Sara Paretsky - Total Recall

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Total Recall: краткое содержание, описание и аннотация

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The bestselling V.I. Warshawski novels have dazzled readers and earned the acclaim of critics everywhere. "V.I. Warshawski rules," writes Newsweek, crowning her "the most engaging woman in detective fiction." Of V.I.'s creator, the Chicago Tribune says "Sara Paretsky has no peer."
Now Paretsky brings her incomparable storytelling brilliance to her most powerful Warshawski novel yet. Total Recall follows the Chicago P.I. on a road that winds back more than fifty years – and into an intricate maze of wartime lies, heartbreaking secrets, and harrowing retribution.
For V.I., the journey begins with a national conference in downtown Chicago, where angry protesters are calling for the recovery of Holocaust assets. Replayed on the evening news is the scene of a slight man who has stood up at the conference to tell an astonishing story of a childhood shattered by the Holocaust – a story that has devastating consequences for V.I.'s cherished friend and mentor, Lotty Herschel.
Lotty was a girl of nine when she emigrated from Austria to England, one of a group of children wrenched from their parents and saved from the Nazi terror just before the war broke out. Now stunningly – impossibly – it appears that someone from that long-lost past may have returned.
With the help of a recovered-memory therapist, Paul Radbuka has recently learned his true identity. But is he who he claims to be? Or is he a cunning impostor who has usurped someone else's history… a history Lotty has tried to forget for over fifty years?
As a frightened V.I. watches her friend unravel, she sets out to help in the only way she can: by investigating Radbuka's past. Already working on a difficult case for a poor family cheated of their life insurance, she tries to balance Lotty's needs with her client's, only to find that both are spiraling into a whirlpool of international crime that stretches from Switzerland and Germany to Chicago 's South Side.
As the atrocities of the past reach out to engulf the living, V.I. struggles to decide whose memories of a terrible war she can trust, and moves closer to a chilling realization of the truth – a truth that almost destroys her oldest friend.
With fierce emotional power, Sara Paretsky has woven a gripping and morally complex novel of crime and punishment, memory and illusion. Destined to become a suspense classic, Total Recall proves once again the daring and compelling genius of Sara Paretsky.

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Rhea shook her head, a contemptuous little smile at the corners of her mouth. “You really don’t give up, do you? I am not going to let you have my client’s home number or address. He sees you as the person who’s keeping him from his family. If you were to show up on his front step, it would be a major disintegrating event to his fragile sense of self.”

I felt all the muscles in my neck clench with the effort not to lose my temper openly. “I’m not challenging the work you’ve done with him, Rhea. But if I could see the documents he found in his father’s-foster father’s-papers, I could use them to track down who in London might have been part of his family. The journey he thinks he made, from his unknown birthplace to Terezin, and then to London and Chicago, is so tortuous that we might never be able to follow it. But at least the documents that told him his birth name might give a skilled investigator a place to start.”

“You say you’re not challenging my work, but in the next sentence you refer to the journey Paul thinks he made. This is a journey he did make, even though the details were blocked from his conscious mind for fifty years. Like you, I am a skilled investigator, but one with greater experience than you in exploring the past.”

The discreet temple bell chimed; she turned to look at a clock on her desktop. “I need to clear my mind of all this conflict before my next patient arrives. I’ll be certain to tell Paul that he can only expect hostility if he keeps trying to see Max Loewenthal.”

“That will be helpful to all of us,” I said. “I have someone showing Radbuka’s photograph to neighbors of families named Ulrich in the hopes of finding his childhood home. So if he reports back to you that someone is spying on him-it’s true.”

“Families named Ulrich? Why would you want-” She broke off, her dark soft eyes widening, first in bewilderment, then amusement. “If that’s your best investigative effort, Vic, then Paul Radbuka is definitely safe from you.”

I studied her for a moment, chin on hand, trying to decipher what lay behind her amusement. “So Ulrich wasn’t his father’s name after all? I’ll keep that in mind. Don, where should I leave a message for you about whether Max is free to talk to you tonight? At Morrell’s?”

“I’ll ride down with you, Vic, give Rhea a chance to center herself. I have a cell-phone number I can give you.”

He got up with me but lingered inside her consulting room for a private leave-taking. As I left, I noticed another young woman in the waiting room looking eagerly toward the inner door. It was a pity Rhea and I had gotten off to such a bad start: I would have liked to experience her hypnotic techniques to see whether they gave me the same rush they did her patients.

Don caught up with me outside the elevators. When I asked if he knew what the inside joke was about the name Ulrich, he shifted uncomfortably. “Not exactly.”

“Not exactly? You mean you know sort of?”

“Only that it wasn’t his father’s-foster father’s-last name. Not what the name really was. And don’t ask me to find out: Rhea won’t tell me because she knows you’ll try to wheedle it out of me.”

“I guess I should feel flattered that she thinks I’d be able to. Give me your cell-phone number. I’ll call Max and get back to you, but I have to run: like Rhea, I need to center myself before my next appointment.”

In the L going back to my car, I called Mary Louise to tell her she didn’t have to go door-to-door with Radbuka’s picture after all. I couldn’t recap the whole conversation over the noise of the train but told her that it apparently wasn’t his childhood name. She had started south, working her way west and north, and had only reached her third address, so she was happy to call it a day.

As I picked up my car at the Western L stop, I wondered idly what would happen if Rhea Wiell hypnotized Lotty. Where would an elevator to the past take Lotty? From her behavior on Sunday, the monsters on those lower floors were pretty ferocious. It seemed to me, though, that Lotty’s problem wasn’t that she couldn’t remember her monsters but that she couldn’t forget them.

I stopped in the office to check on mail and messages and whether I had any appointments for tomorrow that I’d forgotten. A couple of new things had come up. I entered them into my computer and pulled out my Palm Pilot to download them to the handheld device. As I did so I suddenly thought of Fepple’s mother telling me her gadget-happy son used a device like mine for a diary. If he’d kept his appointments up to date, they should still be sitting in that machine in his office. And I had a key: I could go in happy and legal, with the implicit consent of Rhonda Fepple.

I quickly returned a few phone calls, looked at my e-mail, pulled up the missing persons bulletin board to see that Questing Scorpio hadn’t answered my message, and went south again, to Hyde Park.

Collins, the four-to-midnight guard, recognized me. “Got some other tenants here we could do without if you want a hit list,” he said with heavy humor as I passed.

I smiled weakly and rode up to the sixth floor. I had a hard time getting myself to open the door, not because of the yellow crime-scene tape sealing it, but because I didn’t want to face the remains of Fepple’s life again. I took a breath and tried the handle. A woman in a nurse’s uniform heading to the elevator stopped to watch me. The police or the building management had locked the office. I took out my key and unlocked the door, breaking the yellow tape as I pushed it open.

“I thought that meant you can’t go in,” the woman said.

“You thought right, but I’m a detective.”

She walked over to peer around me into the room, then backed away, her face turning grey. “Oh, my God. Is that what happened in there? Oh, my God, if this is what can go on in this building, I’m getting a job at the hospital, hours or no hours. This is terrible.”

I was just as appalled as she was, even though I more or less knew what to expect. Fepple’s body was gone, but no one had bothered to clean up after him. Pieces of brain and bone had hardened on the chair and desk. Those weren’t visible from the door, but what you could see was the mess of papers, and on top of it, grey fingerprint powder showing up nests of footprints on the floor. The powder had drifted like dirty snow onto the desk, the computer, the strewn papers. I thought briefly of poor Rhonda Fepple, trying to sort through the wreckage. I hoped she had the sense to hire help.

The police hadn’t bothered to shut down the computer. Using a Kleenex to protect my fingers, I hit the ENTER key and brought the system back up. I couldn’t bring myself to sit on Fepple’s chair, or even touch it, so I leaned across the desk to operate the keyboard. Even in my awkward posture, it only took a few minutes to retrieve his computer datebook. On Friday, he’d had a dinner date with Connie Ingram. He’d even added a note: says she wants to discuss Sommers, but she sounds hot for me.

I printed out the entry and scuttled out of the office as fast as I could move. The foul scene, the fetid air, the horrible image of Connie Ingram sounding hot for Fepple, all made me feel like throwing up again. I found a women’s bathroom, which was locked. I stuck Fepple’s door key in, which didn’t turn the lock but did get someone on the inside to open it for me. I swayed over one of the sinks, washing my face in cold water, rinsing my mouth, pushing the worst of the images out of my mind-away from my stomach.

Connie Ingram, the earnest round-faced claims clerk whose company loyalty wouldn’t let me look at her files? Or who was so loyal that she would date a recalcitrant agent and set him up for a hit?

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