Sara Paretsky - Total Recall

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Total Recall: краткое содержание, описание и аннотация

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The bestselling V.I. Warshawski novels have dazzled readers and earned the acclaim of critics everywhere. "V.I. Warshawski rules," writes Newsweek, crowning her "the most engaging woman in detective fiction." Of V.I.'s creator, the Chicago Tribune says "Sara Paretsky has no peer."
Now Paretsky brings her incomparable storytelling brilliance to her most powerful Warshawski novel yet. Total Recall follows the Chicago P.I. on a road that winds back more than fifty years – and into an intricate maze of wartime lies, heartbreaking secrets, and harrowing retribution.
For V.I., the journey begins with a national conference in downtown Chicago, where angry protesters are calling for the recovery of Holocaust assets. Replayed on the evening news is the scene of a slight man who has stood up at the conference to tell an astonishing story of a childhood shattered by the Holocaust – a story that has devastating consequences for V.I.'s cherished friend and mentor, Lotty Herschel.
Lotty was a girl of nine when she emigrated from Austria to England, one of a group of children wrenched from their parents and saved from the Nazi terror just before the war broke out. Now stunningly – impossibly – it appears that someone from that long-lost past may have returned.
With the help of a recovered-memory therapist, Paul Radbuka has recently learned his true identity. But is he who he claims to be? Or is he a cunning impostor who has usurped someone else's history… a history Lotty has tried to forget for over fifty years?
As a frightened V.I. watches her friend unravel, she sets out to help in the only way she can: by investigating Radbuka's past. Already working on a difficult case for a poor family cheated of their life insurance, she tries to balance Lotty's needs with her client's, only to find that both are spiraling into a whirlpool of international crime that stretches from Switzerland and Germany to Chicago 's South Side.
As the atrocities of the past reach out to engulf the living, V.I. struggles to decide whose memories of a terrible war she can trust, and moves closer to a chilling realization of the truth – a truth that almost destroys her oldest friend.
With fierce emotional power, Sara Paretsky has woven a gripping and morally complex novel of crime and punishment, memory and illusion. Destined to become a suspense classic, Total Recall proves once again the daring and compelling genius of Sara Paretsky.

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“All right.” She hunched a shoulder but turned back to me with a determined smile, changing the subject to ask what I knew about Fepple’s death.

I told her about finding the body. After wasting time lecturing me on breaking into the office, she agreed to call her old superior in the department to find out how the police were treating the case. Her criticism reminded me that I’d stuffed some of Rick Hoffman’s other old files into Fepple’s briefcase, which I’d dumped into the trunk and forgotten. Mary Louise said she supposed she could check up on the beneficiaries, to see whether they’d been properly paid by the company, as long as she didn’t have to answer any questions about where she’d gotten their names.

“Mary Louise, you’re not cut out for this work,” I told her when I’d brought Fepple’s canvas case in from my car. “You’re used to the cops, where people are so nervous over your power to arrest that they answer your questions without you needing any finesse.”

“I’d think you could find finesse without lying,” she grumbled, taking the files from me. “Oh, gross, V I. Did you have to spill your breakfast on them?”

One of the folders had a smear of jelly on it, which was now on my hands as well. When I looked deeper into the bag, I saw the remains of a jelly donut mushed up with the papers and other detritus. It was gross. I washed my hands, put on latex gloves, and emptied the case onto a piece of newspaper. Mitch and Peppy were extremely interested, especially in the donut, so I lifted the newspaper onto a credenza.

Mary Louise’s interest was caught; she put on her own pair of gloves to help me sort through the rubble. It wasn’t a very appetizing-or informative-haul. An athletic supporter, so grey and misshapen it was hard to recognize, jumbled in with company reports and Ping-Pong balls. The jelly donut. Another open box of crackers. Mouthwash.

“You know, it’s interesting that there’s no diary, either in here or on his desk,” I said when we’d been through everything.

“Maybe he had so few appointments he didn’t bother with a diary.”

“Or maybe the guy he was seeing Friday night took the diary so no one would see Fepple had an appointment with him. He took that when he grabbed the Sommers file.”

I wondered if wiping the jelly out of the interior of the case would destroy vital clues, but I couldn’t bring myself to dump the contents back into the mess.

Mary Louise pretended to be excited when I went to the bathroom for a sponge. “Gosh, Vic, if you can clean out a briefcase, maybe you can learn to put papers into file jackets.”

“Let’s see: first you get a bucket of water, right?-oh, my, what’s this?” The jelly had glued a thin piece of paper to one side of the case. I had almost pulped it running the sponge over the interior. Now I took the case over to a desk lamp so I could see what I was doing. I turned the case inside out and carefully peeled the page off the side.

It was a ledger sheet, with what looked like a list of names and numbers in a thin, archaic script-which had bloomed like little flowers in the places it was wet. Jelly mixed with water had made the top left part of the page unreadable, but what we could make out looked like this:

This is why its such a mistake to be a housecleaning freak I said severely - фото 2

“This is why it’s such a mistake to be a housecleaning freak,” I said severely. “We’ve lost part of the document.”

“What is it?” Mary Louise leaned over the desk to see it. “That isn’t Howard Fepple’s handwriting, is it?”

“This script? It’s so beautiful, it’s like engraving-I don’t see him doing it. Anyway, the paper looks old.” It had gilt edging; around the lower right, which had escaped damage, the paper had turned brown with age. The ink itself was fading from black to green.

“I can’t make out the names,” Mary Louise said. “They are names, don’t you think? Followed by a bunch of numbers. What are the numbers? They can’t be dates-they’re too weird. But it can’t be money, either.”

“They could be dates, if they were written European style-that’s how my mother did it-day first, followed by month. If that’s the case, this is a sequence of six weeks, from June 29 to August 3 in an unknown year. I wonder if we could read the names if we enlarged them. Let’s lay this on the copier, where the heat will dry it faster.”

While Mary Louise took care of that, I looked through every page of the company reports in Fepple’s bag, hoping to find another sheet from the ledger, but this was the only one.

XXI Stalker in the Park

Mary Louise started work on the files I’d pulled out of Rick Hoffman’s drawer. I turned back to my computer. I’d forgotten the search I’d entered for Sofie or Sophie Radbuka, but the computer was patiently waiting with two hits: an invitation from an on-line vendor to buy books about Radbuka, and a bulletin board for messages at a family-search site.

Fifteen months earlier, someone using the label Questing Scorpio had posted a query: I am looking for information about Sofie Radbuka, who lived in the United Kingdom in the 1940’s.

Underneath it was Paul Radbuka’s answer, entered about two months ago and filling pages of screen. Dear Questing Scorpio, words can hardly express the excitement I felt when I discovered your message. It was as if someone had turned on a light in a blacked-out cellar, telling me that I am here, I exist. I am not a fool, or a madman, but a person whose name and identity were kept from him for fifty years. At the end of the Second World War, I was brought from England to America by a man claiming to be my father, but in reality he was a committer of the most vile atrocities during the war. He hid my Jewish identity from me, and from the world, yet made use of it to smuggle himself past the American immigration authorities.

He went on to describe the recovery of his memory with Rhea Wiell, going into great detail, including dreams in which he was speaking Yiddish, fragments of memories of his mother singing a lullaby to him before he was old enough to walk, details of his foster father’s abuse of him.

I have been wondering why my foster father tracked me down in England, he concluded, but it must be because of Sofie Radbuka. He might have been her torturer in the concentration camps. She is one of my relatives, perhaps even my mother, or a missing sister. Are you her child? We might be brother and sister. I am yearning for the family I have never known. Please, I implore you, write back to me, to PaulRadbuka@ survivor.com. Tell me about Sofie. If she is my mother or my aunt, or possibly even a sister I never knew existed, I must know.

No follow-up was posted, which wasn’t too surprising: his hysteria came through so clearly in the document that I would have shied away from him myself. I did a search to see if Questing Scorpio had an e-mail address but came up short.

I went back to the chat room and carefully constructed a message: Dear Questing Scorpio, if you have information or questions about the Radbuka family that you would be willing to discuss with a neutral party, you could send them to the law offices of Carter, Halsey, and Weinberg. These were the offices of my own lawyer, Freeman Carter. I included both the street address and the URL for their Web site, then sent an e-mail to Freeman, letting him know what I’d done.

I looked at the screen for a bit, as if it might magically reveal some other information, but eventually I remembered that no one was paying me to find out anything about Sofie Radbuka and settled down to some of the on-line searches that make up the better part of my business these days. The Web has transformed investigative work, making it for the most part both easier and duller.

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