smell he started to raise a window, but she stopped him. "I can stand a little heat, even if it's not as fresh as it might be. This morning air has me shivering."

"O.K. Now if you'll turn your back…"

"I won't look, but I refuse to go out."

Apparently in completely familiar territory, he took a pair of shorts from a rack, pitched them on a camp chair. Then he began dropping off his clothes, folding them neatly on another chair. In a moment or two he stood stark naked. Then he was in the shorts, finding a pair of canvas shoes to slip on his feet. "You'd better take your coat, Ben."

"Guess that wouldn't hurt."

"While we're paddling over, anyway."

"You handle a canoe?"

"Oh, well enough."

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