Sara Paretsky - Total Recall

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The bestselling V.I. Warshawski novels have dazzled readers and earned the acclaim of critics everywhere. "V.I. Warshawski rules," writes Newsweek, crowning her "the most engaging woman in detective fiction." Of V.I.'s creator, the Chicago Tribune says "Sara Paretsky has no peer."
Now Paretsky brings her incomparable storytelling brilliance to her most powerful Warshawski novel yet. Total Recall follows the Chicago P.I. on a road that winds back more than fifty years – and into an intricate maze of wartime lies, heartbreaking secrets, and harrowing retribution.
For V.I., the journey begins with a national conference in downtown Chicago, where angry protesters are calling for the recovery of Holocaust assets. Replayed on the evening news is the scene of a slight man who has stood up at the conference to tell an astonishing story of a childhood shattered by the Holocaust – a story that has devastating consequences for V.I.'s cherished friend and mentor, Lotty Herschel.
Lotty was a girl of nine when she emigrated from Austria to England, one of a group of children wrenched from their parents and saved from the Nazi terror just before the war broke out. Now stunningly – impossibly – it appears that someone from that long-lost past may have returned.
With the help of a recovered-memory therapist, Paul Radbuka has recently learned his true identity. But is he who he claims to be? Or is he a cunning impostor who has usurped someone else's history… a history Lotty has tried to forget for over fifty years?
As a frightened V.I. watches her friend unravel, she sets out to help in the only way she can: by investigating Radbuka's past. Already working on a difficult case for a poor family cheated of their life insurance, she tries to balance Lotty's needs with her client's, only to find that both are spiraling into a whirlpool of international crime that stretches from Switzerland and Germany to Chicago 's South Side.
As the atrocities of the past reach out to engulf the living, V.I. struggles to decide whose memories of a terrible war she can trust, and moves closer to a chilling realization of the truth – a truth that almost destroys her oldest friend.
With fierce emotional power, Sara Paretsky has woven a gripping and morally complex novel of crime and punishment, memory and illusion. Destined to become a suspense classic, Total Recall proves once again the daring and compelling genius of Sara Paretsky.

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Max stared in front of him, not looking at me. “She wanted to know if someone thought she needed to be punished, and if so, didn’t they realize that self-torture was the most exquisite punishment yet devised, because victim and tormentor were never separated.”

The silence that followed was so complete we could hear the waves breaking on Lake Michigan from the far side of the park. I gathered my papers together carefully, as though they were eggs which would crack at a false touch, and stood up to go.

Max followed me out to my car. “ Victoria, Lotty is behaving in a way that I can’t fathom. I’ve never seen her like this, except maybe right after the war, but then we were all-well, the losses we experienced-for her, as for me, for Carl, for my beloved Teresz, we were all devastated, so I didn’t notice Lotty as particularly so. For all of us, those losses are a wound that always hurts in bad weather, so to speak.”

“I can imagine that,” I said.

“Yes, but that’s not what I’m trying to tell you. In Lotty’s case, in all these years she has never discussed them. She’s always kept herself energetically focused on the task at hand. Not just nowadays, when all our lives keep us busy with the present and a more recent past. But never.”

He smacked my car roof, bewildered, astonished at her reticence. The flat, hard sound contrasted unpleasantly with his low voice.

“Right after the war, there was a sort of shock, and even for some people a sense of shame about those many, many dead. People-at least, Jewish people-didn’t talk about it in a public way: we weren’t going to be victims, hanging around the table for crumbs of pity. Among the survivors of the dead, oh, we mourned in private. But not Lotty. She was frozen; I think it’s what made her so ill that year that she left Carl. When she came back from the country the next winter, she had this patina of briskness that has never left her. Until now. Until this person Paul whoever he is appeared.

“ Victoria, after I lost Teresz I never thought I would be in love again. And I never imagined with Lotty. She and Carl had been a couple, a passionate couple; also, my own mind was in the past-I kept thinking of her as Carl’s girl, despite their long estrangement. But we did come together in that way, as I know you’ve seen. Our love of music, her passion, my calm-we seemed to balance each other. But now-” He couldn’t figure out how to end the sentence. Finally he said, “If she doesn’t return soon-return emotionally, I mean-we’ll lose each other forever. I can’t cope right now with more losses from the friends of my youth.”

He didn’t wait for me to say anything but turned on his heel and went back into the house. I drove soberly back to the city.

Sofie Radbuka. “Probably I couldn’t have saved her life,” Lotty had said to me. Was this a cousin who had died in the gas chambers, a cousin whose place on the train to London Lotty had taken? I could imagine the guilt that would torment you if that had happened: I survived at her expense. Her parting remark to Max and Carl, about self-torture.

I was following the winding road past Calvary Cemetery, whose mausoleums separate Evanston from Chicago, when Don Strzepek called. “Vic-where are you?”

“Among the dead,” I said bleakly. “What’s up?”

“Vic, you need to get down here. Your friend Dr. Herschel is carrying on in a really outrageous way.”

“Where’s here?”

“What do you mean, where’s-oh, I’m calling from Rhea’s house. She just left to go to the hospital.”

“Did Dr. Herschel beat her up?” I tried not to sound too eager.

“Christ, Vic, this is really serious, don’t joke around, pay attention. Did you know that Paul Radbuka was shot today? Rhea got the word partway through the afternoon. She’s been terribly upset. For Dr.-”

“Was he killed?” I put in.

“He was fucking lucky. Home invaders shot him in the heart, but what the surgeon told Rhea was they used a low-enough-caliber gun that the bullet lodged in the heart without killing him. I don’t understand it myself, but apparently it does happen. Amazingly enough, he should make a complete recovery. Anyway, Dr. Herschel somehow got hold of some papers of Paul’s-” He stopped, as the connection hit him. “Do you know about these?”

“His father’s ledgers? Yes. I was just looking at them, up at Max Loewenthal’s. I knew Dr. Herschel took them with her.”

“How did Loewenthal get them?”

I pulled into a bus stop on Sheridan Road so I could concentrate on the conversation. “Maybe Paul brought them up to him so that Max would understand why they were related.”

I heard him light a cigarette, the quick sucking in of smoke. “According to Rhea, Paul kept them under lock and key. Not that she’s been to his house, mind you, but he described his safe place to her. He brought his books in to show her but he wouldn’t let Rhea, whom he totally trusts, keep them overnight. I doubt he would have lent them to Loewenthal.”

A Sheridan Road bus pulled up next to me; an exiting passenger angrily pounded the hood of my car. “Why don’t you give me the details if you have them. Where did this happen? Did some Beth Israel patient get fed up at the Posner demonstrations and open fire?”

“No, it was in his home. He’s pretty muzzy now with anesthetic, but what he’s said to the cops and to Rhea is that a woman came to the door wanting to talk to him about his father. Foster father.”

I interrupted him. “Don, does he know who shot him? Can he describe her? Is he sure it’s a woman?”

He paused uncomfortably. “As a matter of fact, he-uh, well, he’s a little confused on that point. The anesthetic is making him a little hallucinatory and he says it was someone named Ilse Wölfin. The She-Wolf of the SS. That’s immaterial. What matters is that Dr. Herschel called Rhea and told her they needed to talk, that Paul was dangerously unstable if he believed these papers proved he was Radbuka, and where did he get the idea that Sofie Radbuka was his mother. Of course, Rhea refused to see her. So Dr. Herschel announced she was going to Compassionate Heart of Mary to talk to Paul in person.

“Can you believe it?” His voice went up half an octave in outrage. “Guy is lucky to be alive, just out of surgery. Hell, she’s a surgeon, she should know better. Rhea’s gone over there to stop her, but you’re an old friend, she’ll listen to you. Go stop her, Warshawski.”

“I find this request pretty ironic, Don: I’ve been begging Rhea for a week to use her influence with Paul Hoffman, as I guess his name really is, and she’s been stiffing me as if I were a plague carrier. Why should I help her now?”

“Be your age, Vic. This isn’t a playground. If you don’t want to keep Dr. Herschel from looking like a fool, you should stop her from seriously hurting Paul.”

A cop flashed his spotlight on me. I put the Mustang in gear and turned the corner past a Giordano’s pizza parlor where a bunch of teenagers were smoking and drinking beer. A woman with short-cropped dark hair walked past with a Yorkie, who lunged fiercely at the beer-drinkers. I watched them cross Sheridan Road before I spoke again.

“I’ll meet you at the hospital. What I say to Lotty depends on what she’s doing when we get there. But you’re going to love Ulrich Hoffman’s journals. They really are in code, and if Rhea broke it, she’s wasted on the world of therapy-she ought to be in the CIA.”

XLIII Bedside Manners

Compassionate Heart of Mary was perched on the fringe of Lincoln Park, where parking spaces are so scarce I’ve seen people get into fistfights over them. For the privilege of sitting in on Lotty and Rhea’s encounter I had to pay the hospital garage fifteen dollars.

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